Advantages and limitations of simulating percussion gestures for sound synthesis

Proceedings of the 2009 International Computer Music Conference, ICMC 2009

Volumn , Issue , 2009, Pages 255-261

  Bouënard, Alexandre ^a,b   Wanderley, Marcelo M ^a   Gibet, Sylvie ^b,c  

^a MCGILL UNIVERSITY   (Canada)

^b UNIVERSITÉ BRETAGNE SUD   (France)

^c UNIVERSITÉ DE RENNES 1   (France)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC;

MODELING AND SIMULATING; MOTION CAPTURE; MOVEMENT SIMULATION; MUSICAL INSTRUMENT SOUNDS; PERCUSSION INSTRUMENTS; REAL TIME SIMULATIONS; SOUND SYNTHESIS;

MUSICAL INSTRUMENTS;

EID: 77955722526     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (26)

1. J. M. Adrien, "Etude de Structures Complexes Vibrantes, Applications à la Synthèse par Modèles Physiques," Ph.D. dissertation, Université de Paris VI, France, 1988.
2. R. Aimi, "Hybrid Percussion: Extending Physical Instruments using Sampled Acoustics," Ph.D. dissertationMassachusetts Institute of Technology, USA, 2006.
3. F. Avanzini and D. Rochesso, "Controlling Material Properties in Physical Models and Sounding Objects," in Proc. of the International Computer Music Conference, 2001, pp. 91-94.
4. F. Avanzini and D. Rochesso, "Physical Modeling of Impacts: Theory and Experiments on Contact Time and Spectral Centroid," in Proc. of the International Conference on Sound and Music Computing, 2004, pp. 287-293.
5. R. Boie, M. Mathews, and A. Schloss, "The Radio Drum as a Synthesizer Controller," in Proc. of the International Computer Music Conference, 1989, pp. 42-45.
6. A. Bouënard, S. Gibet, and M. M. Wanderley, "Hybrid Motion Control conbining Inverse Kinematics and Inverse Dynamics Controllers for Simulating Percussion Gestures," to appear in Proceedings of the International Conference on Computer Animation and Social Agents, 2009.
7. A. Bouënard, S. Gibet, and M. M. Wanderley, "Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis," technical report, HAL Open Archives, 2009.
8. A. Bouënard, S. Gibet, and M. M. Wanderley, "Enhancing the Visualization of Percussion Gestures by Virtual Character Animation," in Proc. of the International Conference on New Instruments for Musical Expression, 2008, pp. 38-43.
9. A. Bouënard, M. M. Wanderley, and S. Gibet, "Analysis of Percussion Grip for Physically Based Character Animation," in Proc. of the International Conference on Enactive Interfaces, 2008, pp. 22-27.
10. C. Cadoz and C. Ramstein, "Capture, Representation and Composition of the Instrumental Gesture," in Proc. of the International Computer Music Conference, 1990, pp. 53-56.
11. K. Chuchacz, S. O'Modhrain, and R. Woods, "Physical Models and Musical Controllers: Designing a Novel Electronic Percussion Instrument," in Proc. of the International Conference on New Instruments for Musical Expression, 2007, pp. 37-40.
12. P. R. Cook, Real Sound Synthesis For Interactive Applications. A K Peters Ltd., 2002.
13. S. Dahl, "On the beat: Human Movement and Timing in the Production and Perception of Music," Ph.D. dissertation, KTH Royal Institute of Technology, Sweden, 2005.
14. C. Dobrian and D. Koppelman, "The'E' in NIME: Musical Expression with New Computer Interfaces," in Proc. of the International Conference on New Instruments for Musical Expression, 2006, pp. 277-282.
15. N. Ellis, J. Bensoam, and R. Caussé, "Modalys Demonstration," in Proc. of the International Computer Music Conference, 2005, pp. 101-102.
16. S. Gibet, "Codage, Représentation et Traitement du Geste Instrumental," Ph.D. dissertation, Institut National Polytechnique de Grenoble, France, 1987.
17. S. Gibet and P. F. Marteau, "Gestural Control of Sound Synthesis," in Proc. of the International Computer Music Conference, 1990, pp. 387-391.
18. R. Hänninen, L. Savioja, and T. Takala, "Virtual Concert Performance - Synthetic Animated Musicians playing in an Acoustically Simulated Room," in Proc. of the International Computer Music Conference, 1996, pp. 402-404.
19. A. Kapur, P. Essl, G. Davidson, and P. Cook, "The Electronic Tabla Controller," Journal of New Music Research, vol. 32, no. 4, pp. 351-360, 2003.
20. W. Lytle, "Pipe Dream," SIGGRAPH 2001 Electronic Theatre, SIGGRAPH Computer Animation Festival, 2001.
21. E. R. Miranda and M.M. Wanderley, New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. A-R Editions., 2006.
22. J. O'Brien, C. Shen, and C. Gatchalian, "Synthesizing Sounds from Rigid Body Simulations," in Proc. of the ACM SIGGRAPH/Eurographics Symposium on Computer Animation, 2002, pp. 175-181.
23. G. Rule, "Keyboard Reports: Korg Wavedrum," Keyboard, vol. 21, no. 3, pp. 72-78, 1995.
24. R. Smith, "Open Dynamics Engine," http://www.ode.org, 2009.
25. A. Tindale, A. Kapur, G. Tzanetakis, P. Driessen, and A. Schloss, "A Comparison of Sensor Strategies for Capturing Percussive Gestures," in Proc. of the International Conference on New Instruments for Musical Expression, 2005, pp. 200-203.
26. K. van den Doel, P. Kry, and D. Pai, "FoleyAutomatic: Physically-Based Sound Effects for Interactive Simulation and Animation," in Proc. of the ACM SIGGRAPH Conference on Computer Graphics and Interactive Techniques, 2001, pp. 537-544.