Tulip theory

New Media: Theories and Practices of Digitextuality

Volumn , Issue , 2003, Pages 179-193

  Sconce, Jeffrey ^a  

^a NORTHWESTERN UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 77957888186     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203953853-22     Document Type: Chapter

References (25)

1. Charles Mackay, Extraordinary Popular Delusions and the Madness of Crowds (1841; reprint New York: Farrar, Straus and Giroux, 1992), 95.
2. Robert Markley, “Introduction: History, Theory and Virtual Reality,�? in Virtual Realities and Their Discontents, ed. Robert Markley (Baltimore: Johns Hopkins University Press, 1996), 2.
3. Jesse Drew, “Media Activism and Radical Democracy�? in Markley, ed., Virtual Realities and Their Discontents, 72.
4. “vapor-theory�? in Snap to Grid: A User’s Guide to Digital Arts, Media and Culture (Cambridge, Mass.: MIT Press, 2000), 33-36.
5. John Caldwell’s examination of vaporware as a theorizing practice in “Introduction: Theorizing the Digital Landrush.�? Electronic Media and Technoculture, ed. John T. Caldwell (New Brunswick: Rutgers University Press, 2000), 6-8.
6. Allucquere Rosanne Stone, “Will the Real Body Please Stand Up? Boundary Stories about Virtual Cultures,�? in Cyberspace: First Steps, ed. Michael Benedikt (Cambridge, Mass.: MIT Press, 1991), 81-118.
7. Lynn Spigel, “Yesterday’s Future, Tomorrow’s Home,�? in Welcome to the Dreamhouse (Durham, N.C.: Duke University Press, 2001), 404.
8. Caldwell, Introduction, in Electronic Media and Technoculture, 2.
9. Andrew Ross, “Jobs in Cyberspace,�? in Real Love (New York: New York University Press, 1998), 25.
10. Andrew Ross, “Jobs in Cyberspace,�? in Real Love (New York: New York University Press, 1998), 20.
11. Henry David Thoreau, On Walden Pond. (New York: Vintage Books, 1991).
12. Pierre Bourdieu, Homo Academicus (Stanford, Calif.: Stanford University Press, 1998).
13. Raymond Williams, Television: Technology as Cultural Form (Hanover, N.H.: Wesleyan University Press, 1992), 12.
14. David Bordwell, Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. (Cambridge, Mass.: Harvard University Press, 1989), 24-25.
15. Erik Davis, Techgnosis: Myth, Magic Plus Mysticism in the Age of Information (New York: Three Rivers Press, 1998), 9.
16. Allucquere Rosanne Stone, preface to Electronic Culture: Technology and Visual Representation, ed. Timothy Druckery (New York: Aperture, 1996), 9.
17. Timothy Druckrey, introduction to Druckery, ed. Electronic Culture, 15.
18. Mary Anne Moser, introduction to Immersed in Technology: Art and Virtual Environments (Cambridge, Mass.: MIT Press, 1996), xxii.
19. Jeffrey Sconce, “Tulip Theory,�? in Digitextuality, ed. John T. Caldwell and Anna Everett. (New York: Routledge, 2003).
20. Beth E. Kolko, Lisa Nakamura, and Gilbert B. Rodman, introduction to Race in Cyberspace (New York: Routledge, 2000), 1.
21. Caldwell, “Introduction,�? 7-8.
22. Sherry Turkle, Life on the Screen: Identity in the Age of the Internet (New York: Touchstone, 1995), 25.
23. Jeffrey Sconce, “Simulation and Psychosis.�? in Haunted Media: Electronic Presence from Telegraphy to Television. (Durham, N.C.: Duke University Press, 2000).
24. Caldwell, “Introduction,�? 28.
25. Turkle, Life on the Screen, 21.