Access: Reflections on studying up in hollywood

Ethnography

Volumn 11, Issue 2, 2010, Pages 211-233

  Ortner, Sherry B ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

'Interface ethnography'; Hollywood; Informant interest; Interviews; Participant observation; Studying up

Indexed keywords

EID: 77953967743     PISSN: 14661381     EISSN: 17412714     Source Type: Journal    
DOI: 10.1177/1466138110362006     Document Type: Article

References (61)

1. Bart P., Guber P. (2002) Shoot Out: Surviving Fame and (Mis)fortune in Hollywood. New York: The Berkley Publishing Group.
2. Biskind P. (1998) Easy Rider, Raging Bulls: How the Sex-Drugs-and-Rock 'n Roll Generation Saved Hollywood. New York: Simon and Schuster.
3. Biskind P. (2004) Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film. New York: Simon and Schuster.
4. Bourdieu P. (1984) Distinction: A Social Critique of the Judgement of Taste, trans. R. Nice. Cambridge, MA: Harvard University Press.
5. Bourdieu P. (1990) The Logic of Practice, trans. R. Nice. Stanford, CA: Stanford University Press.
6. Bourdieu P. (1993) The Field of Cultural Production (various translations). New York: Columbia University Press.
7. Caldwell J. (2003) Industrial Geography Lessons: Socio-Professional Rituals and the Borderlands of Production Culture. In: Couldry N, McCarthy A (eds) Media Space: Place, Scale, and Culture in a Media Age. New York: Routledge, 163-188.
8. Caldwell J. (2006) Cultural Studies of Media Production: Critical Industrial Practices. In: White M, Schwoch J (eds) Questions of Method in Cultural Studies. Oxford: Blackwell, 109-153.
9. Caldwell J. (2008) Production Culture: Industrial Reflexivity and Critical Practice in Film/Television. Durham, NC: Duke University Press.
10. Casagrande JB (1964) In the Company of Man: Twenty Portraits by Anthropologists. New York: Harper and Row.
11. Dirks NB (1992) Colonialism and Culture. Ann Arbor: University of Michigan Press.
12. Dornfeld B. (1998) Producing Public Television, Producing Public Culture. Princeton, NJ: Princeton University Press.
13. Dunne JG (1998 [1968]) The Studio. New York: Vintage Books.
14. Ehrenreich B., Ehrenreich J. (1979 [1977]) The Professional-Managerial Class. In: Walker P (ed.) Between Labour and Capital. Hassocks, Sussex: Harvester Press, 5-45.
15. Epstein EJ (2006) The Big Picture: Money and Power in Hollywood. New York: Random House.
16. Fisher, M.S. and G. Downey (eds) (2006) Frontiers of Capital: Ethnographic Reflections on the New Economy. Durham, NC: Duke University Press.
17. Gamson J. (1995) Stopping the Spin and Becoming a Prop: Fieldwork on Hollywood Elites. In: Hertz R, Imber JB (eds) Studying Elites Using Qualitative Methods. Thousand Oaks, CA: SAGE, 83-93.
18. Geertz C. (1973) The Interpretation of Cultures. New York: Basic Books.
19. Ginsburg FD (1995) The Parallax Effect: The Impact of Aboriginal Media on Ethnographic Film. Visual Anthropology Review 11(2): 64-76.
20. Ginsburg, F.D., L. Abu-Lughod and B. Larkin (eds) (2002) Media Worlds: Anthropology on New Terrain. Berkeley and Los Angeles: University of California Press.
21. Gitlin T. (2000 [1983]) Inside Prime Time. Berkeley: University of California Press.
22. Goldman W. (1983) Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. New York: Warner Books.
23. Grindstaff L. (2002) The Money Shot: Trash, Class, and the Making of TV Talk Shows. Chicago, IL: University of Chicago Press.
24. Gupta A., Ferguson J. (1997) Discipline and Practice: "The Field" as Site, Method, and Location in Anthropology. Anthropological Locations: Boundaries and Grounds of a Field Science. Berkeley: University of California Press, 1-46.
25. Gusterson H. (1996) Nuclear Rites: A Weapons Laboratory at the End of the Cold War. Berkeley: University of California Press.
26. Gusterson H. (1997) Studying Up Revisited. Political and Legal Anthropology Review 20(1): 114-119.
27. Hall, S., D. Hobson, A. Lowe and P. Willis (eds) (1980) Culture, Media, Language: Working Papers in Cultural Studies (1972-1979). London: Hutchinson/CCS.
28. Hannerz U. (2004) Foreign News: Exploring the World of Foreign Correspondents. Chicago, IL: University of Chicago Press.
29. Himpele JD (2002) Arrival Scenes: Complicity and Media Ethnography in the Bolivian Public Sphere. In: Ginsburg FD, Abu-Lughod L, and Larkin B (eds) Media Worlds: Anthropology on New Terrain. Berkeley: University of California Press, 301-316.
30. Horkheimer M., Adorno TW (1999 [1947]) The Culture Industry: Enlightenment as Mass Deception. In: Dialectic of Enlightenment, trans. J. Cumming. New York: Continuum.
31. Kermode M. (2008) The Recalcitrant Interviewee. Cinema Journal 47(2): 135-141.
32. Marcus GE (1997) The Uses of Complicity in the Changing Mise-en-Scène of Anthropological Fieldwork. Representations 59: 85-108.
33. Marcus GE (1998 [1995]) Ethnography in/of the World System: The Emergence of Multi-Sited Ethnography. Ethnography Through Thick and Thin. Princeton, NJ: Princeton University Press, 79-104.
34. Mayer V. (2008) Studying Up and F**cking Up: Ethnographic Interviewing in Production Studies. Cinema Journal 47(2): 141-148.
35. Mazzarella W. (2003) Shoveling Smoke: Advertising and Globalization in Contemporary India. Durham, NC: Duke University Press.
36. Mead M. and R. Métraux (eds) (1953) The Study of Culture at a Distance. Chicago, IL: University of Chicago Press.
37. Nader L. (1974 [1969]) Up the Anthropologist - Perspectives Gained from Studying Up. In: Hymes D (ed.) Reinventing Anthropology. New York: Vintage Books, 284-311.
38. Nader L. (1997) Controlling Processes: Tracing the Dynamic Components of Power: Sidney W. Mintz Lecture for 1995. Current Anthropology 38(5): 711-737.
39. Obst L. (1997) Hello, He Lied - and Other Truths from the Hollywood Trenches. New York: Broadway Books.
40. Ortner SB (1991) Reading America: Preliminary Notes on Class and Culture. In: RG Fox (ed.) Recapturing Anthropology: Working in the Present. Santa Fe, NM: School of American Research Press, 163-190, Advanced Seminar Series.
41. Ortner SB (1999) Life and Death on Mt. Everest: Sherpas and Himalayan Mountaineering. Princeton, NJ: Princeton University Press.
42. Ortner SB (2003) New Jersey Dreaming: Capital, Culture, and the Class of '58. Durham, NC: Duke University Press.
43. Ortner SB (2006 [1998]) Generation X: Anthropology in a Media-Saturated World. In: Ortner SB (ed.) Anthropology and Social Theory: Culture, Power, and the Acting Subject. Durham, NC: Duke University Press, 80-106.
44. Powdermaker H. (1950) Hollywood the Dream Factory. New York: Little, Brown and Company.
45. Powdermaker H. (1966) Stranger and Friend: The Way of an Anthropologist. New York: W.W. Norton & Company.
46. Rabinow P. (1996) Making PCR: A Story of Biotechnology. Chicago, IL: University of Chicago Press.
47. Robben Acgm (1996) Ethnographic Seduction, Transference, and Resistance in Dialogues about Terror and Violence in Argentina. Ethos 24(1): 71-106.
48. Robben Acgm (2005) Political Violence and Trauma in Argentina. Philadelphia: University of Pennsylvania Press.
49. Ross A. (1989) No Respect: Intellectuals and Popular Culture. New York and London: Routledge.
50. Ross L. (2002 [1952]) Picture. Cambridge, MA: Da Capo Press.
51. Salamon J. (1991) The Devil's Candy: The Bonfire of the Vanities Goes to Hollywood. Boston, MA: Houghton, Mifflin.
52. Sarris A. (1968) Toward a Theory of Film History. In: The American Cinema: Directors and Directions, 1929-1968. New York: E.P. Dutton & Co., Inc, 19-37.
53. Silverman S. (2007) American Anthropology in the Middle Decades: A View from Hollywood. American Anthropologist 109(3): 519-528.
54. Traube EG (1992) Dreaming Identities: Class, Gender and Generation in 1980's Hollywood Movies. Boulder, CO: Westview Press.
55. Traube EG (1996) Introduction. In: Ohmann R (ed.) Making and Selling Culture. Hanover, NH: Wesleyan University Press, xi-xxiii.
56. Vachon C., Bunn A. (2006) A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. New York: Simon and Schuster.
57. Kabul Transit (2006) Produced and directed by David B. Edwards, Gregory Whitmore, and Maliha Zulfacar.
58. Nine Lives (2005) Produced by Julie Lynn. Directed by Rodrigo Garcia.
59. No End in Sight (2007) Produced by Jennie Amias, Charles Ferguson, Audrey Marrs, and Jessie Vogelson. Directed by Charles Ferguson.
60. In Treatment (2008) (first season). Executive produced by Rodrigo Garcia et al., HBO.
61. Project Green Light (2001) (first season). Executive produced by Ben Affleck, Matt Damon, and Chris Moore et al., HBO.