-
1
-
-
70449624540
-
English and the Audience of an African Popular Culture: The Case of Nigerian Video Film
-
Adejunmobi, M. (2002) English and the Audience of an African Popular Culture: The Case of Nigerian Video Film, Cultural Critique 50: 74-103.
-
(2002)
Cultural Critique
, vol.50
, pp. 74-103
-
-
Adejunmobi, M.1
-
2
-
-
77954610428
-
Nigerian Video Film as Minor Transnational Practice
-
URL (consulted March 2010)
-
Adejunmobi, M. (2007) Nigerian Video Film as Minor Transnational Practice, Postcolonial Text 3(2), URL (consulted March 2010): http://journals.sfu.ca/pocol/index.php/pct/article/view/548/405.
-
(2007)
Postcolonial Text
, vol.3
, Issue.2
-
-
Adejunmobi, M.1
-
3
-
-
70449673950
-
From Film to Video
-
in J. Haynes (ed.), Athens, OH: Ohio University Press
-
Adesanya, A. (2000) From Film to Video, in J. Haynes (ed.) Nigerian Video Films, pp. 37-50. Athens, OH: Ohio University Press.
-
(2000)
Nigerian Video Films
, pp. 37-50
-
-
Adesanya, A.1
-
4
-
-
77954593421
-
Loud in Lagos: Nollywood Videos
-
Adesokan, A. (2004) Loud in Lagos: Nollywood Videos, Wasafiri 43: 45-9.
-
(2004)
Wasafiri
, vol.43
, pp. 45-49
-
-
Adesokan, A.1
-
5
-
-
70449672022
-
From Lagos to Douala: Seeing Spaces and Popular Video Audiences
-
URL (consulted March 2010)
-
Ajibade, B. (2007) From Lagos to Douala: Seeing Spaces and Popular Video Audiences, Postcolonial Text 3(2), URL (consulted March 2010): http://postcolonial.org/index.php/pct/article/view/524/418.
-
(2007)
Postcolonial Text
, vol.3
, Issue.2
-
-
Ajibade, B.1
-
8
-
-
57749186089
-
How Demand Sophistication (De-)limits Economic Upgrading: Comparing the Film Industries of South Africa and Nigeria (Nollywood)
-
Barnard, H. and K. Tuomi (2008) How Demand Sophistication (De-)limits Economic Upgrading: Comparing the Film Industries of South Africa and Nigeria (Nollywood), Industry and Innovation 15(6): 647-68.
-
(2008)
Industry and Innovation
, vol.15
, Issue.6
, pp. 647-668
-
-
Barnard, H.1
Tuomi, K.2
-
11
-
-
77954612994
-
Nollywood Comes to the Caribbean
-
Cartelli, P. (2007) Nollywood Comes to the Caribbean, Film International 5(4): 112-16.
-
(2007)
Film International
, vol.5
, Issue.4
, pp. 112-116
-
-
Cartelli, P.1
-
12
-
-
77954605162
-
Sub-Saharan African Film Production: Technological Paternalism
-
Diawara, M. (1987) Sub-Saharan African Film Production: Technological Paternalism, Jump Cut 32: 61-5.
-
(1987)
Jump Cut
, vol.32
, pp. 61-65
-
-
Diawara, M.1
-
14
-
-
77954610142
-
Appreciating Nollywood: Audiences and Nigerian Films
-
URL (consulted March 2010): tions.org/Volume%205/Issue%201%20-%20special/5_01_esan.htm
-
Esan, O. (2008) Appreciating Nollywood: Audiences and Nigerian Films, Particip@tions 5(1), URL (consulted March 2010): http://www.participa tions.org/Volume%205/Issue%201%20-%20special/5_01_esan.htm.
-
(2008)
Particip@Tions
, vol.5
, Issue.1
-
-
Esan, O.1
-
15
-
-
77954590323
-
Marché du film 2009
-
European Audiovisual Observatory, URL (consulted March 2010)
-
European Audiovisual Observatory (2009) Marché du film 2009 (World Market Film Trends). Council of Europe, URL (consulted March 2010): http://www.obs.coe.int/online_publication/reports/focus2009.pdf.
-
(2009)
Council of Europe
-
-
-
17
-
-
84972894626
-
American Films and the African Market
-
Guback, T. (1985) American Films and the African Market, Critical Arts 3(3): 1-14.
-
(1985)
Critical Arts
, vol.3
, Issue.3
, pp. 1-14
-
-
Guback, T.1
-
18
-
-
33747596052
-
-
Hartley, J. (ed.), Malden, MA: Blackwell
-
Hartley, J. (ed.) (2005) Creative Industries. Malden, MA: Blackwell.
-
(2005)
Creative Industries
-
-
-
19
-
-
0040710256
-
Nigerian Cinema: Structural Adjustments
-
Haynes, J. (1995) Nigerian Cinema: Structural Adjustments, Research in African Literatures 26(3): 97-119.
-
(1995)
Research in African Literatures
, vol.26
, Issue.3
, pp. 97-119
-
-
Haynes, J.1
-
20
-
-
0038059870
-
-
Haynes, J. (ed.), Athens: Ohio University Press
-
Haynes, J. (ed.) (2000) Nigerian Video Films. Athens: Ohio University Press.
-
(2000)
Nigerian Video Films
-
-
-
21
-
-
84900240415
-
Nollywood: What's in a Name?
-
3 July
-
Haynes, J. (2005) Nollywood: What's in a Name?, The Guardian 3 July.
-
(2005)
The Guardian
-
-
Haynes, J.1
-
22
-
-
77954575747
-
Video Boom: Nigeria and Ghana
-
URL (consulted March 2010)
-
Haynes, J. (2007) Video Boom: Nigeria and Ghana, Postcolonial Text 3(2), URL (consulted March 2010): http://postcolonial.org/index.php/pct/article/view/522/422.
-
(2007)
Postcolonial Text
, vol.3
, Issue.2
-
-
Haynes, J.1
-
23
-
-
77954611336
-
The VCD Experience
-
in J. Erni and S.-K. Chua (eds), Malden, MA: Blackwell
-
Hu, K. (2005) The VCD Experience, in J. Erni and S.-K. Chua (eds) Asian Media Studies: Politics of Subjectivities, pp. 55-72. Malden, MA: Blackwell.
-
(2005)
Asian Media Studies: Politics of Subjectivities
, pp. 55-72
-
-
Hu, K.1
-
26
-
-
0040151441
-
Indian Films and Nigerian Lovers: Media and the Creation of Parallel Modernities
-
Larkin, B. (1997) Indian Films and Nigerian Lovers: Media and the Creation of Parallel Modernities, Africa 67(3): 406-40.
-
(1997)
Africa
, vol.67
, Issue.3
, pp. 406-440
-
-
Larkin, B.1
-
27
-
-
60949325926
-
Theaters of the Profane: Cinema and Colonial Urbanism
-
Larkin, B. (1998) Theaters of the Profane: Cinema and Colonial Urbanism, Visual Anthropology Review 14(2): 46-62.
-
(1998)
Visual Anthropology Review
, vol.14
, Issue.2
, pp. 46-62
-
-
Larkin, B.1
-
28
-
-
33747272151
-
The Materiality of Cinema Theaters in Northern Nigeria
-
in F.D. Ginsburg, L. Abu-Lughod and B. Larkin (eds), Berkeley, CA: University of California Press
-
Larkin, B. (2002) The Materiality of Cinema Theaters in Northern Nigeria, in F.D. Ginsburg, L. Abu-Lughod and B. Larkin (eds) Media Worlds: Anthropology on New Terrain, pp. 319-36. Berkeley, CA: University of California Press.
-
(2002)
Media Worlds: Anthropology on New Terrain
, pp. 319-336
-
-
Larkin, B.1
-
29
-
-
2942644351
-
Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy
-
Larkin, B. (2004) Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy, Public Culture 16(2): 289-314.
-
(2004)
Public Culture
, vol.16
, Issue.2
, pp. 289-314
-
-
Larkin, B.1
-
32
-
-
77954565811
-
Dossier: Africa - The State of Distribution
-
Maïga, C. (1993) Dossier: Africa - The State of Distribution, Ecrans d'Afrique 4: 53-78.
-
(1993)
Ecrans D'afrique
, vol.4
, pp. 53-78
-
-
Maïga, C.1
-
33
-
-
43449135469
-
Flattening Ontologies of Globalization: The Hollywood Case
-
Marston, S., K. Woodward and J. Jones III (2007) Flattening Ontologies of Globalization: The Hollywood Case, Globalizations 4(1): 45-63.
-
(2007)
Globalizations
, vol.4
, Issue.1
, pp. 45-63
-
-
Marston, S.1
Woodward, K.2
Jones III, J.3
-
34
-
-
33749587643
-
Juju and Justice at the Movies: Vigilantes in Nigerian Popular Videos
-
McCall, J.C. (2004a) Juju and Justice at the Movies: Vigilantes in Nigerian Popular Videos, African Studies Review 47(3): 51-67.
-
(2004)
African Studies Review
, vol.47
, Issue.3
, pp. 51-67
-
-
McCall, J.C.1
-
35
-
-
48849085063
-
Nollywood Confidential: The Unlikely Rise of Nigerian Video Film
-
McCall, J.C. (2004b) Nollywood Confidential: The Unlikely Rise of Nigerian Video Film, Transition 95: 98-109.
-
(2004)
Transition
, vol.95
, pp. 98-109
-
-
McCall, J.C.1
-
36
-
-
77954613969
-
The Pan-Africanism We Have: Nollywood's Invention of Africa
-
McCall, J.C. (2007) The Pan-Africanism We Have: Nollywood's Invention of Africa, Film International 28: 92-9.
-
(2007)
Film International
, vol.28
, pp. 92-99
-
-
McCall, J.C.1
-
37
-
-
77954580884
-
2008 MPAA Theatrical Statistics
-
URL (consulted March 2010)
-
Mpaa (2008) 2008 MPAA Theatrical Statistics, Motion Picture Association of America, URL (consulted March 2010): http://www.mpaa.org/2008%20MPAA%20Theatrical%20Market%20Statistics.pdf.
-
(2008)
Motion Picture Association of America
-
-
Mpaa1
-
38
-
-
77954565520
-
Intellectual Property Rights, Copyright and Development Policy in a Developing Country: Options for Sub-Saharan African Countries
-
paper presented to the Copyright Workshop at Zimbabwe International Book Fair, URL (consulted March 2010)
-
Nwauche, E.S. (2003) Intellectual Property Rights, Copyright and Development Policy in a Developing Country: Options for Sub-Saharan African Countries, paper presented to the Copyright Workshop at Zimbabwe International Book Fair, URL (consulted March 2010): http://international.kopinor.no/content/download/1777/13422/file/zibf.pdf.
-
(2003)
-
-
Nwauche, E.S.1
-
39
-
-
77954593985
-
The Popular Art of African Video-film
-
URL (consulted March 2010)
-
Okome, O. (2001) The Popular Art of African Video-film, NYFA Quarterly 17(2), URL (consulted March 2010): http://camt.nyfa.org/archive_detail_q.asp?type=3&qid=45&fid=1&year=2001&s=Summer.
-
(2001)
NYFA Quarterly
, vol.17
, Issue.2
-
-
Okome, O.1
-
40
-
-
77954599580
-
Nollywood: Africa at the Movies
-
Okome, O. (2007a) Nollywood: Africa at the Movies, Film International 5(4): 4-9.
-
(2007)
Film International
, vol.5
, Issue.4
, pp. 4-9
-
-
Okome, O.1
-
41
-
-
77954571525
-
Nollywood: Spectatorship, Audience and the Sites of Consumption
-
URL (consulted March 2010)
-
Okome, O. (2007b) Nollywood: Spectatorship, Audience and the Sites of Consumption, Postcolonial Text 3(2), URL (consulted March 2010): http://postcolonial.org/index.php/pct/article/view/763/425.
-
(2007)
Postcolonial Text
, vol.3
, Issue.2
-
-
Okome, O.1
-
42
-
-
77958108869
-
West African Cinema: Africa at the Movies
-
URL (consulted March 2010)
-
Okome, O. (2007c) West African Cinema: Africa at the Movies, Postcolonial Text 3(2), URL (consulted March 2010): http://postcolonial.org/index.php/pct/article/view/776/433.
-
(2007)
Postcolonial Text
, vol.3
, Issue.2
-
-
Okome, O.1
-
43
-
-
77954575746
-
Looking at Ourselves in our Mirror: Agency, Counter-discourse, and the Nigerian Video Film
-
Okoye, C. (2007) Looking at Ourselves in our Mirror: Agency, Counter-discourse, and the Nigerian Video Film, Film International 5(4): 20-9.
-
(2007)
Film International
, vol.5
, Issue.4
, pp. 20-29
-
-
Okoye, C.1
-
45
-
-
77954583021
-
Intellectual Property Rights and the Political Economy of Culture
-
Rønning, H., P. Thomas, K.H. Tomaselli and R. Teer-Tomaselli (2006) Intellectual Property Rights and the Political Economy of Culture, Critical Arts 20(1): 1-19.
-
(2006)
Critical Arts
, vol.20
, Issue.1
, pp. 1-19
-
-
Rønning, H.1
Thomas, P.2
Tomaselli, K.H.3
Teer-Tomaselli, R.4
-
46
-
-
7244250535
-
African Films are Foreigners in their own Countries
-
Sama, E. (1993) African Films are Foreigners in their own Countries, Ecrans d'Afrique 4: 54-67.
-
(1993)
Ecrans D'afrique
, vol.4
, pp. 54-67
-
-
Sama, E.1
-
49
-
-
84865678393
-
Censorship and the Content of Nigerian Video Films
-
URL (consulted March 2010)
-
Ugor, P.U. (2007) Censorship and the Content of Nigerian Video Films, Postcolonial Text 3(2), URL (consulted March 2010): http://postcolonial. org/index.php/pct/article/view/518/403.
-
(2007)
Postcolonial Text
, vol.3
, Issue.2
-
-
Ugor, P.U.1
-
51
-
-
85044885141
-
The Global Reach of a New Discourse: How Far Can Creative Industries Travel?
-
Wang, J. (2004) The Global Reach of a New Discourse: How Far Can Creative Industries Travel?, International Journal of Cultural Studies 7(1): 9-18.
-
(2004)
International Journal of Cultural Studies
, vol.7
, Issue.1
, pp. 9-18
-
-
Wang, J.1
|