-
6
-
-
33748555065
-
-
Menlo Park, CA: Centre for Computer Assisted Research in the Humanities
-
Huron, D. (1994). The Humdrum toolkit reference manual. Menlo Park, CA: Centre for Computer Assisted Research in the Humanities.
-
(1994)
The Humdrum Toolkit Reference Manual
-
-
Huron, D.1
-
7
-
-
0012108486
-
An improved model of tonality perception incorporating pitch salience and echoic memory
-
Huron, D., & Parncutt, R. (1993). An improved model of tonality perception incorporating pitch salience and echoic memory. Psychomusicology, 12, 152-169.
-
(1993)
Psychomusicology
, vol.12
, pp. 152-169
-
-
Huron, D.1
Parncutt, R.2
-
8
-
-
84968081904
-
Tonal hierarchies in jazz improvisation
-
Jarvinen
-
Jarvinen. (1995). Tonal hierarchies in jazz improvisation. Music Perception, 12, 415-437.
-
(1995)
Music Perception
, vol.12
, pp. 415-437
-
-
-
9
-
-
0020161395
-
Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys
-
Krumhansl, C, k Kessler, E. (1982). Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. Psychological Review, 89, 334-368.
-
(1982)
Psychological Review
, vol.89
, pp. 334-368
-
-
Krumhansl, C.1
K Kessler, E.2
-
11
-
-
84968258463
-
Revision of Terhardt's psychoacoustical model of the roots of a musical chord
-
Parncutt, R. (1988). Revision of Terhardt's psychoacoustical model of the roots of a musical chord. Music Perception, 6, 65-94.
-
(1988)
Music Perception
, vol.6
, pp. 65-94
-
-
Parncutt, R.1
-
12
-
-
33750070873
-
Pitch properties of chords of octave-spaced tones
-
Parncutt, R. (1993). Pitch properties of chords of octave-spaced tones. Contemporary Music Review, 9, 35-50.
-
(1993)
Contemporary Music Review
, vol.9
, pp. 35-50
-
-
Parncutt, R.1
-
13
-
-
84963428261
-
Template-matching models of musical pitch and rhythm perception
-
Parncutt, R. (1994). Template-matching models of musical pitch and rhythm perception. Journal of New Music Research, 23, 145-168.
-
(1994)
Journal of New Music Research
, vol.23
, pp. 145-168
-
-
Parncutt, R.1
-
14
-
-
84948995265
-
Towards a standard alternative notation and terminology based on the chromatic scale
-
Parncutt, R., & Stuckey, R. (1992). Towards a standard alternative notation and terminology based on the chromatic scale. Musikometrika, 4, 117-143.
-
(1992)
Musikometrika
, vol.4
, pp. 117-143
-
-
Parncutt, R.1
Stuckey, R.2
-
16
-
-
84866957591
-
Die psychoakustischen Grundlagen der musikalis-chen Akkordgrundtone und deren algorithmischen Bestimmung
-
In C. Dahlhaus & M. Krause (Eds.), Berlin: Technical University of Berlin
-
Terhardt, E. (1982). Die psychoakustischen Grundlagen der musikalis-chen Akkordgrundtone und deren algorithmischen Bestimmung. In C. Dahlhaus & M. Krause (Eds.), Tiefenstruktur der Musik. Berlin: Technical University of Berlin.
-
(1982)
Tiefenstruktur Der Musik
-
-
Terhardt, E.1
-
17
-
-
0020044906
-
Algorithm for extraction of pitch and pitch salience from complex tonal signals
-
Terhardt, E., Stoll, G., & Seewann, M. (1982). Algorithm for extraction of pitch and pitch salience from complex tonal signals. The Journal of the Acoustical Society of America, 71, 679-688.
-
(1982)
The Journal of the Acoustical Society of America
, vol.71
, pp. 679-688
-
-
Terhardt, E.1
Stoll, G.2
Seewann, M.3
-
18
-
-
84968054110
-
The harmonic root: A fragile marriage of concept and percept
-
Thomson, W. (1993). The harmonic root: A fragile marriage of concept and percept. Music Perception, 10, 385-416.
-
(1993)
Music Perception
, vol.10
, pp. 385-416
-
-
Thomson, W.1
|