Encountering paralysis: Disability, trauma and narrative

Trauma and Cinema: Cross-Cultural Explorations

Volumn , Issue , 2004, Pages 183-201

  Kuppers, Petra ^a  

^a Bryant College   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 77950337162     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (13)

1. Disability and Contemporary Performance: Bodies on Edge (New York and London: Routledge, 2003).
2. Cathy Caruth, Unclaimed Experience: Trauma, Narrative, and History (Baltimore and London: Johns Hopkins Press, 1996), 10.
3. M. Norden, The Cinema of Isolation: A History of Physical Disability in the Movies (New Brunswick, NJ: Rutgers University Press, 1994).
4. Performing Traumatic Dialogue: On the Border of Fiction and Autobiography, in Women and Performance 10, 1-2 (1999): 33-58.
5. Jacques Derrida, Acts of Literature, Derek Attridge, ed. (New York and London: Routledge, 1992), 234.
6. Tvetzan Todorov, The Poetics of Prose (Ithaca, New York: Cornell University Press, 1977).
7. In her Resisting Representation (New York, Oxford: Oxford University Press, 1994),.
8. Robert Stam, Robert Burgoyne, and Sandy Flitterman-Lewis, eds. New Vocabularies in Film Semiotics: Structuralism, Post-Structuralism and Beyond (London, New York: Routledge, 1992), 121.
9. Brian Henderson, Tense, Mood and Voice in Film, Film Quarterly 36.3 (Summer): 4-17.
10. Kaja Silverman, The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Bloomington and Indianapolis: Indiana University Press, 1988), 49.
11. Michel de Certeau's The Practices of Everyday Life (Berkeley, Los Angeles, London: University of California Press, 1984).
12. Caruth, Unclaimed Experience, 66.
13. Janet Wolff, Feminine Sentences: Essays on Women and Culture (Cambridge: Polity Press, 1990), 70.