The curator as arts administrator? Comments on Harald Szeemann and the exhibition "when attitudes become form"

Journal of Arts Management Law and Society

Volumn 40, Issue 1, 2010, Pages 27-42

  Behnke, Christoph ^a  

^a LEUPHANA UNIVERSITY OF LÜNEBURG   (Germany)

Author keywords

artistic field; arts administrator; curator; deprofessionalisation; field theory; Habitus; Harald Szeemann

Indexed keywords

EID: 77953931955     PISSN: 10632921     EISSN: 19403364     Source Type: Journal    
DOI: 10.1080/10632921003638337     Document Type: Note

References (36)

1. Altshuler, B. 1994. The avant-garde in exhibition. New art in the 20th century. New York: Harry N. Abrams, Inc., Publishers
2. Baden-Badener Kunstgespräche. 1959. wird die moderne kunst "gemanagt"?. Baden-Baden and Krefeld: Agis publishers
3. Boltanski, L., and E. Chiapello. 2005. The new spirit of capitalism. London: Verso
4. Bourdieu, Pierre. 1974. Zur Soziologie der symbolischen Formen. Frankfurt am Main: Suhrkamp
5. Bourdieu, Pierre. 1990. Homo academicus. Stanford: Stanford Univ. Press
6. Bourdieu, Pierre. 1993. The field of cultural production: Essays on art and literature. New York: Columbia Univ. Press
7. Bourdieu, Pierre. 1996. The rules of art. Genesis and structure of the literary field. New York: Blackwell Publishers
8. Bourdieu, Pierre. 2004. Meditationen: Zur Kritik der scholastischen Vernunft. Frankfurt/Main: Suhrkamp
9. Bourdieu, P., and A. Darbel. 1990. The love of art. European art museums and their public. London: Polity Press
10. Bourdieu, P., and L. Wacquant. 1992. An Invitation to Reflexive Sociology. Chicago: Univ. of Chicago Press
11. Buchloh, B. 1990. From the aesthetic of administration to institutional critique. In l'art conceptuel, une perspective 22 novembre 1989-18 février 1990. 41-54. Paris: Musée d'Art Moderne de la Ville de Paris
12. Buchloh, B. 1997. Das politische potential der Kunst. Ein gespräch zwischen Benjamin Buchloh, Catherine David und Jean Francois Chevrier. In Politics-Poetics. Das Buch zur documenta X, 642-643. Ostfildern-Ruit: cantz verlag
13. DiMaggio, P. 1987. Managers of the arts. Research division report #20. Washington, D.C.: National Endowment for the Arts
14. Doig, J., and E. Hargrowe. 1987. Leadership and innovation. A biographical perspective on entrepreneurs in government. Baltimore: Johns Hopkins Univ. Press
15. Foster, H., R. Krauss, V. A. Bois, and B. H. D. Buchloh. 2004. modernism, antimodernism, postmodernism. New York: Thames and Hudson
16. Grammel, S. 2005. Ausstellungsautorschaft. Die Konstruktion der auktorialen Position des Kurators bei Harald Szeemann. Frankfurt am Main: Revolver Verlag
17. Heinich, Nathalie. 1995. Harald Szeemann. Un cas singulier. Tusson: L'Échoppe
18. Heinich, N., and M. Pollak. 1989. Vienne à Paris. Portrait d'une exposition. Paris: Bibliothèque Publique D'information, Centre Georges Pompidou
19. Heinich, N., and M. Pollak. 1996. From Museum curator to exhibition auteur: Inventing a singular position. In Thinking about exhibitions, ed. R. Greenberg, et al., 231-50. London and New York: Routledge
20. Holsinger, B. 2005. The premodern condition: Medievalism and the making of theory. Chicago: University of Chicago Press
21. Huber, H. D., et al., ed. 2002.Kunst des Ausstellens. Beiträge Statements Diskussionen. Ostfildern-Ruit: Hatje Canz
22. Kosuth, J. 1990. Art after philosophy and after: Collected writings, 1966-1990. Cambridge: The MIT Press
23. Lippard, L. 1973. Six years: The dematerialization of Art. New York: Praeger
24. Mulcahy, K.V. 2003. Entrepreneurship or Cultural Darwinism: Privatization and American cultural patronage. Journal of Arts Management, Law, and Society 33(3): 165-84
25. Müller, Hans Joachim. 2006. Harald Szeemann. Ausstellungsmacher. Ostfildern-Riut: Hatje Canz
26. Palmer, I. 1998. Arts managers and managerialism. A cross-sector analysis of CEOs' orientations and skills. Public, Productivity, and Management Review 21(4): 433-52
27. Peterson, R.A. 1986. From impresario to arts administrator: Formal accountability in nonprofit cultural organizations. In Nonprofit enterprise in the arts, ed. P. DiMaggio, 162-83. New York: Oxford Univ. Press
28. Sedlmayr, H. 2006. Art in crisis. Piscataway, NJ: The lost center. Piscataway, NJ: Transaction Publishers
29. Siegelaub, S. 1990. Addendum. In l'art conceptuel, une perspective, 257-58. Paris: Musée d'Art Moderne de la Ville de Paris
30. Siegelaub, S., M. Fricke, and R. Fricke. 2004. The context of art / the art of context. Trieste: Navado Press
31. Szeemann, H. 1969. Live in your head; when attitudes become form
32. Philip Morris Europe.Kunsthalle Bern (22.3.-27.4.1969). Berne: Stämpfli
33. Szeemann, H. 1991. When attitudes become form, Bern 1969. In Die kunst der ausstellung, ed. B. Klüser and K. Hegewisch. Frankfurt am Main: Insel
34. Szeemann, H. 2007. Individual mythology. Under the editorial direction of Florence Derieux. Zürich: JRP Ringier
35. Turner, B.S. 2005. Talcott Parsons's sociology of religion and the expressive revolution: The problem of western individualism. Journal of Classical Sociology 5: 303-18
36. White, H. C., and C.A. White. 1993. Canvases and careers: Institutional change in the French painting world. Chicago: Univ. of Chicago Press