Poesis

Thinking Through Art: Reflections on Art as Research

Volumn , Issue , 2013, Pages 143-155

  Hanrahan, Siún ^a  

^a DUBLIN INSTITUTE OF TECHNOLOGY   (Ireland)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 77954783478     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203819869     Document Type: Chapter

References (25)

1. Kearney, Richard (1998) Poetics of Imagining: Modern to Postmodern. Edinburgh: Edinburgh University Press, p. 188.
2. Goodman, Nelson and Elgin, Catherine Z. (1980) Reconceptions in Philosophy and the Other Arts and Sciences. London: Routledge, p. 6.
3. Bohm, David (1980) Wholeness and the Implicate Order. London: Routledge, p. 54.
4. Hanrahan, Siún (2000) ‘An Exploration of How Subjectivity is Practiced in Art’, Leonardo: The Journal of the International Society for the Arts, Sciences and Technology 33(4): 267–74.
5. Gergen, K. J. (1994) ‘The Mechanical Self and the Rhetoric of Objectivity’, in Allan Megill (ed.), Rethinking Objectivity. Durham, NC: Duke University Press, pp. 265–89.
6. Melchionne, Kevin (1998) ‘Living in Glass Houses: Domesticity, Interior Decoration and Environmental Aesthetics’, Journal of Aesthetics and Art Criticism 56(2): 193.
7. Margolis, Joseph (1980) Art and Philosophy. Brighton: Harvester Press, p. 5.
8. Margolis, Joseph (2000) What, After All, is a Work of Art? University Park, PA: Pennsylvania State University Press; Margolis (1980).
9. Bakhtin, Mikhail (1981) ‘Discourse in the Novel’, in Bakhtin, The Dialogic Imagination: Four Essays. Ed. M. Holquist. Trans. C. Emerson and M. Holquist. Austin, TX: University of Texas Press;
10. Newsom, Carol A. (1996) ‘Bakhtin, the Bible, and Dialogical Truth’, Journal of Religion 76: 290–306.
11. Martin, F. David (1981) Sculpture and Enlivened Space: Aesthetics and History. Lexington, KY: University Press of Kentucky, p. 10.
12. Polanyi, Michael (1967) The Tacit Dimension. London: Routledge and Kegan Paul, p. 16.
13. Reiss, Julie H. (1999) From Margin to Center: The Spaces of Installation Art. Cambridge, MA and London: MIT Press;
14. Onorato, Ronald J. (1997) Blurring the Boundaries: Installation Art 1969–1996. San Diego, CA: Museum of Contemporary Art.
15. Bryson, Norman (1983) Vision and Painting: The Logic of the Gaze. London: Macmillan, pp. 92–3.
16. Eco, Umberto (1989) The Open Work. Trans. Anna Cancogni. Cambridge, MA: Harvard University Press, p. 74.
17. Jay, Martin (1984) Adorno. London: Fontana, pp. 14–15.
18. Arnheim, Rudolf (1969) Visual Thinking. Berkeley, CA and London: University of California Press, p. 301.
19. Lyotard, Jean-Francois (1984) The Postmodern Condition: A Report on Knowledge. Trans. Geoff Bennington and Brian Massumi. Minneapolis, MN: University of Minnesota Press.
20. Hanrahan, Siún (2001) Guessing. Belfast: Golden Thread Gallery.
21. Lewis, Róisín (2002) Palimpsest. Dublin: Kevin Kavanagh Gallery.
22. Sheridan, Noel (1996) NCAD 250: Drawings, 1746–1996. Dublin: National College of Art and Design, p. XXII.
23. Graziose, Lisa (1997) Mark Dion, Lisa Graziose, Miwon Kwon, Norman Bryson. London: Phaidon, p. 96.
24. Levine, George (1994) ‘Why Science isn’t Literature’, in Allan Megill (ed.) Rethinking Objectivity. Durham, NC and London: Duke University Press, p. 71.
25. Wigley, Mark (1990) ‘The Translation of Architecture: The Product of Babel’, Architectural Design 60(9–10): 11.