Modular musical objects towards embodied control of digital music

Proceedings of the 5th International Conference on Tangible Embedded and Embodied Interaction, TEI'11

Volumn , Issue , 2011, Pages 9-12

  Rasamimanana, Nicolas ^a   Bevilacqua, Frederic ^a   Schnell, Norbert ^a   Guedy, Fabrice ^a   Flety, Emmanuel ^a   Maestracci, Come ^a   Zamborlin, Bruno ^a   Frechin, Jean Louis ^b   Petrevski, Uros ^b  

^a Université Pierre et Marie Curie   (France)

^b NoDesign   (France)

Author keywords

Audio processing; Design; Gesture; Gesture recognition; Interaction; Interface; Music

Indexed keywords

AUDIO PROCESSING; GESTURE; INTERACTION; INTERFACE; MUSIC;

ELECTRONIC MUSICAL INSTRUMENTS; GESTURE RECOGNITION; INTERACTIVE COMPUTER SYSTEMS;

AUDIO ACOUSTICS;

EID: 79952330039     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1145/1935701.1935704     Document Type: Conference Paper

References (23)

1. B. Buxton. Interview on Channel 9. CES 2010. http://channel9.msdn.com/ posts/larrylarsen/ces-2010-nui-with-bill-buxton/.
2. F. Bevilacqua, B. Zamborlin, A. Sypniewski, N. Schnell, F. Guedy, and N. Rasamimanana. Continuous realtime gesture following and recognition. In LNCS. Springer Verlag, 2009.
3. T. Blaine and T. Perkis. The jam-o-drum interactive music system: A study in interaction design. In DIS, 2000.
4. E. Dalcroze. Rhythm, music and education. Library Reprints (January 2001), 1921.
5. EZ3kiel. Musical ball. http://www.dailymotion.com/video/x4rub7ez3kiel- ballon-musical-live-la-ciga music.
6. R. Godøy and M. Leman, editors. Musical Gestures: Sound, Movement and Meaning. Routledge, 2009.
7. International Conference on New Interfaces for Musical Expressions. http://www.nime.org.
8. S. Jordà, G. Geiger, M. Alonso, and M. Kaltenbrunnera. The reactable: Exploring the synergy between live music performance and tabletop tangible interfaces. In TEI, 2007.
9. M. Leman. Embodied music cognition and mediation technology. The MIT Press, Cambridge, Massassuchetts, 2007.
10. J. Malloch, D. Birnbaum, E. Sinyor, and M. Wanderley. Towards a new conceptual framework for digital musical instruments. In DAFx, 2006.
11. Max/MSP. http://www.cycling74.com.
12. J. McGrenere, R. Baecker, and K. Booth. An evaluation of a multiple interface design solution for bloated software. In Proceedings of CHI, 2002.
13. D. Merrill, J. Kalanithi, and P. Maes. Siftables: Towards sensor network user interfaces. In TEI, 2007.
14. E. Miranda and M. Wanderley. New Digital Musical Instruments: Control and Interaction beyond the Keyboard. A-R, 2006.
15. H. Newton-Dunn, H. Nakano, and J. Gibson. Block jam: A tangible interface for interactive music. Journal of New Music Research, 32(4):383-393, 2003.
16. NoDesign. http://www.nodesignlab.net/.
17. Pure Data. http://puredata.info/.
18. N. Schnell, R. Borghesi, D. Schwarz, F. Bevilacqua, and R. Muller. Ftm - complex data structures for max. In ICMC, 2005.
19. N. Schnell, A. Röbel, D. Schwarz, G. Peeters, and R. Borghesi. Mubu and friends: Assembling tools for content based real-time interactive audio processing in max/msp. In ICMC, Montreal, Août 2009.
20. N. Schnell and D. Schwarz. Gabor, multi-representation real-time analysis/synthesis. In DAFx, 2005.
21. M. Wanderley and M. Battier, editors. Trends in Gestural Control of Music. Ircam, 2000.
22. M. Wanderley and N. Orio. Evaluation of input devices for musical expression: Borrowing tools from hci. Computer Music Journal, 26(3):62-76, 2002. (Pubitemid 35201867)
23. N. Zambetti. http://www.arduino.cc/.