Capitalist abstraction and the body politics of place in Toni Cade Bambara's: Those bones are not my child

Journal of American Studies

Volumn 37, Issue 2, 2003, Pages 229-246

  Bone, Martyn ^a  

^a UNIVERSITY OF NOTTINGHAM   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 7744243915     PISSN: 00218758     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0021875803007059     Document Type: Article

References (21)

1. Toni Cade Bambara, Those Bones Are Not My Child (New York: Pantheon, 1999), 8, 11-12.
2. Charles Rutheiser, Imagineering Atlanta: the Politics of Place in the City of Dreams (New York: Verso, 1996), 3, 11.
3. Fredric Jameson, "The Brick and the Balloon: Architecture, Idealism, and Land Speculation", New Left Review, 228 (Mar./Apr. 1998 ), 25.
4. Fredric Jameson, "Culture and Finance Capital", in The Cultural Turn: Selected Writings on the Postmodern, 1983-1998 (London: Verso, 1998), 136, 142, 138.
5. Manuel Castells, The Informational City (Oxford: Blackwell, 1989), 348.
6. Fredric Jameson, Postmodernism, or, the Cultural Logic of Late Capitalism (London: Verso, 1991), 405.
7. Tom Wolfe, A Man in Full (London: Jonathan Cape, 1998), 238.
8. "Placing the Postsouthern International City: Atlanta in Tom Wolfe's A Man in Full," in Sharon Monteith and Suzanne Jones, eds., South to a New Place: Region, Literature, Culture (Baton Rough: Louisiana State University Press, 2002), 218-19.
9. Joel Garreau, The Nine Nations of North America (New York: Avon, 1981), 158-60.
10. Harvey K. Newman, Southern Hospitality: Tourism and the Growth of Atlanta (Tuscaloosa: University of Alabama Press, 1999), 176-77.
11. James Baldwin, The Evidence of Things Not Seen (New York: Holt, Rinchart and Winston, 1985), 63.
12. Farah Jasmine Griffin, "Toni Cade Bambara: Free To Be Anywhere in the Universe", Callaloo 19:2 [1996], 229-30).
13. Patricia Yaeger, Dirt and Desire: Reconstructing Southern Women's Writing 1930-1990 Chicago: University of Chicago Press, 2000), 12, 2O, xi, 224.
14. Don DeLillo, The Body Artist (London: Picador, 2001), 99.
15. Valerie Boyd, "Toni Morrison brings friend's Bones to Print", Atlanta Journal-Constitution, 17 Oct. 1999, http://www.accessatlanta.com/partners/ajc/newsatlanta/bambara/morrison. html.
16. Mikhail Bakthin, "Forms of Time and of the Chronotope in the Novel: Notes toward a Historical Poetics", in Michael Holquist, ed., The Dialogical Imagination (Austin: University of Texas Press, 1981), 84.
17. Janelle Collins, "Generating Power: Fission, Fusion, and Postmodern Politics in Bambara's The Salt Eaters ", MELUS, 21: 2 (Summer 1996), 35; Bakhtin, 177; Yaeger, 221, 229.
18. Paul Gilroy, The Black Atlantic: Modernity and Double Consciousness (London: Verso, 1993).
19. C. Hugh Holman, "The View from the Regency Hyatt", in The Roots of Southern Writing: Essays on the Literature of the American South (Athens: University of Georgia Press, 1972), 106-07.
20. Doreen Massey, "A Global Sense of Place", in Trevor Barnes and Dick Gregory, eds., Reading Human Geography: The Poetics and Politics of Inquiry (London: Arnold, 1997), 321-23.
21. bell hooks, "Uniquely Toni Cade Bambara", Black Issues Book Review 2: 1 (January-February 2000), 16.