The influence of pitch interval on the perception of polyrhythms

Music Perception

Volumn 22, Issue 3, 2005, Pages 425-440

  Moelants, Dirk ^a   Van Noorden, Leon ^a  

^a GHENT UNIVERSITY   (Belgium)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 77956589256     PISSN: 07307829     EISSN: 15338312     Source Type: Journal    
DOI: 10.1525/mp.2005.22.3.425     Document Type: Article

References (11)

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3. Fraisse, P. (1982). Rhythm and tempo. In D. Deutsch (Ed.), The psychology of music (pp. 149-180). New York: Academic Press.
4. Handel, S. (1984). Using polyrhythms to study rhythm. Music Perception, 1, 465-484.
5. Handel, S., & Oshinsky, J. S. (1981). The meter of syncopated auditory polyrhythms. Perception and Psychophysics, 30, 1-9.
6. Moelants, D. (2002). Preferred tempo reconsidered. In C. Stevens, D. Burnham, G. McPherson, E. Schubert, & J. Renwick (Eds.), Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, 2002 (pp. 580-583). Adelaide: Causal Productions.
7. Parncutt, R. (1994). A perceptual model of pulse salience and metrical accent in musical rhythms. Music Perception, 11, 409-464.
8. Van Noorden, L. (1975). Temporal coherence in the perception of tone sequences. Unpublished doctoral dissertation, Technische Universiteit Eindhoven.
9. Van Noorden, L. (1991). Temporele relaties in de waarneming van toonreeksen. In G. Ten Hoopen, P. J. G. Keuss en A. A. J. Mannaerts (Eds.), Muziekwaarneming (Psychonomische Publikaties 3). Lisse: Swets & Zeitlinger.
10. Van Noorden, L., & Moelants, D. (1999). Resonance in the perception of musical pulse. Journal of New Music Research, 28, 43-66.
11. Vos, P. (1973). Waarneming van metrische toonreeksen. Nijmegen: Stichting Studentenpers.