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Volumn , Issue , 2009, Pages 297-302

Estimating the error distribution of a tap sequence without ground truth

Author keywords

[No Author keywords available]

Indexed keywords

ANNOTATION METHODS; ERROR DISTRIBUTIONS; GROUND TRUTH; MUSIC INFORMATION RETRIEVAL; RANDOM DISTRIBUTION; STATISTICAL DISTRIBUTION; TIME POINTS;

EID: 78751665767     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (5)

References (20)
  • 2
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    • Carnegie Mellon University, Department of Philosophy, Pittsburgh, PA, USA (Masters Thesis), May
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    • (1993) Tempo Following Behavior in Musical Accompaniment
    • Mecca, M.1
  • 4
    • 33845442277 scopus 로고    scopus 로고
    • Perceptual smoothness of tempo in expressively performed music
    • S. Dixon, W. Goebl, and E. Cambouropoulos. Perceptual smoothness of tempo in expressively performed music. Music Perception, 23(3):195-21, 2006.
    • (2006) Music Perception , vol.23 , Issue.3 , pp. 195-221
    • Dixon, S.1    Goebl, W.2    Cambouropoulos, E.3
  • 5
    • 0002442819 scopus 로고
    • Rhythm and tempo
    • D. Deutsch, editor, Academic Press, New York, 1st edition edition
    • P. Fraisse. Rhythm and tempo. In D. Deutsch, editor, The Psychology of Music, pages 149-80. Academic Press, New York, 1st edition edition, 1982.
    • (1982) The Psychology of Music , pp. 149-180
    • Fraisse, P.1
  • 6
    • 17644376208 scopus 로고    scopus 로고
    • A review of automatic rhythm description systems
    • F. Gouyon and S. Dixon. A review of automatic rhythm description systems. Computer Music Journal, 29(1):34-54, 2005.
    • (2005) Computer Music Journal , vol.29 , Issue.1 , pp. 34-54
    • Gouyon, F.1    Dixon, S.2
  • 9
    • 33747191724 scopus 로고    scopus 로고
    • Music score alignment and computer accompaniment
    • August
    • R. B. Dannenberg and C. Raphael. Music score alignment and computer accompaniment. Communications of the ACM, 49(8):39-43, August 2006.
    • (2006) Communications of the ACM , vol.49 , Issue.8 , pp. 39-43
    • Dannenberg, R.B.1    Raphael, C.2
  • 10
    • 0038505714 scopus 로고    scopus 로고
    • Synthesizing musical accompaniments with bayesian belief networks
    • C. Raphael. Synthesizing musical accompaniments with bayesian belief networks. Journal of New Music Research, 30:59-67, 2000.
    • (2000) Journal of New Music Research , vol.30 , pp. 59-67
    • Raphael, C.1
  • 12
    • 60950463787 scopus 로고
    • Practical aspects of a midi conducting program
    • San Francisco, International Computer Music Association
    • R. B. Dannenberg and K. Bookstein. Practical aspects of a midi conducting program. In ICMC Montreal 1991 Proceedings, pages 537-540, San Francisco, 1991. International Computer Music Association.
    • (1991) ICMC Montreal 1991 Proceedings , pp. 537-540
    • Dannenberg, R.B.1    Bookstein, K.2
  • 16
    • 72449191590 scopus 로고    scopus 로고
    • Robo-music gives musicians the jitters
    • December 14
    • Gregory M. Lamb. Robo-music gives musicians the jitters. The Christian Science Monitor, December 14, 2006.
    • (2006) The Christian Science Monitor
    • Lamb, G.M.1
  • 17
    • 85074915583 scopus 로고
    • Perception of just noticeable time displacement of a tone presented in a metrical sequence at different tempos
    • A. Friberg and J. Sundberg. Perception of just noticeable time displacement of a tone presented in a metrical sequence at different tempos. Technical report, STLQPSR, Vol. 34, No. 2-3, pp. 49-56, 1993.
    • (1993) Technical Report, STLQPSR , vol.34 , Issue.2-3 , pp. 49-56
    • Friberg, A.1    Sundberg, J.2
  • 19
    • 0242465819 scopus 로고    scopus 로고
    • Five facets of musical expression: A psychologist's perspective on music performance
    • Patrik N. Juslin. Five facets of musical expression: A psychologist's perspective on music performance. Psychology of Music, 31(3):273-302, 2003.
    • (2003) Psychology of Music , vol.31 , Issue.3 , pp. 273-302
    • Juslin, P.N.1
  • 20
    • 8644257426 scopus 로고    scopus 로고
    • Swing ratios and ensemble timing in jazz performance: Evidence for a common rhythmic pattern
    • A. Friberg and A. Sundstrom. Swing ratios and ensemble timing in jazz performance: Evidence for a common rhythmic pattern. Music Perception, 19(3):333- 349, 2002.
    • (2002) Music Perception , vol.19 , Issue.3 , pp. 333-349
    • Friberg, A.1    Sundstrom, A.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.