Sparkle and shine

British Journal of Aesthetics

Volumn 37, Issue 3, 1997, Pages 259-273

  Leddy, Thomas ^a  

^a SAN JOSE STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 78649715029     PISSN: 00070904     EISSN: None     Source Type: Journal    
DOI: 10.1093/bjaesthetics/37.3.259     Document Type: Review

References (27)

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3. Donald Keene, 'Japanese Aesthetics', in Kathleen M. Higgins (ed.), Aesthetics in Perspective (Fort Worth: Harcourt Brace, 1996), pp. 678-687.
4. Tomas Ybarra-Frausto, 'The Chicano Movement/The Movement of Chicano Art', in Kathleen M. Higgins, Aesthetics in Perspective, p. 512.
5. J. O. Urmson, 'What Makes a Situation Aesthetic', in Art and Philosophy: Readings in Aesthetics (New York: St Martin's Press, 1979), pp. 398-410.
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7. 'Metaphor and Metaphysics', Metaphor and Symbolic Activity, vol. 10, no. 3 (1995), pp. 205-222.
8. Donald W. Crawford says in 'Comparing Natural and Artistic Beauty' in Landscape, Natural Beauty and the Arts, ed. Salim Kemal and Ivan Gaskell (Cambridge: Cambridge U.P., 1993), p. 184.
9. Thomas Leddy, 'Everyday Surface Aesthetic Qualities: 'Neat', 'Messy', 'Clean', 'Dirty'', The Journal of Aesthetics and Art Criticism, vol. 53, no. 3 (1995), pp. 259-268.
10. Guy Sircello, A New Theory of Beauty (Princeton, NJ: Princeton U.P., 1975).
11. Göran Hermerén. 'The Variety of Aesthetic Qualities', in Aesthetic Quality and Aesthetic Experience, ed. Michael H. Mitias (Amsterdam: Rudopi, 1998), pp. 11-23.
12. Alan Goldman, Aesthetic Value (Boulder, CO: Westview Press, 1995). p. 17.
13. Frank Sibley, 'Aesthetics and the Looks of Things', in Aesthetics and the Philosophy of Criticism, ed. Marvin Levich (New York: Random House, 1963), p. 278.
14. Greater Hippias 290b
15. Plotinus, 'Ennead I', in Frank A. Tillman and Steven M. Cahn (eds), Philosophy of Art and Aesthetics: From Plato to Wittgenstein (New York: Harper and Row, 1969), pp. 89-100.
16. Wladyslaw Tatarkiewicz, History of Aesthetics, Vol. II, Medieval Aesthetics, ed. C. Barrett (The Hague: Mouton, 1970) , p. 51.
17. M. H. Abrams, The Mirror and the Lamp: Romantic Theory and the Critical Tradition (Oxford: Oxford University Press, 1953), p. 54,
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20. H. H. Read Rutley's Elements of Mineralogy, 26th edn (London: Thomas Murby, 1970), pp. 50-1.
21. Ernst Fischer, The Necessity of Art (London: Penguin Books, 1959), p. 35.
22. Richard L. Anderson, Calliope's Sisters: A Comparative Study of Philosophies of Art (Englewood Cliffs, NJ: Prentice Hall, 1990), p. 17.
23. Marcia E. Vetrocq, 'Knots, Glitter and Funk', Art in America (December 1991), pp. 92-97;
24. C. R. Brighton, 'John Constable's Anomaly', British Journal of Aesthetics, vol 34, no. 1 (1994), pp. 81-91, esp. pp. 85-86.
25. Ronald W. Hepburn, 'Trivial and Serious in Aesthetic Appreciation of Nature', in Landscape, Natural Beauty and the Arts, p. 65.
26. W. B. Gallie, 'Art as an Essentially Contested Concept', Philosophical Quarterly, vol 6, no. 23 (1956), pp. 97-114.
27. M. J. Zenzen, 'A Ground for Aesthetic Experience', Journal of Aesthetics and Art Criticism, vol. 34, no. 4 (1976), pp. 469-477: