Global hip-hop and the African diaspora

Black Cultural Traffic: Crossroads in Global Performance and Popular Culture

Volumn , Issue , 2005, Pages 266-288

  Osumare, Halifu ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 76449106995     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (33)

1. Tony Mitchell, "Another Root: Hip Hop outside the USA, " in Global Noise: Rap and Hip Hop outside the USA, ed. Tony Mitchell (Middletown, Conn.: Wesleyan University Press, 2001), 11.
2. Ernest Allen Jr. "Making the Strong Survive: The Contours and Contradictions of Message Rap, " in Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture, ed. William Eric Perkins (Philadelphia: Temple University Press, 1996), 158-91.
3. All Hail the Queen (Tommy Boy Music, 1989).
4. Joe Austin and Michael Nevin Willard, "Introduction: Angels of History, Demons of Culture, " in Generations of Youth: Youth Cultures and History in Twentieth-Century America, ed. Joe Austin and Michael Nevin Willard (New York: New York University Press, 1998), 1.
5. Eric Hobsbawm and Terence Ranger, eds., The Invention of Tradition (Cambridge: Cambridge University Press, 1993).
6. "Africa-Wake Up & Unify, " July 1998, http://www. africaserver.nl/rumbakali.
7. Manthia Diawara, "Toward a Regional Imaginary in Africa, " in The Cultures of Globalization, ed. Frederic Jameson and Masao Miyoshi (Durham, N.C.: Duke University Press, 1998), 103.
8. Robert Farris Thompson, "Hip Hop 101, " in Perkins, Droppin' Science, 214-15.
9. S. H. Fernando Jr. The New Beats: Exploring the Music, Culture, and Attitudes of Hip-Hop (New York: Doubleday, 1994).
10. Rodrigo Salazar, "Cuba Libre, " Source, March 2001, 203.
11. Salazar, "Cuba Libre, " 203.
12. Tricia Rose, Black Noise: Rap Music and Black Culture in Contemporary America (Hanover, N.H.: Wesleyan University Press, 1994), 19.
13. Shawnee Smith, "Words and Deed, " Billboard, http://afrocubaweb.com/rap/pabloherrera.htm, p. 2.
14. Annelise Wunderlich, "Underground Revolution, " ColorLines, fall 2001, 37.
15. Smith, "Words and Deed, " 3.
16. Wunderlich, "Underground Revolution, " 37.
17. Wunderlich, "Underground Revolution, " 35.
18. Wunderlich, "Underground Revolution, " 37.
19. Alejandro de la Fuente and Laurence Glasco, "Are Blacks 'Getting Out of Control'? Racial Attitudes, Revolution, and Political Transition in Cuba, " in Toward a New Cuba: Legacies of a Revolution, ed. Miguel Angel Centeno and Mauricio Font (Boulder, Colo.: Lynne Rienner, 1997), 63.
20. de la Fuente and Glasco, "Getting Out of Control, " 69.
21. Wunderlich, "Underground Revolution, " 35.
22. "AfroCubaWeb: Black August 2000, " http://afrocubaweb.com/rap/ blackaugust00.html.
23. Wunderlich, "Underground Revolution, " 36.
24. Rose, Black Noise, particularly pp. 27-34.
25. Niyi Afolabi, "Brazilian New Wave: Hip Hop and the Politics of Intervention, " paper presented at the Annual Meeting of the Modern Language Association, Washington, D.C., December 2000, 2.
26. Afolabi, "Brazilian New Wave, " 4.
27. Jennifer Roth Gordon, "Hip Hop Brasileiro: Brazilian Youth and Alternative Black Consciousness Movements, " Black Arts Quarterly 7 no. 1, 9.
28. Murray Forman, The 'Hood Comes First: Race, Space, and Pace in Rap and Hip-Hop (Middletown, Conn.: Wesleyan University Press, 2002), 23.
29. Afolabi, "Brazilian New Wave, " 4.
30. Gordon, "Hip Hop Brasileiro, " 9.
31. Gordon, "Hip Hop Brasileiro, " 33.
32. Ulf Hannerz, Transnational Connections: Culture, People, Places (London: Routledge, 1996), 21.
33. Mandalit del Barco, "Rap's Latino Sabor, " in Perkins, Droppin' Science, 67.