Emotional remapping of music to facial animation

Proceedings - Sandbox Symposium 2006: ACM SIGGRAPH Video Game Symposium, Sandbox '06

Volumn , Issue , 2006, Pages 143-149

  DiPaola, Steve ^a   Arya, Ali ^b  

^a SIMON FRASER UNIVERSITY   (Canada)

^b CARLETON UNIVERSITY   (Canada)

Author keywords

affective communication; data driven animation; facial animation; procedural art

Indexed keywords

3D FACES; AFFECTIVE COMMUNICATION; EMOTIONAL ASPECT; FACE ANIMATION; FACIAL ANIMATION; HEAD MODEL; POLYPHONIC MUSIC; REMAPPING; REMAPPING ALGORITHMS; RULE SET;

COMMUNICATION; INTERACTIVE COMPUTER GRAPHICS;

ANIMATION;

EID: 77953317082     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1145/1183316.1183337     Document Type: Conference Paper

References (26)

1. ARYA, A. AND DIPAOLA, S. 2004. Face As A Multimedia Object, Intl Workshop on Image Analysis for Multimedia Interactive Services.
2. BRESIN, R. AND FRIBERG, A. 1999. Synthesis and Decoding of Emotionally Expressive Music Performance, IEEE International Conference on Systems, Man, and Cybernetics, Tokyo, Japan,
3. CARDLE, M., BARTHE, L., BROOKS, S. AND ROBINSON, P. 2002. Music-driven Motion Editing, Eurographics-02, UK.
4. CASSELL, J., VILHJÁLMSSON, H. AND BICKMORE, T. 2001. BEAT: the Behaviour Expression Animation Toolkit, ACM.
5. CLYNES, M. 1992. Time-Forms, Nature's Generators and Communicators of Emotion, IEEE International Workshop on Robot and Human Communication, Tokyo, Japan.
6. DARWIN, C. 1872. Expression of the Emotions in Men and Animals, John Murray, London.
7. DIPAOLA, S. 2002. FaceSpace: A Facial Spatial-Domain Toolkit, Sixth International Conference on Information Visualisation.
8. EKMAN, P. AND FRIESEN, W.V. 1978. Facial Action Coding System, Consulting Psychologists Press Inc.
9. EKMAN, P. 2003. Emotions Revealed, Henry Holt and Company, New York.
10. FARNSWORTH, P. 1958. The social psychology of music. The Dryden Press.
11. HEVNER, K. 1936. Experimental studies of the elements of expression in music. American Journal of Psychology.
12. JUSLIN, P.N. AND SLOBODA, J.A. 2001. Music and Emotion: Theory and Research, Oxford University Press, New York.
13. JUSLIN, P.N. 2000. Cue Utilization in Communication of Emotion in Music Performance: Relating Performance to Perception, Journal of Experimental Psychology: Human Perception and Performance, vol. 26, no. 6, pp 1797-1813.
14. KIM, T., PARK, S. AND SHIN S. 2003. Rhythmic-Motion Synthesis Based on Motion-Beat Analysis, ACM Trans Computer Graphics, July.
15. KRUMHANSL, C.L. 2002. Music: A Link Between Cognition and Emotion, Current Directions in Psychological Science, vol. 11, no. 2, pp 45-50, April.
16. LERDAHL, F. 2001. Tonal Pitch Space, Oxford University Press, New York.
17. LEVINSON, D., PONZETTI J. AND JORGENSEN, P. 1999. eds. Encyclopedia of Human Emotions. Vol. 1 and 2. Simon & Schuster.
18. LI, T. AND OGIHARA, M. 2003. Detecting Emotion in Music, ISMIR-03
19. LIU, D., LU, L. AND ZHANG, H. 2003. Automatic Mood Detection from Acoustic Music Data, ISMIR-03
20. LYTLE, W. 1990. Driving Computer Graphics Animation from a Musical Score, Scientific Excellence in Supercomputing: The IBM 1990 Contest Prize Papers.
21. MITROO, J., HERMAN, N. AND BADLER, N. 1979. Movies From Music: Visualizing Musical Compositions, ACM SIGGRAPH-79.
22. OSTERMANN, J. 1998. Animation of Synthetic Faces in MPEG-4, Computer Animation Conference.
23. RUSSELL, J. A. 1980. A circumplex model of affect. Journal of Personality and Social Psychology, 39, 1161-1178.
24. TEMPERLEY, D. 2001. The Cognition of Basic Musical Structures, MIT Press.
25. THAYER, R.E. , 1989. The Biopsychology of Mood and Arousal, Oxford University Press, New York.
26. VALENTINE, T. 1999. Face-Space Models of Face Recognition. In Computational, geometric, and process perspectives on facial cognition: Contexts and challenges. Wenger, M. J. & Townsend, J. T. (Eds.), Lawrence Erlbaum Associates Inc.