Directivities of symphony orchestra instruments

Acta Acustica united with Acustica

Volumn 96, Issue 1, 2010, Pages 138-167

  Patynen, Jukka ^a   Lokki, Tapio ^a  

^a AALTO UNIVERSITY   (Finland)

Author keywords

[No Author keywords available]

Indexed keywords

ANECHOIC ROOMS; DIRECTIVITY; MUSICAL ACOUSTICS; ROOM ACOUSTICS; SOUND CHANGE; SOUND RADIATIONS; SOURCE MODELING; SYMPHONY ORCHESTRAS; WOODWIND INSTRUMENTS;

ARCHITECTURAL ACOUSTICS; BRASS; ELECTRONIC MUSICAL INSTRUMENTS;

INSTRUMENTS;

EID: 77949355821     PISSN: 16101928     EISSN: None     Source Type: Journal    
DOI: 10.3813/AAA.918265     Document Type: Article

References (50)

1. J. Meyer: Acoustics and the performance of music. Verlag das Musikinstrument, Frankfurt/Main, 1978.
2. N. H. Fletcher, T. D. Rossing: The physics of musical instruments. 2nd ed. Springer, New York, 1998.
3. T. D. Rossing, R. F. Moore, P. A. Wheeler: The science of sound. 3rd ed. Benjamin Cummings, 2002.
4. M. Vigeant, L. Wang, J. Rindel: Investigations of multi-channel auralization technique for solo instruments and orchestra. Proc. 19th International Congress on Acoustics (ICA'2007), Madrid, Spain, September 2-7 2007. Paper RBA-15-1004
5. R. Causse, J. Bresciani, O. Warusfel: Radiation of musical instruments and control of reproduction with loudspeakers. Proc. of ISMA, Tokyo, Japan, 1992.
6. P. Cook, D. Trueman: A database of measured musical instrument body radiation impulse responses, and computer applications for exploring and utilizing the measured filter functions. Proc. Int. Symposium on Musical Acoustics, Woodbury, NY, USA, 1998, Acoustical Society of America.
7. R. Jacques, B. Albrecht, D. de Vries, F. Melchior, H.-P. Schade: Multichannel source directivity recording in an anechoic chamber and in a studio. Proc. Forum Acusticum 2005, Budapest, Hungary, Aug. 29 - Sept. 2 2005, 479-484.
8. M. Kleiner, B.-I. Dalenbäck, U. P. Svensson: Auralization - an overview. J. Audio Eng. Soc. 41 (1993) 861-875.
9. L. Savioja, J. Huopaniemi, T. Lokki, R. Väänänen: Creating interactive virtual acoustic environments. J. Audio Eng. Soc. 47 (1999) 675-705.
10. U. P. Svensson, U. R. Kristiansen: Computational modeling and simulation of acoustic spaces. AES 22nd Int. Conf. on Virtual, Synthetic and Entertainment Audio, Espoo, Finland, June 15-17 2002, 11-30.
11. T. Lokki: Physically-based auralization - design, implementation, and evaluation. Dissertation. Helsinki University of Technology, Telecommunications Software and Multimedia Laboratory, report TML-A5, 2002. Available at http://lib.hut.fi/Diss/2002/isbn9512261588/.
12. F. Otondo, J. H. Rindel: The influence of the directivity of musical instruments in a room. Acta Acustica united with Acustica 90 (2004) 1178-1184.
13. F. Otondo, J. H. Rindel: A new method for the radiation representation of musical instruments in auralizations. Acta Acustica united with Acustica 91 (2005) 902-906.
14. M. Pollow, G. Behler, B. Masiero: Measuring directivities of natural sound sources with spherical microphone array. Proc. Ambisonics Symposium 2009, Graz, Austria, Jun. 25-27 2009.
15. J. Pätynen, V. Pulkki, T. Lokki: Anechoic recording system for symphony orchestra. Acta Acustica united with Acustica 94 (2008) 856-865.
16. ISO Standard 3745:2003: Acoustics -Determination of sound power levels of noise sources using sound pressure -Precision methods for anechoic and hemi-anechoic rooms. International Standards Organization, 2003.
17. J. Smith, J. Wolfe, M. Green: Head joint, embouchure hole and filtering effects on the input impedance of flutes. Proc. Stockholm Music Acoustics Conference SMAC 03, Stockholm, Sweden, Aug. 6-9 2003, 295-298.
18. J. Wolfe, J. Smith, J. Tann, N. Fletcher: Acoustic impedance of classical and modern flutes. Journal of Sound and Vibration 241 (2001) 127-1443.
19. The University of New South Wales, Australia: Flute acoustics. 2008. www.phys.unsw.edu.au/music/flute.
20. M. P. Verge, A. Hirschberg, R. Caussé: Sound production in recorderlike instrument: II. A simulation model. Acta Acustica 101 (1997) 2925-2939.
21. N. H. Fletcher: Acoustical correlates of flute performance technique. J. Acoust. Soc. Am. 57 (1975) 233-237.
22. A. H. Benade: Front instrument to ear in a room: direct or via recording. J. Audio Eng. Soc. 33 (1985) 218-233.
23. A. H. Benade: Fundamentals of music acoustics. 1st ed. Oxford Universty Press, London, 1976.
24. O. Warusfel, P. Derogis, R. Caussé: Radiation synthesis with digitally controlled loudspeakers. 103rd Audio Engineering Society (AES) Convention, New York, USA, Sep. 26-29 1997. Preprint no. 4577.
25. L. Fuks, J. Sundberg: Blowing pressures in reed woodwind instruments. KTH Computer Science and Communication, Dept. for Speech, Music and Hearing, Quarterly progress and status report 37 (1996) 41-56.
26. P. R. Lehman: Harmonic structure of the tone of the bassoon. J. Acoust. Soc. Am. 36 (1964) 1649-1653.
27. The University of New South Wales, Australia: Brass instrument acoustics. 2008. www.phys.unsw.edu.au/jw/brassacoustics.html.
28. D. W. Martin: Directivity and the acoustics spectra of brass wind instruments. J. Acoust. Soc. Am. 13 (1942) 309-313.
29. D. Luce, M. Clark: Physical correlates of brass-instrument tones. J. Acoust. Soc. Am. 42 (1967) 1232-1243.
30. J. B. Arban: Complete conservatory method for trumpet. 1st ed. Carl Fischer, L.L.C., London, 1982.
31. N. H. Fletcher, A. Tarnopolsky: Blowing pressure, power, and spectrum in trumpet playing. J. Acoust. Soc. Am. 105 (1999) 874-881.
32. T. D. Rossing, J. Yoo, A. Morrison: Acoustics of percussion instruments: an update. Acoust. Sci. & Techn. 25 (2004) 406-412.
33. L. Tronchin: Modal analysis and intensity of acoustic radiation of the kettledrum. J. Acoust. Soc. Am. 117 (2005) 926-933.
34. B. F. G. Katz, C. d'Alessandro: Directivity measurements of the singing voice. Proc. 19th International Congress on Acoustics (ICA'2007), Madrid, Spain, September 2-7 2007. Paper MUS-06-1004
35. H. Jers: Directivity measurements of adjacent singers in a choir. Proc. 19th International Congress on Acoustics (ICA'2007), Madrid, Spain, September 2-7 2007. Paper MUS-03-1003
36. M. Kob, H. Jers: Directivity measurement of a singer. Proc. Forum Acusticum/ASA/DAGA Berlin 99, Berlin, Germany, Aug. 6-9 1999, 1-4. Article no. 2AMU-19, www.akustik.rwth-aachen.de/malte/papers/.
37. D. Cabrera, P. J. Davis, A. Connolly: Vocal directivity of eight opera singers in terms of spectro-spatial parameters. Proc. 19th International Congress on Acoustics (ICA'2007), Madrid, Spain, September 2-7 2007. Paper MUS-06-1005
38. J. Meyer: Acoustics and the performance of music. Springer, New York, NY, USA, 2009.
39. L. Cremer The physics of the violin. 1st ed. The MIT Press, Cambridge, Massachusetts, USA, 1984.
40. The University of New South Wales, Australia: Violin acoustics. 2008. www.phys.unsw.edu.au/jw/violin.html.
41. G. Weinreich: Sound hole sum rule and the dipole moment of the violin. J. Acoust. Soc. Am. 77 (1985) 701-718.
42. G. Weinreich: Directional tone color. J. Acoust. Soc. Am. 101 (1997) 2338-2346.
43. H. O. Saldner, N.-E. Molin, E. V. Jansson: Vibration modes of the violin forced via the bridge and action of the sound-post. J. Acoust. Soc. Am. 100 (1996) 1168-1177.
44. C. M. Hutchins: The air and wood modes of the violin. J. Audio Eng. Soc. 46 (1998) 751-765.
45. L. M. Wang, C. B. Burroughs: Radiation from bowed violins. J. Acoust. Soc. Am. 110 (2001) 543-555.
46. K. D. Marshall: Modal analysis of a violin. J. Acoust. Soc. Am. 77 (1985) 695-709.
47. E. V. Jansson: Admittance measurements of 25 high quality violins. Acta Acustica united with Acustica 83 ( 1997) 337-341.
48. A. Askenfelt: Eigenmodes and tone quality of the double bass. Dept. for Speech, Music and Hearing, Quarterly progress and status report 23 (1982) 149-174.
49. A. W Brown: Acoustical studies on the flat-backed and round-backed double bass. Doctoral thesis, Universität für Music und darstellende Kunst Wien, 2004. Available at http://iwk.mdw.ac.at/Forschung/pdf-dateien/2004-Brown- WEB-Dissertation.pdf.
50. C. M. Hutchins: A 30-year experiment in the acoustical and musical development of violin-family instruments. J. Acoust. Soc. Am. 92 (1992) 639-650.