Local independent music scenes and the implications of the internet

Sound, Society and the Geography of Popular Music

Volumn , Issue , 2009, Pages 205-217

  Kruse, Holly C ^a  

^a UNIVERSITY OF TULSA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 77950902205     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (24)

1. Bennett, A. and Peterson, R.A. (eds.) (2004), Music Scenes: Local, Translocal, and Virtual (Nashville: Vanderbilt University Press).
2. Borschke, M. (2007), An International Perspective on Local Scenes [email correspondence] to Kruse, H.C. [9 May 2007].
3. Connell, J. and Gibson, C. (2002), Sound Tracks: Popular Music, Identity and Place (London: Routledge).
4. Fuchs, C. (2007), Independent Music Scenes and the Internet in Europe [email correspondence] to Kruse, H.C. [17 June 2007].
5. Gerard, D. (1991), Experiences in the Champaign-Urbana Music Scene [interview by H.C. Kruse] Champaign, Illinois, 19 December, 1991.
6. Grover, J. (2007), Music Writing and Independent Music Scenes [email correspondence] to Kruse, H.C. [11 May 2007].
7. Hampton, K.N. and Wellman, B. (2002), "The Not So Global Village of Netville," in Haythornthwaite and Wellman (eds.).
8. Haythornthwaite, C. and Wellman, B. (eds.) (2002), The Internet in Everyday Life (Malden, MA: Blackwell).
9. Hodkinson, P. (2004), "Translocal Connections in the Goth Scene," in Bennett and Peterson (eds.).
10. Horrigan, J.B. and Smith, A. (2007), "Home Broadband Adoption 2007," Pew Internet & American Life Project, , accessed July 2007.
11. Kibby, M.D. (2000), "Home on the Page: A Virtual Place of Music Community," Popular Music 19:1, 91-100.
12. Kruse, H. (1993), "Subcultural Identity in Alternative Music Culture," Popular Music 12:1, 33-41.
13. Kruse, H. (2003), Site and Sound: Understanding Independent Music Scenes (New York: Peter Lang).
14. McLeod, K. (2005), "MP3s are Killing Home Taping: The Rise of Internet Distribution and its Challenge to the Major Label Music Monopoly," Popular Music and Society 28:4, 521-31.
15. Mallon, J. (2007), 125 Records [email correspondence] to Kruse, H.C. [19 June 2007].
16. Mallon, J. (2007), Experiences in East Coast Music Scenes [email correspondence] to Kruse, H.C. [9 and 11 May 2007].
17. Merritt, G. (1991), Parasol Records and the Champaign-Urbana Music Scene [interview by H.C. Kruse] Champaign, Illinois, 19 December, 1991.
18. Mosco, V. (2004), The Digital Sublime (Cambridge, MA: The MIT Press).
19. Norman, J. (2007), Music Writing and Local Scenes in the Midwest [email correspondence] to Kruse, H.C. [11 May 2007].
20. Ray, G. (2007), A Musician's Experience in Northern California Music Scenes [email correspondence] to Kruse, H.C. [8 May 2007].
21. Schmitt, A. (1992), Experiences in the Champaign-Urbana Music Scene [interview by H.C. Kruse] Champaign, Illinois, 17 June, 1992.
22. Skaught, B. (2007), Experiences in the San Francisco Music Scene [email correspondence] to Kruse, H.C. [8 May 2007].
23. Sideboard, T. (2007), Independent Pop Music in the U.K. [email correspondence] to Kruse, H.C. [18 June 2007].
24. Springer, P.G. (1989, February 17), "Back to the Garage," Champaign-Urbana News-Gazette Weekend, 8-9.