Erratum to: Flesh Poems: Henry Tonks and the Art of Surgery (Visual Culture in Britain, (2010), 11, 1, (25-47), 10.1080/14714780903509979);Flesh Poems: Henry Tonks and the Art of Surgery

Visual Culture in Britain

Volumn 11, Issue 1, 2010, Pages 25-47

  Biernoff, Suzannah ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79952881542     PISSN: 14714787     EISSN: 19418361     Source Type: Journal    
DOI: 10.1080/14714787.2010.486171     Document Type: Erratum

References (35)

1. Paul Nash, Outline: An Autobiography and Other Writings, (London: Faber, 1949), 210.
2. Henry Tonks, ‘Notes from “Wander-Years”’, Artwork 5, no. 20 (1929): 223.
3. Reginald Pound, Gillies, Surgeon Extraordinary (London: Michael Joseph, 1964), 30.
4. Joanna Bourke, Dismembering the Male: Men's Bodies, Britain and the Great War (London: Reaktion, 1996), 33.
5. Mary Guyatt provides a detailed account of developments in prosthetic limb technology during and after the First World War in ‘Artificial Limbs for British Veterans of the First World War’, Journal of Design History 14, no. 4 (2001): 307–25.
6. Seth Koven examines the discourse of disability in its wider social, political and sexual contexts during and after the First World War in ‘Remembering and Dismemberment: Crippled Children, Wounded Soldiers, and the Great War in Great Britain’, American Historical Review 99 (October 1994): 1167–202.
7. Jeffrey Reznick considers artificial limbs as examples of material culture in ‘Prostheses and Propaganda: Materiality and the Human Body in the Great War’, in Matters of Conflict: Material Culture, Memory and the First World War, ed. Nicholas J. Saunders (London: Routledge, 2004), 51–61.
8. Heather R. Perry, ‘Re-Arming the Disabled Veteran: Artificially Rebuilding State and Society in World War One Germany’, in Artificial Parts, Practical Lives: Modern Histories of Prosthetics, ed. Katherine Ott, David Serlin and Stephen Mihm (New York: New York University Press, 2002), 75–101.
9. Harold Gillies and D. Ralph Millard, The Principles and Art of Plastic Surgery, 2 vols (London: Butterworth, 1957), vol. 1, 9.
10. Andrew Bamji, ‘Facial Surgery: The Patient's Experience’, in Facing Armageddon, ed. Hugh Cecil and Peter H. Liddle (London: Leo Cooper, 1996), 495.
11. Sander L. Gilman, Making the Body Beautiful: A Cultural History of Aesthetic Surgery (Princeton, NJ: Princeton University Press, 1999), 21.
12. Nick Bosanquet, ‘Health Systems in Khaki: The British and American Medical Experience’, in Facing Armageddon, ed. Hugh Cecil and Peter H. Liddle (London: Leo Cooper, 1996), 456.
13. Sir Daryl Lindsay, ‘The Sir Richard Stawell Oration’, The Medical Journal of Australia 1, no. 3 (1958), 62.
14. Chris Amirault, ‘Posing the Subject of Early Medical Photography’, Discourse 16, no. 2 (1993–4), 55.
15. Erin O'Connor, ‘Camera Medica: Towards a Morbid History of Photography’, History of Photography 23, no. 3 (1999), 232.
16. Martin Kemp, ‘A Perfect and Faithful Record: Mind and Body in Medical Photography before 1900’, in Beauty of Another Order, ed. Ann Thomas (New Haven, CT: Yale University Press, 1997), 120–49
17. Roberta McGrath, Seeing Her Sex: Medical Archives and the Female Body (Manchester: Manchester University Press, 2002)
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19. Jane Carmichael, First World War Photographers (London: Routledge, 1989)
20. John Taylor, War Photography, Realism in the British Press (London: Routledge, 1991).
21. Sue Malvern, Modern Art, Britain and the Great War: Witnessing, Testimony and Remembrance (New Haven, CT: Yale University Press, 2004), 49.
22. Jan Gordon, ‘Art and the Camera’, New Witness, 21 December 1916, quoted in Malvern, Modern Art, 48.
23. Henry Tonks, Imperial War Museum file, item 18, August 18, 1917.
24. Hone, Henry Tonks; Tom Lubbock, ‘Doing Damage’, Modern Painters 12, no. 1 (1999): 58–61
25. J. Bennett, ‘Henry Tonks and Plastic Surgery’, Supplement to the British Journal of Plastic Surgery 39 (1986): 1–34
26. Julian Freeman, ‘Professor Tonks: War Artist’, The Burlington Magazine, May 1985: 285–93.
27. Harold Gillies, Plastic Surgery of the Face (London: Henry Frowde, Hodder & Stoughton, 1920), 10.
28. Emma Chambers, Henry Tonks: Art and Surgery (London: The College Art Collections, University College London, 2002), 15–16.
29. Joanna Woodall, ‘Introduction: Facing the Subject’, in Portraiture: Facing the Subject, ed. Joanna Woodall (Manchester: Manchester University Press, 1997), 8.
30. Ernst Van Alphen, ‘The Portrait's Dispersal: Concepts of Representation and Subjectivity in Contemporary Portraiture’, in Woodall (ed.), Portraiture, 239. Emphasis in original.
31. David Cast, ‘Representing Reality: G.E. Moore, Tonks, Coldstream, Victor Pasmore and Others’, Word and Image 16, no. 3 (1985), 290–5.
32. Emma Chambers, ‘The Cultivation of Mind and Hand: Teaching Art at the Slade School of Fine Art 1868–92’, in Governing Cultures: Art Institutions in Victorian London, ed. Paul Barlow and Colin Trodd (Aldershot: Ashgate, 2000), 99.
33. John Fothergill, ‘The Principles of Teaching Drawing at the Slade’ in The Slade, ed. John Fothergill (London: Slade School, University College, 1907), 34.
34. Lisa Tickner, Modern Life and Modern Subjects (New Haven, CT: Yale University Press, 2000), 189.
35. Helen Lessore, ‘Henry Tonks as I Remember Him’, in Morris, Henry Tonks, 8.