Shaping sounds, shaping spaces

Popular Music

Volumn 29, Issue 2, 2010, Pages 199-211

  Camilleri, Lelio ^a  

^a Conservatory of Music GB Martini ^*  (Italy)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 77954613209     PISSN: 02611430     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0261143010000036     Document Type: Review

References (15)

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2. Camilleri, L. 2005. Il Peso del Suono (Milan, Apogeo)
3. Chion, M. 1991. L'Art des Sons Fixés ou la Musique Concrètement (Fontaine, Editions Metamkine)
4. Doyle, P. 2005. Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960 (Middletown, Wesleyan University Press)
5. Delalande, F. 1998. 'Music analysis and reception behaviours: Sommeil by Pierre Henry', Interface, 27/1-2
6. Goodman, N. 1976. Languages of Art: An Approach to a Theory of Symbols (New York, Hackett)
7. Gracyk, T. 1996. Rhythm and Noise: An Aesthetics of Rock (Durham, Duke University Press)
8. Martin, G. 1994. Summer of Love: The Making of Sgt. Pepper (London, Macmillan)
9. Moore, A. 1992. Rock: the Primary Text (Buckingham, Open University Press)
10. Schaeffer, P., 1966. Traité des Objets Musicaux (Paris, Editions du Seuil)
11. Schafer, R.M. 1972. The Soundscape (Rochester, Destiny Books)
12. Smalley, D. 1997. 'Spectromorphology: explaining sound-shapes', Organised Sound, 2/2
13. Smalley, D. 2007. 'Space-form and the acousmatic image', Organised Sound, 12/1
14. Wishart, T. 2000. Audible Design (York, Orpheus The Pantomime)
15. Zak, A. 2001. The Poetics of Rock. Cutting Tracks, Making Records (Berkeley, University of California Press)