Memory acts: Performing subjectivity

Performance Research

Volumn 5, Issue 3, 2000, Pages 102-114

  Bal, Mieke ^a  

^a NONE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79953470951     PISSN: 13528165     EISSN: None     Source Type: Journal    
DOI: 10.1080/13528165.2000.10871753     Document Type: Article

References (21)

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3. Bal, Mieke (1999a) Quoting Caravaggio: Contemporary Art, Preposterous History, Chicago: University of Chicago Press.
4. Bal, Mieke (1999b) ‘Ann Veronica Janssens: Labo de Lumière/Light in Life’s Lab’, in Laurent Jacob (ed.) Ann Veronica Janssens: une image différente dans chaque oeil/A Different Image in Each Eye, French translation by Daniel Vander Gucht, Liège: Espace 251 Nord, 73-102.
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10. Chase, Cynthia (1986) Decomposing Figures: Rhetorical Readings in the Romantic Tradition, Baltimore, MD: The Johns Hopkins University Press.
11. Delcuze, Gilles (1993) The Fold: Leibnitz and the Baroque, translated, and with a foreword, by Tom Conley, Minneapolis: University of Minnesota Press.
12. Fisher, James (1992) The Theater of Yesterday and Tomorrow. Commedia Dell’Arte on the Modern Stage, Lewiston/Queenston/Lampeter: The Edwin Mellen Press.
13. Hirsch, Marianne (1997) Family Frames: Photography, Narrative, and Postmemory, Cambridge, MA: Harvard University Press.
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15. Lehmann, Hans Thiess (1997a) ‘From logos to landscape: text in contemporary dramaturgy’, Performance Research 2(1): 55-60.
16. Lehmann, Hans Thiess (1997b) ‘Time structures/time sculpture: on some theatrical forms at the end of the twentieth century’, Theaterschrift 12: 29-47.
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