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Volumn , Issue , 2003, Pages 140-145

Bimanuality in alternate musical instruments

Author keywords

Alternate controllers; Gesture control; Mapping; Musical instruments

Indexed keywords

MUSIC; MUSICAL INSTRUMENTS;

EID: 77951775285     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (11)

References (24)
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    • (1998) IEEE Transactions on Neural Networks , vol.9 , Issue.1 , pp. 205-212
    • Fels, S.1    Hinton, G.2
  • 7
    • 84945350188 scopus 로고
    • Asymmetric division of labor in human skilled bimanual action: The kinematic chain as a model
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    • (1987) Journal of Motor Behavior , vol.19 , pp. 486-517
    • Guiard, Y.1
  • 10
    • 77953587854 scopus 로고    scopus 로고
    • Bimanual mapping experimentation, with angular frequency control and sound color navigation
    • pp., Dublin, Ireland
    • Kessous L., “Bimanual mapping experimentation, with angular frequency control and sound color navigation”. In proceedings of the 2002 Conference on New Instruments for Musical Expression (NIME-02), pp. 174-175, Dublin, Ireland, 2002. http://www.mle.ie/nime/Proceedings/paper/kessous.pdf
    • (2002) Proceedings of the 2002 Conference on New Instruments for Musical Expression (NIME-02) , pp. 174-175
    • Kessous, L.1
  • 11
    • 84869411076 scopus 로고    scopus 로고
    • In Proceedings of the 2001 Conference on Human Factors in Computing Systems, CHI’01 pp.309-310, Seattle, March 31-April 5 2001
    • Lyons M. and Tetsutani N., “Facing the Music: A Facial Action Controlled Musical Interface”, In Proceedings of the 2001 Conference on Human Factors in Computing Systems, CHI’01 pp.309-310, Seattle, March 31-April 5 2001. http://www.mis.atr.co.jp/~mlyons/pub_pdf/Lyons_chi2 001.pdf
    • Facing the Music: A Facial Action Controlled Musical Interface
    • Lyons, M.1    Tetsutani, N.2
  • 12
    • 85160331962 scopus 로고    scopus 로고
    • A la conquête de l’espace
    • La Londe Les Maures, France
    • Merlier B., “A la conquête de l’espace”, Journées d’Informatique Musicale, La Londe Les Maures, France, 1998. http://tc2.free.fr/Espace/
    • (1998) Journées d’Informatique Musicale
    • Merlier, B.1
  • 14
    • 85160302056 scopus 로고    scopus 로고
    • Neural Networks for Mapping Gestures to Sound Synthesis
    • Battier (eds), Ircam-Centre Pompidou
    • Modler, P., “Neural Networks for Mapping Gestures to Sound Synthesis”. In Trends in Gestural Control of Music, M. Wanderley and M. Battier (eds), Ircam-Centre Pompidou, 2000.
    • Trends in Gestural Control of Music, M. Wanderley and M , pp. 2000
    • Modler, P.1
  • 17
    • 0007691658 scopus 로고
    • Berkeley, University of California Press
    • Slawson W., “Sound Color”, Berkeley, University of California Press, 1985.
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    • Slawson, W.1
  • 18
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    • in A. Braffort et al. (eds): Gesture-Based Communication in Human-Computer Interaction, Springer Verlag, 1999. http://www.ircam.fr/equipes/analyse-synthese/wanderle/Gestes/Externe/GW99F.pdf
    • Wanderley M., “Non-obvious Performer Gestures in Instrumental Music”, in A. Braffort et al. (eds): Gesture-Based Communication in Human-Computer Interaction, Springer Verlag, 1999. http://www.ircam.fr/equipes/analyse-synthese/wanderle/Gestes/Externe/GW99F.pdf
    • Non-Obvious Performer Gestures in Instrumental Music
    • Wanderley, M.1
  • 21
    • 85160343228 scopus 로고    scopus 로고
    • “Escher-Modeling and Performing Composed Instruments in Real-time”, IEEE Symposium on Systems, Man and Cybernetics-SMC98-SanDiego
    • Wanderley M., Schnell N. & Rovan J., “Escher-Modeling and Performing Composed Instruments in Real-time”, IEEE Symposium on Systems, Man and Cybernetics-SMC98-SanDiego, CA-USA, October, 14-17, 1998. http://www.ircam.fr/equipes/analyse-synthese/wanderle/Gestes/Externe/SMC_FINN.pdf
    • (1998) CA-USA, October , vol.14-17
    • Wanderley, M.1    Schnell, N.2    Rovan, J.3
  • 23
  • 24
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    • Web site URL: 5dt glove. http://www.5dt.com/products/pdataglove5.html


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.