Bodies on the boundaries: Subjectification and objectification in contemporary performance

Cultural Work: Understanding the Cultural Industries

Volumn , Issue , 2005, Pages 56-72

  MacGregor, Cathy ^a  

^a UNIVERSITY OF WOLVERHAMPTON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 78149375307     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203995020-11     Document Type: Chapter

References (16)

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2. Ayers, Robert (1999) “The Special and the Unusual - Listening to Olan,�? in Live Letters, No. 4, March.
3. Ayers, Robert and Butler, David (eds) (1991) Live Art, Newcastle-upon-Tyne: AN Publications.
4. Baudrillard, Jean (1990) Seduction, London: Macmillan.
5. Carr, Cynthia (1993) On Edge: Performance at the End of the Twentieth Century, Hanover, NH: Wesleyan University Press/University Press of New England.
6. Diamond, E. (ed.) (1996) Performance and Cultural Politics, London: Routledge.
7. Dijkstra, Bram (1986) Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture, Oxford: Oxford University Press.
8. Fanni Tutti, Cosey (1993) Time to Tell (booklet and CD), Creative Technology Industries.
9. Goldberg, Rosalee (1988) Performance Art: From Futurism to the Present, London: Thames and Hudson.
10. Gómez-Pena, Guillermo (1998) The New World Border, San Francisco: City Lights Books.
11. Lacan, Jacques (1990) Seduction, London: Macmillan.
12. O’Dell, Kathy (1998) Contract with the Skin: Masochism, Performance Art of the 1970s, Minneapolis: University of Minnesota Press.
13. Phelan, P. (1993) Unmarked: The Politics of Performance, London: Routledge.
14. Sawday, Jonathan (1995) The Body Emblazoned: Dissection and the Human Body in Renaissance Culture, London: Routledge.
15. Schneider, Rebecca (1997) The Explicit Body in Performance, London: Routledge.
16. Sprinkle, Annie (1998) Post-Porn Modernist: My Twenty-five Years as a Multi-media Whore, San Francisco: Cleis Press.