Conkers (listening out for organised experience)

Organised Sound

Volumn 15, Issue 2, 2010, Pages 116-124

  Norman, Katharine ^a  

^a CITY UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 78049404527     PISSN: 13557718     EISSN: 14698153     Source Type: Journal    
DOI: 10.1017/S1355771810000105     Document Type: Review

References (13)

1. Clarke, E. F. 2005. Ways of Listening: An Ecological Approach to the Perception of Musical Meaning. New York: Oxford University Press.
2. Emmerson, S. (ed.) 2000. Music, Electronic Media and Culture. Aldershot: Ashgate.
3. González, J., Gordon, K. and Higgs, M. 2005. Christian Marclay. London: Phaidon Press.
4. Hughes, T. 1967. Full Moon and Little Frieda, in Wodwo. London: Faber & Faber.
5. Ihde, D. 2007. Listening and Voice: Phenomenologies of Sound. Albany: State University of New York Press.
6. Ingold, T. 2007. Lines: A Brief History. London: Routledge.
7. Landy, L. 2007. Understanding the Art of Sound Organization. Cambridge, MA: The MIT Press.
8. Levitin, D. 2008. The World in Six Songs: How the Musical Brain Created Human Nature. London: Aurum Press.
9. Norman, K. 2000. Stepping Outside for a Moment: Narrative Space in Two Works for Sound Alone. In Simon Emmerson (ed.) Music, Electronic Media and Culture. Aldershot: Ashgate, 217-44.
10. Open Space Magazine 3 (spring 2001).
11. Phillips, T. 1992. Tom Phillips: Works and Text. London: Thames and Hudson.
12. Weale, R. 2005. The Intention/Reception Project: Investigating the Relationship Between Composer Intention and Listener Response in Electroacoustic Compositions. PhD thesis, De Montfort University, Leicester.
13. Weale, R. 2008. Exploring our Relationships with Sound-based Music, Electroacoustic Music Studies Network Conference - Proceedings: EMS08 - Electroacoustic Music Studies Network International Conference Series. EMS Network: www.ems-network.org