-
1
-
-
75649147552
-
-
Note
-
A feature-length documentary is usually the length of a feature fiction film; 52 minutes or longer.
-
-
-
-
3
-
-
75649104464
-
-
Some interesting analysis of this Bushmen iconography includes M. Godby, 'Images of //Kabbo', in P. Skotnes (ed.), Cape Town, University of Cape Town Press
-
Some interesting analysis of this Bushmen iconography includes M. Godby, 'Images of //Kabbo', in P. Skotnes (ed.), Miscast: Negotiating the Presence of the Bushmen (Cape Town, University of Cape Town Press, 1996), pp. 115-27.
-
(1996)
Miscast: Negotiating the Presence of The Bushmen
, pp. 115-127
-
-
-
6
-
-
84906209410
-
First people? images and imaginations in SA iconography
-
E.N. Wilmsen, 'First People? Images and Imaginations in SA Iconography', Critical Arts, 9, 2 (1995), pp. 1-27.
-
(1995)
Critical Arts
, vol.9
, Issue.2
, pp. 1-27
-
-
Wilmsen, E.N.1
-
7
-
-
53249113539
-
-
(Bellville, Anthropos Publishers)
-
K. Tomaselli, A. Williams, L. Steenveld and R. Tomaselli, Myth, Race and Power: South Africans Imaged on Film and TV (Bellville, Anthropos Publishers, 1986).
-
(1986)
Myth, race and Power: South Africans Imaged on Film and Tv
-
-
Tomaselli, K.1
Williams, A.2
Steenveld, L.3
Tomaselli, R.4
-
8
-
-
6344282132
-
-
(Manchester, Manchester University Press)
-
K. Tomaselli, 'Myths, Racism and Opportunism: Film and TV Representations of the San', in P.I. Crawford and D. Turton (eds), Film as Ethnography (Manchester, Manchester University Press, 1992), pp. 205-21.
-
(1992)
Myths, Racism and Opportunism: Film and TV Representations of the San
, pp. 205-221
-
-
Tomaselli, K.1
-
9
-
-
0004019315
-
-
Johannes Fabian quoted in R.J. Gordon, (Cape Town, David Philip Publishers)
-
Johannes Fabian quoted in R.J. Gordon, Picturing Bushmen: The Denver African Expedition of 1925 (Cape Town, David Philip Publishers, 1997), p. 122.
-
(1997)
Picturing Bushmen: The Denver African Expedition of 1925
, pp. 122
-
-
-
12
-
-
0012125985
-
Primal anxiety, sanctified landscapes: The imagery of primitiveness in the ethnographic fictions of laurens van der post
-
(March-June)
-
and E.N. Wilmsen, 'Primal Anxiety, Sanctified Landscapes: The Imagery of Primitiveness in the Ethnographic Fictions of Laurens van der Post', Visual Anthropology, 15 (March-June 2002), pp. 143-201.
-
(2002)
Visual Anthropology
, vol.15
, pp. 143-201
-
-
Wilmsen, E.N.1
-
13
-
-
0042286562
-
"Bain's Bushmen": Scenes from the Empire Exhibition, 1936
-
in B. Lindfors (ed.), Cape Town, David Phillip
-
See R.J. Gordon, '"Bain's Bushmen": Scenes from the Empire Exhibition, 1936', in B. Lindfors (ed.), Africans on Stage (Cape Town, David Phillip, 1999), pp. 266-89.
-
(1999)
Africans on Stage
, pp. 266-289
-
-
See, R.J.1
-
14
-
-
75649100692
-
Fashioning the Bushmen in Van Riebeeck's Cape Town, 1952 and 1993
-
in Skotnes (ed.)
-
and R. Gordon, C. Rassool and L. Witz, 'Fashioning the Bushmen in Van Riebeeck's Cape Town, 1952 and 1993', in Skotnes (ed.), Miscast, pp. 259-61.
-
Miscast
, pp. 259-261
-
-
Gordon, R.1
Rassool, C.2
Witz, L.3
-
15
-
-
75649097979
-
Gathering the hunters: Bushmen in German (Colonial) anthropology
-
See for example, in G. Penny and M. Bunzl (eds), (Ann Arbor, University of Michigan Press)
-
See for example, R.J. Gordon, 'Gathering the Hunters: Bushmen in German (Colonial) Anthropology', in G. Penny and M. Bunzl (eds), Worldly Provincialism: German Anthropology in the Age of Empire (Ann Arbor, University of Michigan Press, 2002), pp. 256-82.
-
(2002)
Worldly Provincialism: German Anthropology in the Age of Empire
, pp. 256-282
-
-
Gordon, R.J.1
-
17
-
-
0012121515
-
Knowledge as the source of progress: The marshall family testament
-
E.N. Wilmsen, 'Knowledge as the Source of Progress: The Marshall Family Testament', Visual Anthropology, 12 (1999), pp. 213-65.
-
(1999)
Visual Anthropology
, vol.12
, pp. 213-265
-
-
Wilmsen, E.N.1
-
18
-
-
0001275606
-
Socioeconomic Change among the Basarwa in Botswana: An Ethnohistorical Analysis
-
(Summer)
-
R.K. Hitchcock, 'Socioeconomic Change among the Basarwa in Botswana: An Ethnohistorical Analysis', Ethnohistory, 34, 3 (Summer 1987), pp. 219-55.
-
(1987)
Ethnohistory
, vol.34
, Issue.3
, pp. 219-255
-
-
Hitchcock, R.K.1
-
19
-
-
75649117992
-
-
Note
-
The Ju/Wasi are a branch of the Northern Namibian and Northwest Botswana Bushmen who speak a version of the Kung language.
-
-
-
-
20
-
-
0012189774
-
An Assessment of the Status of the San in Namibia
-
See, (Legal Assistance Centre, Windhoek)
-
See J. Suzman, 'An Assessment of the Status of the San in Namibia', Regional Assessment of the Status of the San in Southern Africa, Report Series, Report No. 4 of 5 (Legal Assistance Centre, Windhoek, 2001), p. 3.
-
(2001)
Regional Assessment of The Status of The San in Southern Africa, Report Series, Report No. 4 of 5
, pp. 3
-
-
Suzman, J.1
-
21
-
-
75649120172
-
-
Note
-
There are a number of variant spellings of the term 'Ju/Wasi'. Toby Alice Volkman explains: 'All northern San speak a language known as !Kung. !Kung speakers are themselves divided into three different groups. One of these groups includes 6,000 San in Namibia and Botswana who call themselves Ju/Wasi (or Zhu/twasi), "the true people". In the !Kung language, ju means "person", wa means "true, pure, real"; and si is the plural suffix'.
-
-
-
-
22
-
-
84913429691
-
The San in Transition. Vol. One: A Guide to N!ai: The Story of a !Kung Woman
-
Occasional paper no. 9, (Cambridge)
-
T.A Volkman, 'The San in Transition. Vol. One: A Guide to N!ai: The Story of a !Kung Woman', Occasional paper no. 9, 'Cultural Survival and DER' (Cambridge, 1982), p. 1.
-
(1982)
Cultural Survival and Der
, pp. 1
-
-
Volkman, T.A.1
-
23
-
-
5444274071
-
Psychospiritual Ecoscience: The Ju/'Hoansi and Cultural Tourism
-
Another often-used variant is 'Ju/'Hoansi', see for example
-
Another often-used variant is 'Ju/'Hoansi', see for example, K. Tomaselli, 'Psychospiritual Ecoscience: The Ju/'Hoansi and Cultural Tourism', in Visual Anthropology, 12 (1999), p. 185.
-
(1999)
Visual Anthropology
, vol.12
, pp. 185
-
-
Tomaselli, K.1
-
24
-
-
75649140041
-
-
Note
-
In the absence of a clear rule of usage amongst anthropologists, I have chosen to use the variant 'Ju/Wasi' because that is the spelling that John Marshall himself used most often.
-
-
-
-
25
-
-
75649098475
-
Where Are the Ju/Wasi of Nyae Nyae? Changes in a Bushmen Society: 1958-1981
-
See for example, Centre for African Studies, University of Cape Town Press,
-
See for example J. Marshall and C. Ritchie, 'Where Are the Ju/Wasi of Nyae Nyae? Changes in a Bushmen Society: 1958-1981', Communications, 9 (Centre for African Studies, University of Cape Town Press, 1984).
-
(1984)
Communications
, vol.9
-
-
Marshall, J.1
Ritchie, C.2
-
26
-
-
60949166885
-
At the Other End of the Camera
-
J. Marshall, 'At the Other End of the Camera', Visual Anthropology, 5 (1992), p. 169.
-
(1992)
Visual Anthropology
, vol.5
, pp. 169
-
-
Marshall, J.1
-
28
-
-
6344229152
-
An Argument about a Film
-
See also, in J. Ruby (ed., Switzerland, Harwood Academic Publishers)
-
See also N.L. Gonzalez, 'An Argument about a Film', in J. Ruby (ed.), The Cinema of John Marshall (Switzerland, Harwood Academic Publishers, 1993), pp. 179-91.
-
(1993)
The Cinema of John Marshall
, pp. 179-191
-
-
Gonzalez, N.L.1
-
29
-
-
75649140712
-
-
Note
-
Hitchcock writes, 'During the 1950s and 1960s, when intensive, long-term ethnographic research began to be undertaken among the Basarwa [Bushmen], much of it concentrated on foraging populations. This intentional bias was prompted in part by the fear the hunting-and-gathering way of life was not going to survive much longer. The Marshall family looked specifically for 'unacculturated Bushmen' who were living 'in complete independence' from other groups'.
-
-
-
-
37
-
-
75649085092
-
-
in F. Hardy (ed.), (London, Collins)
-
J. Grierson, in F. Hardy (ed.), Grierson on Documentary (London, Collins, 1964), pp. 79-80.
-
(1964)
Grierson On Documentary
, pp. 79-80
-
-
Grierson, J.1
-
38
-
-
84926274667
-
The Problem of the Ethnographic Real
-
June
-
I.C. Jarvie, 'The Problem of the Ethnographic Real', Current Anthropology, 24, 3 (June 1983), p. 314.
-
(1983)
Current Anthropology
, vol.24
, Issue.3
, pp. 314
-
-
Jarvie, I.C.1
-
39
-
-
75649114022
-
-
Quoted from Lorna Marshall's diary in
-
Quoted from Lorna Marshall's diary in Gonzalez, 'An Argument about a Film', p. 182.
-
An Argument About a Film
, pp. 182
-
-
Gonzalez1
-
41
-
-
75649112803
-
Art, Science, or Politics? The Crises in Hunter-Gatherer Studies
-
(March)
-
R. Lee, 'Art, Science, or Politics? The Crises in Hunter-Gatherer Studies', American Anthropologist, New Series, 94, 1 (March 1992), pp. 41-2.
-
(1992)
American Anthropologist, New Series
, vol.94
, Issue.1
, pp. 41-42
-
-
Lee, R.1
-
42
-
-
84937274898
-
Review of New World from Fragments: Film, Ethnography and the Representation of Northwest Coast Cultures
-
(September)
-
C.F. Roth, 'Review of New World from Fragments: Film, Ethnography and the Representation of Northwest Coast Cultures', American Anthropologists, New Series, 97, 3 (September 1995), p. 614.
-
(1995)
American Anthropologists, New Series
, vol.97
, Issue.3
, pp. 614
-
-
Roth, C.F.1
-
45
-
-
60949511559
-
Powering Popular Conceptions: The !Kung in the Marshall Family Expedition Films of the 1950s
-
K. Tomaselli and J.P. Homiak, 'Powering Popular Conceptions: The !Kung in the Marshall Family Expedition Films of the 1950s', Visual Anthropology, 12 (1999), pp. 160-1.
-
(1999)
Visual Anthropology
, vol.12
, pp. 160-161
-
-
Tomaselli, K.1
Homiak, J.P.2
-
46
-
-
84903348985
-
-
(Ph.D. Thesis, University of Cape Town)
-
L. van Vuuren, 'The Great Dance: Myth, History and Identity in Documentary Film Representations of the Bushmen, 1925-2000 (Ph.D. Thesis, University of Cape Town, 2006), pp. 59-190.
-
(2006)
The Great Dance: Myth, History and Identity in Documentary Film Representations of the Bushmen, 1925-2000
, pp. 59-190
-
-
van Vuuren, L.1
-
50
-
-
75649149666
-
-
Note
-
In the 1970s and 1980s -Toma, later followed by his son Tsamko -Toma, became a leading figure in the Ju/Wasi Bushmen Development Foundation and later the Nyae Nyae Farmers' Co-operative, organisations that worked towards establishing sustainable small-scale agrarian economies in Nyae Nyae to provide a stable income for Ju/Wasi communities trapped in a cycle of poverty, alcoholism and dependency on government handouts.
-
-
-
-
52
-
-
84913429691
-
The San in Transition, Vol. 1: A Guide to N!ai: The Story of a !Kung Woman
-
Occasional paper No. 9, (Cambridge)
-
T.A. Volkman, 'The San in Transition, Vol. 1: A Guide to N!ai: The Story of a !Kung Woman', Occasional paper No. 9, Cultural Survival and DER (Cambridge, 1982), pp. 17-18
-
(1982)
Cultural Survival and Der
, pp. 17-18
-
-
Volkman, T.A.1
-
53
-
-
75649098475
-
Where are the Ju/Wasi of Nyae Nyae? Changes in a Bushmen Society: 1958-1981
-
(Centre for African Studies, University of Cape Town Press)
-
and J. Marshall and C. Ritchie, 'Where are the Ju/Wasi of Nyae Nyae? Changes in a Bushmen Society: 1958-1981', Communications, 9 (Centre for African Studies, University of Cape Town Press, 1984), pp. 69, 181-2.
-
(1984)
Communications
, vol.9
, pp. 181-182
-
-
Marshall, J.1
Ritchie, C.2
-
55
-
-
75649093946
-
-
For a detailed background study of this film see
-
For a detailed background study of this film see Van Vuuren, 'The Great Dance', pp. 122-51.
-
The Great Dance
, pp. 122-151
-
-
Vuuren, V.1
-
56
-
-
75649130574
-
The African I Know: Film and the Making of "Bushmen", in Laurens van der Post's Lost World of the Kalahari (1956)
-
See
-
See L. Van Vuuren, 'The African I Know: Film and the Making of "Bushmen", in Laurens van der Post's Lost World of the Kalahari (1956)', Kronos: Journal of Cape History, 32 (2006), pp. 140-3.
-
(2006)
Kronos: Journal of Cape History
, vol.32
, pp. 140-143
-
-
van Vuuren, L.1
-
58
-
-
84897972261
-
The Cinema of Jamie Uys
-
See, in Johan Blignaut (ed.), (Cape Town, Showdata)
-
See K. Tomaselli, 'The Cinema of Jamie Uys', in Johan Blignaut (ed.), Movies, Moguls, Mavericks: South African Cinema, 1979-1991 (Cape Town, Showdata, 1992), pp. 214, 216-18.
-
(1992)
Movies, Moguls, Mavericks: South African Cinema, 1979-1991
-
-
Tomaselli, K.1
-
60
-
-
75649110596
-
An Argument about a Film
-
See a detailed discussion of the synthetic construction of, and its implications in Gonzalez
-
See a detailed discussion of the synthetic construction of The Hunters and its implications in Gonzalez, 'An Argument about a Film'.
-
The Hunters
-
-
-
62
-
-
0141437404
-
-
See, (London, BFI Publishing)
-
See B. Winston, Lies, Damn Lies and Documentary (London, BFI Publishing, 2000), pp. 21-3.
-
(2000)
Lies, Damn Lies and Documentary
, pp. 21-23
-
-
Winston, B.1
-
64
-
-
0010532297
-
-
(New Jersey, Princeton University Press)
-
D. MacDougall, Transcultural Cinema (New Jersey, Princeton University Press, 1993), p. 127.
-
(1993)
Transcultural Cinema
, pp. 127
-
-
Macdougall, D.1
-
65
-
-
61149662864
-
Manthia Diarwara's Rouch in Reverse: An Interstitial Perspective
-
K.W. Harrow, 'Manthia Diarwara's Rouch in Reverse: An Interstitial Perspective', Critical Arts, 13, 1 (1999), p. 40.
-
(1999)
Critical Arts
, vol.13
, Issue.1
, pp. 40
-
-
Harrow, K.W.1
-
68
-
-
75649126352
-
-
Note
-
It is important to note that Marshall consistently refers to his filmmaking style as Cinéma Vérité or CV, although the style he is referring to is in fact Direct Cinema and not the very different French Cinéma Vérité. This is probably the result of a tendency that developed to label American Direct Cinema incorrectly as Cinéma Vérité even though this conflated two very different forms.
-
-
-
-
71
-
-
85005271717
-
Indigenous Media: Faustian Contract or Global Village?
-
(February)
-
F. Ginsberg, 'Indigenous Media: Faustian Contract or Global Village?', Cultural Anthropology, 6, 1 (February 1991), p. 95.
-
(1991)
Cultural Anthropology
, vol.6
, Issue.1
, pp. 95
-
-
Ginsberg, F.1
-
73
-
-
7444221997
-
-
(Berkley, University of California Press)
-
R. Niezen, The Origins of Indigenism (Berkley, University of California Press, 2002), pp. 3, 44-7.
-
(2002)
The Origins of Indigenism
, pp. 44-47
-
-
Niezen, R.1
-
74
-
-
75649117194
-
-
Note
-
'Diegetic' refers to the 'world within the film', as a viewer would perceive it; non-diegetic refers to the world outside of the film, that which continues when the camera stops running.
-
-
-
-
75
-
-
0001859687
-
An Enquiry into the Evolutionary Status and Apparent Identity of San Hunter-Gatherers
-
C. Schrire, 'An Enquiry into the Evolutionary Status and Apparent Identity of San Hunter-Gatherers', Human Ecology, 8 (1980), pp. 9-32.
-
(1980)
Human Ecology
, vol.8
, pp. 9-32
-
-
Schrire, C.1
-
76
-
-
85068199236
-
The !Kung in the Kalahari Exchange: An Ethnohistorical Perspective
-
in C. Schrire (ed.), (Orlando, Academic Press)
-
R.J. Gordon, 'The !Kung in the Kalahari Exchange: An Ethnohistorical Perspective', in C. Schrire (ed.), Past and Present in Hunter-Gatherer Studies (Orlando, Academic Press, 1984), pp. 195-224.
-
(1984)
Past and Present in Hunter-gatherer Studies
, pp. 195-224
-
-
Gordon, R.J.1
-
77
-
-
85068202359
-
Prehistoric Herders and Foragers of the Kalahari: The Evidence for 1,500 Years of Interaction
-
in Schrire
-
J. Denbow, 'Prehistoric Herders and Foragers of the Kalahari: The Evidence for 1,500 Years of Interaction', in Schrire, Past and Present in Hunter-Gatherer Studies, pp. 175-93.
-
Past and Present in Hunter-gatherer Studies
, pp. 175-193
-
-
Denbow, J.1
-
80
-
-
84935855036
-
A New Look at the Later Prehistory of the Kalahari
-
J. Denbow, 'A New Look at the Later Prehistory of the Kalahari', Journal of African History, 27, 3 (1986), pp. 3-28.
-
(1986)
Journal of African History
, vol.27
, Issue.3
, pp. 3-28
-
-
Denbow, J.1
-
83
-
-
75649110594
-
Gordon's discussion of the 'Bushmen Tourist Boom
-
See
-
See Gordon's discussion of the 'Bushmen Tourist Boom' in, The Bushmen Myth, pp. 1-2.
-
The Bushmen Myth
, pp. 1-2
-
-
-
84
-
-
60949537442
-
The Hunter-Gatherer Myth in Southern Africa: Preserving Nature or Culture?'
-
See also
-
See also T.A. Volkman, 'The Hunter-Gatherer Myth in Southern Africa: Preserving Nature or Culture?', Cultural Survival Quarterly, 10 (1986), pp. 27-30
-
(1986)
Cultural Survival Quarterly
, vol.10
, pp. 27-30
-
-
Volkman, T.A.1
-
86
-
-
75649124712
-
-
Note
-
An excellent example of this is the decision to create the Central Kalahari Game Reserve as a place where Bushmen could enact their 'traditional lifestyles' unmolested by a hostile outside world.
-
-
-
-
87
-
-
0007173424
-
Tourism, Conservation, and Culture in the Kalahari Desert, Botswana'
-
See
-
See Brandenburgh and Hitchcock, 'Tourism, Conservation, and Culture in the Kalahari Desert, Botswana', in Cultural Survival Quarterly, 14, 2 (1990), p. 24.
-
(1990)
Cultural Survival Quarterly
, vol.14
, Issue.2
, pp. 24
-
-
-
88
-
-
60949275256
-
"We have to work with our own heads" (/Angn!ao): San Bushmen and the Media
-
K.G. Tomaselli, '".We have to work with our own heads" (/Angn!ao): San Bushmen and the Media', Visual Anthropology, 15 (2002), p. 203.
-
(2002)
Visual Anthropology
, vol.15
, pp. 203
-
-
Tomaselli, K.G.1
-
91
-
-
1842864132
-
-
(Cambridge, Cambridge University Press)
-
P. Smith, The Historian and Film (Cambridge, Cambridge University Press, 1976), p. 57.
-
(1976)
The Historian and Film
, pp. 57
-
-
Smith, P.1
-
92
-
-
75649125097
-
Teaching the Hitler Period: History and Morality
-
(August)
-
G.R. Mork, 'Teaching the Hitler Period: History and Morality', The History Teacher, 13, 4 (August 1980), p. 519.
-
(1980)
The History Teacher
, vol.13
, Issue.4
, pp. 519
-
-
Mork, G.R.1
-
93
-
-
75649150912
-
-
Note
-
The films of Riefenstahl have generated great debate, particularly as she herself claims them to be 'pure history' and not propaganda.
-
-
-
-
94
-
-
0001896073
-
Fascinating Fascism
-
See for example, in B. Nichols (ed.), (Berkeley: University of California Press)
-
See for example S. Sontag, 'Fascinating Fascism', in B. Nichols (ed.), Movies and Methods (Berkeley: University of California Press, 1976), pp. 31-43.
-
(1976)
Movies and Methods
, pp. 31-43
-
-
Sontag, S.1
-
95
-
-
75649107011
-
The Fuehrer's Filmmaker
-
(August)
-
R. Grenier, 'The Fuehrer's Filmmaker', The Motion Picture Commentary, 98, 2 (August 1994), p. 48
-
(1994)
The Motion Picture Commentary
, vol.98
, Issue.2
, pp. 48
-
-
Grenier, R.1
-
96
-
-
75649133363
-
Triumph of the Will: Documentary or Artifice?
-
and D.B. Hinton, 'Triumph of the Will: Documentary or Artifice?', Cinema Journal, 15, 1 (Autumn 1975), pp. 48-57.
-
(1975)
Cinema Journal
, vol.15
, Issue.1 Autumn
, pp. 48-57
-
-
Hinton, D.B.1
-
98
-
-
22544485442
-
Wreckage upon Wreckage: History, Documentary and the Ruins of Memory
-
(May)
-
P. Rabinowitz, 'Wreckage upon Wreckage: History, Documentary and the Ruins of Memory', History and Theory, 32, 2 (May 1993), p. 119.
-
(1993)
History and Theory
, vol.32
, Issue.2
, pp. 119
-
-
Rabinowitz, P.1
-
99
-
-
75649083294
-
Review of The Triumph of Propaganda: Film and National Socialism, 1933-1945
-
(December)
-
M. Housden, 'Review of The Triumph of Propaganda: Film and National Socialism, 1933-1945', The Historical Journal, 40, 4 (December 1991), p. 1,135.
-
(1991)
The Historical Journal
, vol.40
, Issue.4
, pp. 1
-
-
Housden, M.1
-
100
-
-
75649150352
-
-
Note
-
Personal communication, Cynthia Close, Executive Director, Documentary Education Resources.
-
-
-
-
101
-
-
75649135703
-
-
Note
-
Personal communication from John Marshall.
-
-
-
-
103
-
-
75649096558
-
-
The Gods Must Be Crazy III
-
Fei zhou he shang (The Gods Must Be Crazy III, 1991),
-
(1991)
Fei Zhou He Shang
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104
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75649110593
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The Gods Must Be Crazy IV
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Hconggong ya fungkwong (The Gods Must Be Crazy IV, 1993),
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(1993)
Hconggong Ya Fungkwong
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105
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75649131313
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(The Gods Must Be Crazy V)
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and Fei zhou chao ren (The Gods Must Be Crazy V, 1994).
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Fei Zhou Chao Ren
, pp. 1994
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107
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0038295962
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Jones, Storyteller, p. 369.
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Storyteller
, pp. 369
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109
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75649098476
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Note
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These included three prestigious Panda Awards (the equivalent of the Oscars for wildlife filmmaking), where Great Dance beat such noteworthy competition as the BBC/Discovery Channel's Walking with Dinosaurs
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110
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75649132391
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Award-winning San doccie gets public's nod
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See, (29 November 2000)
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and Sir David Attenborough's Life of Birds. See 'Award-winning San doccie gets public's nod', at http://www.iol.co.za/general/news/newsprint.php?art_id1/4ct2000112913551046G307 (29 November 2000).
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Life of Birds
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Attenborough, D.1
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111
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38149000429
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Am I a Camera? Other Reflections on Film and History
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(December)
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D. Herlihy, 'Am I a Camera? Other Reflections on Film and History', American Historical Review, 93, 5 (December 1988), pp. 1,189.
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(1988)
American Historical Review
, vol.93
, Issue.5
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Herlihy, D.1
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112
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70350151538
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Wildlife Media and Representations of Africa, 1950s to the 1970s
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(unpublished paper, University of Oxford, forthcoming)
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W. Beinart and K. McKeown, 'Wildlife Media and Representations of Africa, 1950s to the 1970s' (unpublished paper, University of Oxford, forthcoming 2009 in Environment and History).
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(2009)
Environment and History
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Beinart, W.1
McKeown, K.2
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