Sound art and the sonic unconscious

Organised Sound

Volumn 14, Issue 1, 2009, Pages 19-26

  Cox, Christoph ^a  

^a HAMPSHIRE COLLEGE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 77951811989     PISSN: 13557718     EISSN: 14698153     Source Type: Journal    
DOI: 10.1017/S1355771809000041     Document Type: Review

References (25)

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2. Cage, J. 1948. A Composer's Confessions. In Richard Kostelanetz (ed.) John Cage: Writer. New York: Limelight Editions, 1993
3. Cage, J. 1957. Experimental Music. Silence: Lectures and Writings. Hanover, NH: Wesleyan University/University Press of New England, 1961
4. Cage, J. 1982. Introduction. Themes & Variations. In Cox and Warner (2004)
5. Cox, C. 2004. (ed.) Audio Files: Sound Art Now: An Online Symposium. http://artforum.com/symposium/id=6682
6. Cox, C. 2005. Nietzsche, Dionysus, and the Ontology of Music. In Keith Ansell Pearson (ed.) A Companion to Nietzsche. Malden, MA: Blackwell
7. Cox, C. and Warner D. 2004. (eds.) Audio Culture: Readings in Modern Music. New York: Continuum
8. Deleuze, G. 1968. Difference and Repetition. Trans. Paul Patton. New York: Columbia University Press, 1994
9. Deleuze, G. 1980a. Vincennes Session of April 15, 1980, Leibniz Seminar. Trans. Charles J. Stivale. Discourse 20(3) (Fall 1998)
10. Deleuze, G. 1980b. Seminar on Leibniz, April 29. http://www.webdeleuze. com/php/texte.php?cle=55&groupe=Leibniz&langue=2
11. Deleuze, G. 1988. The Fold: Leibniz and the Baroque. Trans. Tom Conley. Minneapolis: University of Minnesota Press, 1993
12. Evens, A. 2005. Sound Ideas: Music, Machines, and Experience. Minneapolis: University of Minnesota Press
13. Kirkegaard, J. 2006. Four Rooms. London: Touch, Tone 26
14. Kittler, F. 1986. Gramophone, Film, Typewriter. Trans. Geoffrey Winthrop-Young and Michael Wutz. Stanford, CA: Stanford University Press, 1999
15. Kosko, B. 2006. Noise. New York: Viking
16. Leibniz, G.W. 1704. New Essays on Human Understanding. Ed. and trans. Peter Remnant and Jonathan Bennett. Cambridge: Cambridge University Press, 1981
17. Leibniz, G.W. 1989. Philosophical Essays. Ed. and trans. Roger Ariew and Daniel Garber. Indianapolis, IN: Hackett
18. Lévy, Pierre. 1998. Becoming Virtual. Trans. Robert Bononno. New York: Plenum
19. López, F. 2007. Wind (Patagonia). Seattle: and/OAR
20. Lucier, A. 1970. I Am Sitting in a Room. New York: Lovely Music, LCD 1013, 1981
21. Moles, A. 1966. Information Theory and Esthetic Perception. Trans. Joel E. Coen. Urbana: University of Illinois Press
22. Neuhaus, M. 2000. Sound Art? http://www.max-neuhaus.info/soundworks/ soundart
23. Schaeffer, P. 1966. Acousmatics. In Cox and Warner (2004)
24. Serres, M. 1982. Genesis. Trans. Geneviève James and James Nielson. Ann Arbor: University of Michigan Press, 1995
25. Varèse, E. 1962. The Liberation of Sound. In Cox and Warner (2004)