Feature-based extraction of plucking and expression styles of the electric bass guitar

ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings

Volumn , Issue , 2010, Pages 2290-2293

  Abeßer, Jakob ^a   Lukashevich, Hanna ^a   Schuller, Gerald ^a  

^a FRAUNHOFER IDMT   (Germany)

Author keywords

Electric bass guitar; Expression style; Expressive performance analysis; Plucking style; Transcription

Indexed keywords

CLASSIFICATION (OF INFORMATION); MUSICAL INSTRUMENTS;

CLASSIFICATION ACCURACY; ELECTRIC BASS GUITAR; EXPRESSION STYLES; EXPRESSIVE PERFORMANCE; EXPRESSIVE PERFORMANCE ANALYSE; FEATURE BASED APPROACHES; FEATURE-BASED; PERFORMANCES ANALYSIS; PLAYING TECHNIQUES; PLUCKING STYLES;

AUDIO ACOUSTICS;

EID: 78049357271     PISSN: 15206149     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1109/ICASSP.2010.5495945     Document Type: Conference Paper

References (13)

1. C. Dittmar, K. Dressler, and K. Rosenbauer, "A toolbox for automatic transcription of polyphonic music," in Proc. of the Audio Mostly conference, 2007.
2. M. P. Ryynänen and A. P. Klapuri, "Automatic transcription of melody, bass line, and chords in polyphonic music," Computer Music Journal, vol. 32, pp. 72-86, 2008.
3. J. Pakarinen, "Physical modeling of flagolet tones in string instruments," in Proc. of the European Signal Proc. Conf. (EUSIPCO), 2005.
4. I. Barbancho, C. de la Bandera, A. M. Barbancho, and L. J. Tardon, "Transcription and expressiveness detection system for violin music," in Proc. of the IEEE Int. Conf. on Acoustics, Speech, and Signal Proc. (ICASSP), 2009, pp. 189-192.
5. V. Välimäki, J. Pakarinen, C. Erkut, and M. Karjalainen, "Discrete-time modelling of musical instruments," Reports on Progress in Physics, vol. 69, pp. 1-78, 2006.
6. E. Rank and G. Kubin, "A waveguide model for slapbass synthesis," in Proc. of the IEEE Int. Conf. on Acoustics, Speech, and Signal Proc. (ICASSP), 1997, pp. 443-446.
7. R. M. French, Engineering the Guitar - Theory and Practice, Springer Science+Business Media, 2009.
8. S. Lawrence Marple Jr., Digital Spectral Analysis, Prentice-Hall, 1987.
9. F. Keiler, C. Karadogan, U. Zölzer, and A. Schneider, "Analysis of transient musical sounds by auto-regressive modeling," in Proc. of the Int. Conf. on Digital Audio Effects (DAFx-03), London, UK, 2003.
10. G. Peeters, "A large set of audio features for sound description (similarity and classification) in the cuidado project," Tech. Rep., 2004.
11. K. Jensen, Timbre Models of Musical Sounds, Ph.D. thesis, University of Copenhagen, 1999.
12. J. Abeßer, H. Lukashevich, C. Dittmar, and G. Schuller, "Genre classification using bass-related high-level features and playing styles," in Proc. of the ISMIR conference, 2009.
13. H. Lukashevich, "Feature selection vs. feature space transformation in automatic music genre classification tasks," in Proc. of the AES Convention, 2009.