Seeking out the spaces between: Using improvisation in collaborative composition with interactive technology

Leonardo Music Journal

Volumn 20, Issue , 2010, Pages 47-55

  Nicolls, Sarah ^a  

^a BRUNEL UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 78650087822     PISSN: 09611215     EISSN: None     Source Type: Journal    
DOI: 10.1162/LMJ_a_00012     Document Type: Review

References (20)

1. Chikashi Miyama (Angry Sparrow) and Ben Knapp (with Eric Lyon, Gascia Ouzounian), NIME 2009, Concert 2, Friday, 5 June 2009. 〈nime2009.org/ concert.pdf〉 (accessed 28 December 2009).
2. (Atau Tanaka, Cecile Babiole, Laurent Dailleau), stitched-up, sk-interfaces closing event, FACT (Foundation for Art and Creative Technology), Liverpool, 29 March 2008. 〈www.fact.co.uk〉.
3. 〈o-art.org/history/Computer/CCRMA/CCRMAres.html〉 (accessed 28 December 2009).
4. E. Jessop, "The Vocal Augmentation and Manipulation Prosthesis (VAMP): A Conducting-Based Gestural Controller for Vocal Performance," demonstration, NIME Pittsburgh, 2009.
5. J. Richards, "Lost and Found: The Mincer," Leonardo Electronic Almanac 15, Nos. 11-12 (2008). Available at 〈leoalmanac.org/journal/Vol-15/ lea-v15-n11-12/JRichards.asp〉.
6. Bob Ostertag, "Human Bodies, Computer Music," Leonardo Music Journal 12 (2002) p. 11.
7. G. Essl and S. O'Modhrain, "Enaction in the Context of Musical Performance," Interdisciplines virtual workshop (by participants in Enactive interfaces Network) (2004) p. 1. Available at 〈www. interdisciplines.org/enaction/papers/17〉.
8. C. Cadoz and M. Wanderley, "Gesture - Music" in M. Battier and M. Wanderley, eds., Trends in Gestural Control of Music (Paris: Editions IRCAM, 2000) pp. 71-93.
9. E. Miranda and M. Wanderley, New Digital Musical Instruments: Control and Interaction beyond the Keyboard (Wisconsin: A-R Editions, 2006) p. 10.
10. Arts and Humanities Research Council project, May-December 2007.
11. Richard Barrett, Adrift, PSI 09.10 CD. Recorded live at The Warehouse, London, 29 November 2007. Available at 〈www.squidco.com/miva/merchant.mv? Screen=PROD&Store-Code=S&Product-Code=12431〉.
12. 〈web.mac.com/sarahnicolls/research/*Barrett.html〉.
13. Richard Barrett, personal e-mail, December 2009.
14. 〈web.mac.com/sarahnicolls/research/*Augusto-Corrieri. html〉.
15. Centre for Digital Music at Queen Mary, University of London. 〈www.elec.qmul.ac.uk〉.
16. S. Cornock and E. Edmonds, "The Creative Process Where the Artist Is Amplified or Superseded by the Computer," Leonardo 6, No. 1 (1973) pp. 11-16.
17. 〈web.mac.com/sarahnicolls/research/*machines.html〉
18. M. Zbyszyński, "Augmenting the Cello" (NIME Paris 2006).
19. 〈www.youtube.com/watch?v=EA90JC9PUKg〉
20. 〈www.proto-type.org〉.