Site-writing: Enigma and embellishment

Critical Architecture

Volumn , Issue , 2007, Pages 150-162

  Rendell, Jane ^a  

^a UNIVERSITY COLLEGE LONDON   (United Kingdom)

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[No Author keywords available]

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EID: 78650530857     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203945667     Document Type: Chapter

References (27)

1. For a more detailed account of the conceptual framework that underpins my practice of 'site-writing' and relates it to four pieces of criticism, see Jane Rendell, 'Architecture-Writing', in Jane Rendell (ed.), Critical Architecture, a special issue of The Journal of Architecture, 10, 3, June 2005, pp. 255-64.
2. For an account of another piece of 'site-writing', which transformed over three sites, see Jane Rendell, 'Site-Writing', in Sharon Kivland, Jaspar Joseph-Lester and Emma Cocker (eds), Transmission: Speaking and Listening, vol. 4, Sheffield Hallam University and Site Gallery, 2005, pp. 169-76.
3. See Rosi Braidotti, Nomadic Subjects, New York: Columbia University Press, 1994.
4. See for example Nicholas Bourriaud, Relational Aesthetics, translated by Simon Pleasance and Fronza Woods, Paris: Les Presses du Réel, 2002.
5. See for example Grant H. Kester, Conversation Pieces: Community and Communication in Modern Art, Berkeley: University of California Press, 2004.
6. See Hal Foster, The Return of the Real: The Avant-Garde at the End of the Century, Cambridge, MA: MIT Press, 2001, pp. 223-6.
7. See Isobel Armstrong, The Radical Aesthetic, Oxford: Blackwell Publishers, 2000, p. 87.
8. Howard Caygill, Walter Benjamin: the Colour of Experience, London: Routledge, 1998, p. 34 and p. 79.
9. Caygill, Walter Benjamin, p. 64.
10. See Italo Calvino, Literature Machine, London: Vintage, 1997, p. 15.
11. See Roland Barthes, The Grain of the Voice: Interviews 1962-80, translated by Linda Coverdale, Berkeley and Los Angeles: University of California Press, 1991, pp. 215-16.
12. See Gloria Anzaldua, Borderlands/La Frontera: the New Mestiza, San Francisco: Lute Books, 1999;
13. Hélene Cixous, 'Sorties', translated by Betsy Wing in Susan Sellers (ed.), The Hélene Cixous Reader, London: Routledge, 1994.
14. See also Grosz, Volatile Bodies, pp. 27-61.
15. Jessica Benjamin, Shadow of the Other: Intersubjectivity and Gender in Psychoanalysis, London: Routledge, 1998, p. 25.
16. Silverman, The Threshold of the Visible World, pp. 23-4.
17. Jean Laplanche, Essays on Otherness, London: Routledge, 1999, p. 222.
18. See also Jean Laplanche, New Foundations for Psychoanalysis, translated by David Macey, Oxford: Basil Blackwell Ltd, 1989, pp. 152-4.
19. Laplanche, Essays on Otherness, p. 224.
20. Laplanche, Essays on Otherness, p. 222.
21. Rebeccca Swift (ed.), A.S. Byatt and Ignes Sodré, Imagining Characters: Six Conversations about Women Writers, London: Chatto and Windus, 1995, p. 245.
22. See Peg Rawes and Jane Rendell (eds), Spatial Imagination, London: The Bartlett School of Architecture, UCL, 2005. See also www.spatialimagination.org.uk (accessed 13 October 2006).
23. Mary Jacobus, Psychoanalysis and the Scene of Reading, Oxford: Oxford University Press, 1999, p. 18.
24. Jane Rendell, 'To Miss the Desert', in Gavin Wade (ed.), Nathan Coley: 'Black Tent', Portsmouth: Art and Sacred Places, 2003.
25. Jane Rendell, 'Writing in Place of Speaking', pp. 15-29.
26. See Jane Rendell, 'An Embellishment: Purdah', in Spatial Imagination, London: The domoBaal Gallery, 2006, with an associated catalogue essay
27. Jane Rendell, 'An Embellishment', in Rawes and Rendell (eds), Spatial Imagination, pp. 34-5.