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Volumn 1317, Issue , 1997, Pages 181-199

A model of the perceptual root(S) of a chord accounting for voicing and prevailing tonality

Author keywords

[No Author keywords available]

Indexed keywords

MICROCOMPUTERS;

EID: 79954519933     PISSN: 03029743     EISSN: 16113349     Source Type: Book Series    
DOI: 10.1007/bfb0034114     Document Type: Conference Paper
Times cited : (18)

References (19)
  • 6
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    • Menlo Park, CA: Centre for Computer Assisted Research in the Humanities
    • Huron, D. (1994). The Humdrum toolkit reference manual. Menlo Park, CA: Centre for Computer Assisted Research in the Humanities.
    • (1994) The Humdrum Toolkit Reference Manual
    • Huron, D.1
  • 7
    • 0012108486 scopus 로고
    • An improved model of tonality perception incorporating pitch salience and echoic memory
    • Huron, D., & Parncutt, R. (1993). An improved model of tonality perception incorporating pitch salience and echoic memory. Psychomusicology, 12, 152-169.
    • (1993) Psychomusicology , vol.12 , pp. 152-169
    • Huron, D.1    Parncutt, R.2
  • 8
    • 84968081904 scopus 로고
    • Tonal hierarchies in jazz improvisation
    • Jarvinen
    • Jarvinen. (1995). Tonal hierarchies in jazz improvisation. Music Perception, 12, 415-437.
    • (1995) Music Perception , vol.12 , pp. 415-437
  • 9
    • 0020161395 scopus 로고
    • Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys
    • Krumhansl, C, k Kessler, E. (1982). Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. Psychological Review, 89, 334-368.
    • (1982) Psychological Review , vol.89 , pp. 334-368
    • Krumhansl, C.1    K Kessler, E.2
  • 11
    • 84968258463 scopus 로고
    • Revision of Terhardt's psychoacoustical model of the roots of a musical chord
    • Parncutt, R. (1988). Revision of Terhardt's psychoacoustical model of the roots of a musical chord. Music Perception, 6, 65-94.
    • (1988) Music Perception , vol.6 , pp. 65-94
    • Parncutt, R.1
  • 12
    • 33750070873 scopus 로고
    • Pitch properties of chords of octave-spaced tones
    • Parncutt, R. (1993). Pitch properties of chords of octave-spaced tones. Contemporary Music Review, 9, 35-50.
    • (1993) Contemporary Music Review , vol.9 , pp. 35-50
    • Parncutt, R.1
  • 13
    • 84963428261 scopus 로고
    • Template-matching models of musical pitch and rhythm perception
    • Parncutt, R. (1994). Template-matching models of musical pitch and rhythm perception. Journal of New Music Research, 23, 145-168.
    • (1994) Journal of New Music Research , vol.23 , pp. 145-168
    • Parncutt, R.1
  • 14
    • 84948995265 scopus 로고
    • Towards a standard alternative notation and terminology based on the chromatic scale
    • Parncutt, R., & Stuckey, R. (1992). Towards a standard alternative notation and terminology based on the chromatic scale. Musikometrika, 4, 117-143.
    • (1992) Musikometrika , vol.4 , pp. 117-143
    • Parncutt, R.1    Stuckey, R.2
  • 16
    • 84866957591 scopus 로고
    • Die psychoakustischen Grundlagen der musikalis-chen Akkordgrundtone und deren algorithmischen Bestimmung
    • In C. Dahlhaus & M. Krause (Eds.), Berlin: Technical University of Berlin
    • Terhardt, E. (1982). Die psychoakustischen Grundlagen der musikalis-chen Akkordgrundtone und deren algorithmischen Bestimmung. In C. Dahlhaus & M. Krause (Eds.), Tiefenstruktur der Musik. Berlin: Technical University of Berlin.
    • (1982) Tiefenstruktur Der Musik
    • Terhardt, E.1
  • 18
    • 84968054110 scopus 로고
    • The harmonic root: A fragile marriage of concept and percept
    • Thomson, W. (1993). The harmonic root: A fragile marriage of concept and percept. Music Perception, 10, 385-416.
    • (1993) Music Perception , vol.10 , pp. 385-416
    • Thomson, W.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.