From router to front row: Lubricious transfer and the aesthetics of telematic performance

Leonardo

Volumn 43, Issue 1, 2010, Pages 24-32

  Giges, Bob ^a   Warburton, Edward C ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 77950001597     PISSN: 0024094X     EISSN: None     Source Type: Journal    
DOI: 10.1162/leon.2010.43.1.24     Document Type: Article

References (17)

1. Roy Ascott, "The Cybernetic Vision in Art," Cybernetica: Journal of the International Association for Cybernetics, 10 (1967): 25-56
2. Roy Ascott, "Is There Love in the Telematic Embrace?" Art Journal, 49.3 (1990): 241-247
3. For recent examples of telematic work, see Susan Kozel, Closer (Cambridge: MIT Press, 2007)
4. Robert Rowe, "Real Time and Unreal Time: Expression in Distributed Performance," Journal of New Music Research, 34.1, 2005: 87-96
5. Robert Rowe and Neil Rolnick, "The Technophobe and the Madman: An Internet-2 Distributed Musical," Proceedings of the 2004 International Computer Music Conference, San Francisco: International Computer Music Association, 2004
6. On the audience's role, see Kozel [3]. For aesthetics of telematics and telepresence, see Matthew Causey Theatre and Performance in Digital Culture, London: Routledge, 2006
7. Steve Dixon, Digital Performance, Cambridge, MA: MIT Press, 2007
8. Discussed in Kozel [3]. On the aesthetics of rupture, see Immanuel Kant's Critique of Judgment; in Paz's literature, José Quiroga, Understanding Octavio Paz. Columbia: Univ. of South Carolina Press, 1999; in Adorno's music, see Theodor Adorno et al., Essays on Music, Berkeley: University of California Press, 2002
9. Quoted in Laura Knott, "World Wide Simultaneous Dance," Leonardo 34.1 (2001): 11-16, p. 11
10. Luisa Paraguai Donati and Gilbertto Prado, "Artistic Environments of Telepresence on the World Wide Web." Leonardo 34.5 (2001): 437-442
11. "Abilene Network is the U.S. high-performance backbone network created by the Internet2 community,"
12. http://cycling74.com
13. Maxine Greene, Landscapes of Learning (New York: Teachers College Press, 1978)
14. Michel de Certeau, The Practice of Everyday Life (Berkeley: University of California Press, 1984)
15. Lawrence Alloway, "The Arts and the Mass Media," in Charles Harrison and Paul Wood eds., Art in Theory 1900-1990: An Anthology of Changing Ideas, ed. Oxford: Blackwell, 1992
16. In Roy Ascott, Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness (Berkeley: University of California Press, 2003) p. 83
17. See also Eduardo Kac, "The Internet and the Future of Art,"