Concert hall stage acoustics from the perspective of the performers and physical reality

Proceedings of the Institute of Acoustics

Volumn 30, Issue PART 3, 2008, Pages 26-36

  Dammerud, J J ^a   Barron, M ^a  

^a UNIVERSITY OF BATH   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 76349096182     PISSN: 14786095     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (10)

1. A. C. Gade, Investigations of Musicians' Room Acoustic Conditions in Concert Halls. Part I: Methods and Laboratory Experiments, Acustica 65, 193-203. (1989).
2. A. C. Gade, Investigations of Musicians' Room Acoustic Conditions in Concert Halls. Part II: Field Experiments and Synthesis of Results, Acustica 65, 249-262. (1989).
3. th ICA, F3-5. Beijing (1992).
4. A. Krokstad, J. Vindspoll and R. Sæther, Orkesterpodium, samspill og solo (Orchestra platform, ensemble and solo), The Lab. of Acoustics, Techn. Uni. of Trondheim. (1980).
5. M. Ikeda, S. Kishinaga and F. Kawamaki, Evaluating stage sound field for acoustic design based on boundary element method, in Forum Acusticum, RBA-02-005. Seville (2002).
6. J. Meyer, Problems of mutual hearing of musicians, Proc.Vancouver Symposium, 33-38. Toronto (1986).
7. L. Beranek, Concert Halls and Opera Houses: Music, Acoustics, and Architecture, 2 edition, Springer-Verlag New York Inc. (2004).
8. M. Cederlöf, Podium Acoustics for the Symphony Orchestra, Master's thesis, Royal Institute of Technology, Stockholm. (2006).
9. J. Andersson, Investigation of stage acoustics for a symphony orchestra, Chalmers University of Technology, Gothenburg. (2008).
10. M. Giovannini, Measurement and analysis methodologies for acoustical characterisation of spaces for classical music performers, PhD thesis, Polytechnic University of Turin. (2008).