The Turing test and artistic creativity

Kybernetes

Volumn 39, Issue 3, 2010, Pages 409-413

  Boden, Margaret A ^a  

^a UNIVERSITY OF SUSSEX   (United Kingdom)

Author keywords

Arts; Computers; Cybernetics; Music

Indexed keywords

COMPUTERS; CYBERNETICS;

ARTISTIC CREATIVITY; ARTS; COMPUTATIONAL CREATIVITIES; DESIGN/METHODOLOGY/APPROACH; IMITATION GAMES; MUSIC; MUSICAL CREATIVITIES; TURING TESTS;

ARTIFICIAL INTELLIGENCE;

EID: 77951987586     PISSN: 0368492X     EISSN: None     Source Type: Journal    
DOI: 10.1108/03684921011036132     Document Type: Article

References (10)

1. Boden, M.A. (2004), The Creative Mind: Myths and Mechanisms, 2nd ed., Routledge, London.
2. Boden, M.A. (2006), Mind as Machine: A History of Cognitive Science, Oxford University Press, Oxford.
3. Boden, M.A. (2010), “The aesthetics of interactive art”, Creativity and Art: Three Roads to Surprise, Ch. 11, Oxford University Press, Oxford.
4. Boden, M.A. and Edmonds, E.A. (2009), “What is generative art?”, Digital Creativity, Vol. 20 Nos 1 / 2, pp. 21-46.
5. Cohen, H. (2002), “A million millennial Medicis”, in Ed. Candy, L. and Ed. Edmonds, E. (Eds), Explorations in Art and Technology, Springer, London, pp. 91-104.
6. Cope, D. (2001), Virtual Music: Computer Synthesis of Musical Style, MIT Press, Cambridge, MA.
7. Cope, D. (2006), Computer Models of Musical Creativity, MIT Press, Cambridge, MA.
8. Sims, K. (1991), “Artificial evolution for computer graphics”, Computer Graphics, Vol. 25 No. 4, pp. 319-328.
9. Todd, S.C. and Latham, W. (1992), Evolutionary Art and Computers, Academic Press, London.
10. Turing, A.M. (1950), “Computing machinery and intelligence”, Mind, Vol. 59, pp. 433-460.