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This is a pioneer work in the neural exploration of gender-related differences in the appreciation of artworks. The use of magnetoencephalography (MEG) allows to study the various temporal stages at which stimuli are processed. Through this technique, it was possible to pinpoint fine gender-differences in parietal regions, which are then discussed by the authors from an evolutionary perspective.
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Cela-Conde C.J., Ayala F.J., Munar E., Maestú F., Nadal M., Capò M.A., del Rio D., Lopez-Ibor J.J., Ortiz T., Mirasso C., and Marty G. Sex-related similarities and differences in the neural correlates of beauty. Proc Natl Acad Sci U S A 106 (2009) 3847-3852. This is a pioneer work in the neural exploration of gender-related differences in the appreciation of artworks. The use of magnetoencephalography (MEG) allows to study the various temporal stages at which stimuli are processed. Through this technique, it was possible to pinpoint fine gender-differences in parietal regions, which are then discussed by the authors from an evolutionary perspective.
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Cela-Conde, C.J.1
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This investigation suggests that 'aesthetic attitude' is fundamental in the appreciation of a stimulus as an artwork and that, under this mind-state, individuals respond to the aesthetic properties of the observed objects by means of a top-down control, possibly exerted by the lateral prefrontal cortex. In this work, the authors were able to specifically address one of the aspects of aesthetic experience, namely the interaction between top-down orienting of attention and bottom-up perceptual facilitation processes, and to shed light on the emotional aspect underlying aesthetic experiences.
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Cupchik G.C., Vartanian O., Crawley A., and Mikulis D.J. Viewing artworks: contributions of cognitive control and perceptual facilitation to aesthetic experience. Brain Cognit 70 1 (2009) 84-91. This investigation suggests that 'aesthetic attitude' is fundamental in the appreciation of a stimulus as an artwork and that, under this mind-state, individuals respond to the aesthetic properties of the observed objects by means of a top-down control, possibly exerted by the lateral prefrontal cortex. In this work, the authors were able to specifically address one of the aspects of aesthetic experience, namely the interaction between top-down orienting of attention and bottom-up perceptual facilitation processes, and to shed light on the emotional aspect underlying aesthetic experiences.
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In this fMRI study, one stimulus type (Classical and Renaissance sculptures) that was modified on one aesthetic dimension (i.e. proportion) was used to investigate both spontaneous brain responses at stimuli presentation during 'observation' condition and the neural correlates associated with overt aesthetic appraisal during the 'aesthetic judgment' condition. Through this methodology, it was possible to unfold basic processes underpinning the feelings and emotions associated with aesthetic experience. Of course, other processes are in place during the building up of an aesthetic experience; though, this study shows a possible methodological approach to address such processes in a specific manner.
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Di Dio C., Macaluso E., and Rizzolatti G. The golden beauty: brain response to classical and renaissance sculptures. PLoS ONE 11 (2007) e1201. In this fMRI study, one stimulus type (Classical and Renaissance sculptures) that was modified on one aesthetic dimension (i.e. proportion) was used to investigate both spontaneous brain responses at stimuli presentation during 'observation' condition and the neural correlates associated with overt aesthetic appraisal during the 'aesthetic judgment' condition. Through this methodology, it was possible to unfold basic processes underpinning the feelings and emotions associated with aesthetic experience. Of course, other processes are in place during the building up of an aesthetic experience; though, this study shows a possible methodological approach to address such processes in a specific manner.
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PLoS ONE
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Di Dio, C.1
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Motion, emotion and empathy in esthetic experience
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This paper offers a good opportunity to explore theoretically embodiment theories of motor perception within the artistic domain and to establish a relationship between empathy and aesthetics. The importance of empathy in aesthetics is not a new concept. Still, this paper nicely reconciles philosophical and neurophysiological theories to support the importance of the motor system also in mediating a very subtle and unique cognitive human ability: that of art appreciation.
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Freedberg D., and Gallese V. Motion, emotion and empathy in esthetic experience. Trends Cognit Sci 11 (2007) 197-203. This paper offers a good opportunity to explore theoretically embodiment theories of motor perception within the artistic domain and to establish a relationship between empathy and aesthetics. The importance of empathy in aesthetics is not a new concept. Still, this paper nicely reconciles philosophical and neurophysiological theories to support the importance of the motor system also in mediating a very subtle and unique cognitive human ability: that of art appreciation.
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Trends Cognit Sci
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