A transformational space for Elliott Carter's recent complement-union music

Communications in Computer and Information Science

Volumn 37 CCIS, Issue , 2009, Pages 303-310

  Roeder, John ^a  

^a UNIVERSITY OF BRITISH COLUMBIA   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

COMBINATORIAL PROPERTIES; FOUR-GROUP; GEOMETRICAL STRUCTURE; MUSICAL TRANSFORMATION; SYMMETRY GROUPS;

EID: 77955728331     PISSN: 18650929     EISSN: None     Source Type: Book Series    
DOI: 10.1007/978-3-642-04579-0_29     Document Type: Conference Paper

References (8)

1. Capuzzo, G.: Variety within Unity: Expressive Means and Their Technical Ends in the Music of Elliott Carter. Ph.D. dissertation, University of Rochester (1983-1994)
2. Capuzzo, G.: The Complement Union Property and the Music of Elliott Carter. Journal of Music Theory 48(1), 1-24 (2004)
3. Carter, E.: Harmony Book. Hopkins, N., Link, J.F. (eds.). Carl Fischer, New York (2002)
4. Childs, A.: Structural and Transformational Properties of All-Interval Tetrachords. Music Theory Online 12(4) (2006)
5. Gollin, E.: Representations of Space and Conceptions of Distance in Transformational Music Theories. Ph.D. diss., Harvard University (2000)
6. Lewin, D.: Generalized Musical Intervals and Transformations. Yale University Press, New Haven (1987)
7. Lewin, D.: Musical Form and Transformation: 4 Analytic Essays. Yale University Press, New Haven (1993)
8. Morris, R.: Pitch Class Complementation and its Generalizations. Journal of Music Theory 34(2), 175-245 (1990)