Contemporary art and Hanna Segal's thinking on aesthetics

International Journal of Psychoanalysis

Volumn 91, Issue 1, 2010, Pages 163-181

  Abella, Adela ^a  

^a NONE   (Switzerland)

Author keywords

Applied analysis; Art; History of psychoanalysis; Reparation; Sublimation; Thinking; Truth

Indexed keywords

ANXIETY DISORDER; ART; CONFLICT; DEPRESSION; EGO; ESTHETICS; HUMAN; NARCISSISM; PSYCHOANALYSIS; PSYCHOANALYTIC THEORY; PSYCHOLOGICAL ASPECT; REVIEW; THINKING;

ANXIETY DISORDERS; CONFLICT (PSYCHOLOGY); DEPRESSIVE DISORDER; EGO; ESTHETICS; FREUDIAN THEORY; HUMANS; MEDICINE IN ART; NARCISSISM; PSYCHOANALYTIC INTERPRETATION; PSYCHOANALYTIC THEORY; THINKING;

EID: 77249178713     PISSN: 00207578     EISSN: 17458315     Source Type: Journal    
DOI: 10.1111/j.1745-8315.2009.00203.x     Document Type: Review

References (31)

1. Abella A (2007). Marcel Duchamp: On the fruitful use of narcissism and destructiveness in contemporary art. Int J Psychoanal 88, 1039-60.
2. Abella A (2008). Christian Boltanski: un artiste contemporain vu et pensé par une psychanalyste. Rev Franç Psychanal 4, 1113-36.
3. Bion WR (1959). Attention and interpretation. London: Tavistock.
4. Cabanne P (1971). Dialogues with Marcel Duchamp, Padgett R, translator. London: Thames & Hudson. [(1967). Entretiens avec Marcel Duchamp. Paris: Belfond.]
5. Davis FB (1973). Three letters from Sigmund Freud to André Breton. J Am Psychoanal Assoc 21, 127-134. p. 130.
6. Duchamp M (1973). Salt seller: The writings of Marcel Duchamp, Sanouillet M, Peterson E, editors. New York, NY: Oxford UP. [(1989). The writings of Marcel Duchamp, Sanouillet M, Peterson E, editors. New York, NY: Da Capo. (Unabridged republication.)]
7. Duchamp M (1976). Duchamp du signe [Duchamp of the sign]. Paris: Flammarion.
8. Freud S (1905). Three essays on the theory of sexuality. SE 7, 130-243.
9. Freud S (1907). Delusions and dreams in Jensen's Gradiva. SE 9, 7-95.
10. Freud S (1908). Creative writers and day-dreaming. SE IX, 141-154. p. 153.
11. Freud S (1911). Formulations on the two principles of mental functioning. SE 12, 218-26.
12. Freud S (1910). Leonardo da Vinci and a memory of his childhood. SE 11, 63-137.
13. Freud S (1913). The claims of psycho-analysis to scientific interest. SE 13, 163-90.
14. Freud S (1914). The Moses of Michelangelo. SE 13, 211-36.
15. Freud S (1916-17). Introductory lectures on psycho-analysis. SE 15-16, 358-77.
16. Freud S (1927). The future of an illusion. SE 21, 5-56.
17. Freud S (1929). A letter from Freud to Theoder Reik. SE XXI, p. 196.
18. Freud S (1930). Civilization and its discontents. SE 21, 57-145.
19. Freud S (1933). New introductory lectures on psycho-analysis. SE 22, 5-182.
20. Freud S, Bullitt WC (1967). Thomas Woodrow Wilson: Twenty-eighth president of the United States: A psychological study. London: Weidenfeld & Nicolson.
21. Freud S, Jones E (1993). The complete correspondence of Sigmund Freud and Ernest Jones: 1908-1939. Cambridge, MA: Belknap.
22. Gumpert L (1992). Christian Boltanski. Paris: Flammarion.
23. Kostelanetz R (1987). Conversing with John Cage. New York, NY: Limelight.
24. Segal H (1952). A psycho-analytical approach to aesthetics. Int J Psychoanal 33, 196-207.
25. Segal H (1957). Notes on symbol formation. Int J Psychoanal 38, 391-7.
26. Segal H (1974). Delusion and artistic creativity: Some reflections on reading The spire by William Golding. Int J Psychoanal 1, 135-41.
27. Segal H (1978). On symbolism. Int J Psychoanal 59, 315-19.
28. Segal H (1991a). Freud and art. In: Dream, phantasy and art, New York, NY: Routledge.
29. Segal H (1991b). Art and the depressive position. In: Dream, phantasy and art, New York, NY: Routledge.
30. Segal H (1991c). Imagination, play and art. In: Dream, phantasy and art, New York, NY: Routledge.
31. Segal H (1994). Salman Rushdie and the sea of stories: A not-so-simple fable about creativity. Int J Psychoanal 75, 611-18.