Development of the “Performance Competence Evaluation Measure”: Assessing Qualitative Aspects of Dance Performance

Journal of Dance Medicine and Science

Volumn 13, Issue 4, 2009, Pages 101-107

  Krasnow, Donna ^a   Chatfield, Steven J ^b  

^a YORK UNIVERSITY   (Canada)

^b UNIVERSITY OF OREGON   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

ARTICLE; ATHLETIC PERFORMANCE; DANCING; EPIDEMIOLOGY; EXERCISE TEST; HEALTH CARE QUALITY; HUMAN; METHODOLOGY; PROFESSIONAL COMPETENCE; REPRODUCIBILITY; STUDENT; UNIVERSITY; VIDEORECORDING;

ATHLETIC PERFORMANCE; DANCING; EXERCISE TEST; HUMANS; PROFESSIONAL COMPETENCE; PROGRAM EVALUATION; REPRODUCIBILITY OF RESULTS; SAMPLING STUDIES; STUDENTS; UNIVERSITIES; VIDEO RECORDING;

EID: 75549087676     PISSN: 1089313X     EISSN: 23748060     Source Type: Journal    
DOI: 10.1177/1089313X0901300402     Document Type: Article

References (30)

1. Benneil KL, Khan KM, Matthews BL, Singleton C. Changes in hip and ankle range of motion and hip muscle strength in 8–11 year old novice female ballet dancers and controls: a 12 month follow up study. Br J Sports Med. 2001;35(1):54–9.
2. Bronner S, Ojofeitimi S. Gender and limb differences in healthy elite dancers: passé kinematics. J Motor Behavior. 2006;38(1):71–9.
3. Brown AC, Wells TJ, Schade ML, et al. Effects of Plyometric training versus traditional weight training on strength, power, and aesthetic jumping ability in female collegiate dancers. J Dance Med Sci. 2007;11(1):38–44.
4. Chatfield SJ, Krasnow DH, Herman A, Blessing G. A descriptive analysis of kinematic and electromyographic relationships of the core during forward stepping in beginning and expert dancers. J Dance Med Sci. 2007;11(3):76–84.
5. Garrick JG, Requa RK. Turnout and training in ballet. Med Probl Perform Art. 1994;9(2):43–9.
6. Golomer E, Keller J, Eery YA, Testa M. Unipodal performance and leg muscle mass in jumping skills among ballet dancers. Percept Mot Skills. 2004;98(2):415–8.
7. Golomer E, Ya E Unilateral jump behaviour in young professional female ballet dancers. Int J Neurosci. 2001;110:1–7.
8. Grossman G. Measuring dancers’ active and passive turnout. J Dance Med Sci. 2003;7(2):49–55.
9. Hamilton D, Aronsen P, Løken JH, et al. Dance training intensity at 11—14 years is associated with femoral torsion in classical ballet dancers. Br J Sports Med. 2006;40:299–303.
10. Kadel NJ, Donaldson-Fletcher EA, Gerberg LF, Micheli LJ. Anthropometric measurements of young ballet dancers: examining body composition, puberty, flexibility, and joint range of motion in comparison with non-dancer controls. J Dance Med Sci. 2005;9(3/4):84–90.
11. Kwon YH, Wilson M, Ryu JH. Analysis of the hip joint moments in grand rond de jambe en l'air. J Dance Med Sci. 2007;11(3):93–9.
12. Liederbach M, Hiebert R. The relationship between eccentric and concentric measures of ankle strength and functional equinus in classical dancers. J Dance Med Sci. 1997;1(2):55–61.
13. Martin SC, Marquez FA, Ordonio MA, Allen DD. Measuring functional range of motion in ballet dancers’ hips. J Dance Med Sci. 1998;2(2):56–62.
14. McLain S, Carter CL, Abel J. The effect of a conditioning and alignment program on the measurement of supine jump height and pelvic alignment when using the current concepts reformer. J Dance Med Sci. 1997;1(4):149–54.
15. Novella TM. Simple techniques quantifying choreographically essential foot and ankle extents of motion. J Dance Med Sci. 2004;8(4):118–22.
16. Steinberg N, Hershkovitz I, Peleg S, et al. Range of joint movement in female dancers and nondancers aged 8 to 16 years. Am J Sports Med. 2006;34:814–23.
17. Wyon M, Allen N, Angioi M, et al. Anthropometric factors affecting vertical jump height in ballet dancers. J Dance Med Sci. 2006; 10(3/4): 106–10.
18. Xarez L. Vertical jumping in dance: feet positions, type of support, body composition, morphology, level of expertise and height flight. Portuguese J Hum Perf Study. 1993;9(2):47–50.
19. Chatfield SJ, Byrnes WC. Correlational analysis of aesthetic competency, skill acquisition and physiologic capabilities of modern dancers. In: 5th Hong Kong International Dance Conference Papers. Hong Kong: The Secretariat of the Hong Kong Academy for the Performing Arts, 1990, pp. 79–100.
20. Parrott AA. The effects of Pilates technique and aerobic conditioning on dancers’ technique and aesthetic. Kinesiol Med Dance. 1993;15(2):45–64.
21. Koutedakis Y, Hukam H, Metsios G, et al. The effects of three months of aerobic and strength training on selected performance- and fitness-related parameters in modern dance students. J Strength Cond Res. 2007;21(3):808–12
22. Chmelar R, Fitt S. Conditioning for dance: the art of the science. Kinesiol Med Dance. 1991/1992;14(1):78–94.
23. Pokora SL. An investigation of imaging as a facilitator for the development of the dancer. Masters Abstracts International, 27/03, 318. (University Microfilms International No. 13–35842), 1988.
24. Bartenieff I, with Lewis D. Body Movement: Coping with the Environment. New York: Gordon and Breach, Science Publishers, 1980.
25. Hackney P. Remembering Irmgard. Contact Quarterly. 1993;18(1):13–20.
26. Hackney P. Making Connections: Total Body Integration Through Bartenieff Fundamentals. London: Rout-ledge, 1998.
27. Safrit MJ. Introduction to Measurement in Physical Education and Exercise Science. St. Louis: Mosby College Publishing, 1986, p. 124.
28. Bates BT, Dufek JS, Davis HP. The effect of trial size on statistical power. Med Sci Sports Exerc. 1992;24(9):1059–65.
29. Chatfield SJ, Barr S. Towards a testable hypothesis of training principles for the neuromuscular facilitation of human movement. Dance Res J. 1994;26(1):8–14.
30. Welsh TM, Chatfield SJ. Within-subject research designs for dance medicine and science. J Dance Med Sci. 1997;1(1):16–21.