Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995)

The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema

Volumn , Issue , 2003, Pages 213-231

  Berman, Emanuel ^a,b,c   Rosenheimer, Timna ^e   Aviad, Michal ^d  

^a OFEK   (Israel)

^b UNIVERSITY OF HAIFA   (Israel)

^c NEW YORK UNIVERSITY   (United States)

^d TEL AVIV UNIVERSITY   (Israel)

^e NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 77952201351     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203013915     Document Type: Chapter

References (5)

1. Berman, E. (1999) 'Sandor Ferenczi today: reviving the broken dialectic', American Journal of Psychoanalysis, 59: 303-313.
2. Berman, E. (2001) 'Psychoanalysis and life', Psychoanalytic Quarterly, 70: 35-65.
3. Ferenczi, S. (1988) Clinical Diary. Ed. J. Dupont. Cambridge, MA: Harvard University Press.
4. Racker, H. (1968) Transference and Countertransference. New York: International Universities Press.
5. Searles, H. (1979) 'The patient as therapist to his analyst', in Countertransference and Related Subjects. New York: International Universities Press.