Exteriority and transcritique: Karatani Kōjin and the impact of the 1990s

Japanese Studies

Volumn 27, Issue 1, 2007, Pages 1-18

  Cassegard, Carl ^a  

^a UNIVERSITY OF GOTHENBURG   (Sweden)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 77954333823     PISSN: 10371397     EISSN: 14699338     Source Type: Journal    
DOI: 10.1080/10371390701268612     Document Type: Article

References (39)

1. Saburō, Akane, and Hiromi, Shibata. 2003. Zenkyōtō, Tokyo: Kawade shobō shinsha. (The All Campus Joint Struggle Committee)
2. Berger, James. 1999. After the End: Representations of Post-Apocalypse, Minneapolis: University of Minnesota Press.
3. Cassegard, Carl. 2007. Shock and Naturalization in Contemporary Japanese Literature, Folkestone: Global Oriental Ltd. forthcoming in
4. Clammer, John. 1995. Difference and Modernity: Social Theory and Contemporary Japanese Society, London: Kegan Paul International.
5. Derrida, Jacques. 2001. Writing and Difference, London: Routledge.
6. Karatani, Kōjin. 1985. Hihyō to posutomodan, Tokyo: Fukutake shoten. (Critique and postmodernity)
7. Karatani, Kōjin. 1989. “ One Spirit, Two Nineteenth Centuries ”. In Postmodernism and Japan, Edited by: Miyoshi, M., and Harootunian, H. D., 259–272. Durham: Duke University Press.
8. Karatani, Kōjin. 1993. Origins of Modern Japanese Literature, Durham: Duke University Press.
9. Karatani, Kōjin. 1994. Non-Cartesian cogito, or cogito as Difference. Discours Social/Social Discourse, 6 (1–2): 23–30.
10. Karatani, Kōjin. 1994. The Problem of Historical Repetition. www.karataniforum.org/problem.html (accessed 19 November 2002)
11. Karatani, Kōjin. 1995. Architecture as Metaphor: Language, Number, Money, Cambridge, MA: MIT Press.
12. Karatani, Kōjin. 1995. Shūen o megutte, Tokyo: Kōdansha gakujutsu bunko. (On the end)
13. Karatani, Kōjin. 1997. Japan is Interesting Because Japan is Not Interesting. lecture delivered in March 1997, www.karataniforum.org/jlecture.html (accessed 19 November 2002)
14. Karatani, Kōjin. 1998. Sōzōryoku no bēsu. Gunzō Nihon no sakka 29: Murakami Ryū,: 89–95. (The base of imagination), Shōgakukan
15. Karatani, Kōjin. 1998. The Power of Repression and the Power of Foreclosure: Foucault and Lacan vis-à-vis Japan. www.karataniforum.org/fl.html (accessed 19 November 2002)
16. Karatani, Kōjin. 1998. Buddhism, Marxism, and Fascism. www.karataniforum.org/bmf.html (accessed 19 November 2002)
17. Karatani, Kōjin. 1999. Hyūmoa to shite no yuibutsuron, Tokyo: Kōdansha gakujutsu bunko. (Materialism as humour)
18. Karatani, Kōjin. 2000. NAM Genri, Tokyo: Ōta shuppan. (The principles of NAM)
19. Karatani, Kōjin. 2002. Nihon seishinbunseki, Tokyo: Bungei Shunjū. (Psychoanalysis of Japan)
20. Karatani, Kōjin. 2003. Transcritique: On Kant and Marx, Cambridge, MA: MIT Press.
21. Karatani, Kōjin. 2003. Kenchiku to asoshiēshon. Shinchō, 10: 224–232. (Architecture and association)
22. Karatani, Kōjin. 2004. Nēshon to bigaku, Tokyo: Iwanami Shoten. (Nation and aesthetics)
23. Karatani, Kōjin. 2005. Kindai bungaku no owari, Tokyo: Insukuriputo. (The end of modern literature)
24. Karatani, Kōjin. 2005. Kakumei to hanpuku: josetsu. AT, 0: 4–18. (Revolution and repetition: preface)
25. Karatani, Kōjin. 2005. “ Overcoming Modernity ”. In Contemporary Japanese Thought, Edited by: Calichman, Richard F., 101–118. New York: Columbia University Press.
26. Karatani, Kōjin. 2006. Sekaikyōwakoku e—Shihon = Nēshon = Kokka o koete, Tokyo: Iwanami shoten. (Towards the world republic: Transcending capital-nation-state)
27. Karatani, Kōjin, and Murakami, Ryū. 2001. “ Jidai heisa no toppakō ”. In NAM Seisei, Edited by: Karatani. 63–118. Tokyo: Ōta shuppan. (Breaking out of the closure of the times)
28. Miller, Arthur I., 2001. Einstein, Picasso: Space, Time, and the Beauty that Causes Havoc, New York: Basic Books.
29. Murakami, Fuminobu. 2005. Postmodern, Feminist and Postcolonial Currents in Contemporary Japanese Culture: A Reading of Murakami Haruki, Yoshimoto Banana, Yoshimoto Takaaki and Karatani Kojin, London: Routledge.
30. Murakami Haruki. 1986. Chūgoku yuki no surō bōto, Tokyo: Chūkō bunko. (Slow boat to China)
31. Murakami Haruki. 1991. Dansu, dansu, dansu, Vol. 1, Tokyo: Kōdansha bunko. (Dance dance dance)
32. Nishida, Kitarō. 1970. Fundamental Problems of Philosophy: The World of Action and the Dialectical World, Sophia University.
33. Nishida, Kitarō. 1996. The Principle of the New World Order. Monumenta Nipponica, 51 (1): 17–21.
34. Pynchon, Thomas. 1996. The Crying of Lot 49, London: Vintage.
35. Shima, Taizō. 2005. Yasuda kōdō 1968–1969, Tokyo: Chūō kōron shinsha. (Yasuda Lecture Hall 1968–1969)
36. Strecher, Matthew. 1998. Beyond “Pure” Literature: Mimesis, Formula, and the Postmodern in the Fiction of Murakami Haruki. Journal of Asian Studies, 57 (2): 354–378.
37. Hidemi, Suga. 2005. Left Alone: Jizoku suru nyū refuto no ‘68 nen kakumei’, Edited by: Hidemi, Suga. Tokyo: Akashi shoten. (Left alone: the “revolution of 68” of the continuing new left)
38. Hidemi, Suga. 2005. 1968: Chi no kōryaku, Edited by: Hidemi, Suga. Tokyo: Sakuhinsha. (1968–the conquest of intelligence)
39. Žižek, Slavoj. 2006. The Parallax View, Cambridge, MA: MIT Press.