The challenges of conserving contemporary art

Collecting the New: Museums and Contemporary Art

Volumn , Issue , 2013, Pages 163-178

  Wharton, Glenn ^a  

^a NEW YORK UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 72449209531     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (26)

1. Miriam Clavir, Preserving What Is Valued: Museums, Conservation, and First Nations (Vancouver: UBC Press, 2002).
2. Catherine Sease, "Codes of Ethics for Conservation," International Journal of Cultural Property 7, no. 1 (1998): 98-114.
3. Philip Ward, The Nature of Conservation: A Race against Time (Marina del Rey, Calif.: Getty Conservation Institute, 1986).
4. American Institute for Conservation, Directory: The American Institute for Conservation of Historic & Artistic Works (Washington, D.C.: AI Conservation, 2002), 21.
5. International Council of Museums-Conservation Committee, 1984, http://icomcc .icom.museum/About/DefinitionOfProfession/ (accessed 27 July 2004).
6. Cesare Brandi, "Theory of Restoration, I, II, & III," in Readings in Conservation: Historical and Philosophical Issues in the Conservation of Cultural Heritage, ed.Nicholas Stanley-Price, M.Kirby Talley, and Alessandra Melucco Vaccaro; trans. Gianni Ponti and Alessandra Melucco Vaccaro (Los Angeles: Getty Conservation Institute, 1996), 231; originally published 1963.
7. Cornell Law School, 1967, http://www.law.cornell.edu/treaties/berne/overview.html (accessed 23 July 2004).
8. Ivan Hoffman, The Visual Artists Rights Act, 1990, http://www.ivanhoffman.com/vara.html (accessed 15 November 2003).
9. Kees Herman Aben, "Conservation of Modern Sculpture at the Stedelijk Museum, Amsterdam," in From Marble to Chocolate: The Conservation ofModern Sculpture Tate Gallery Conference 18-20 September 1995, ed. Jackie Heuman (London: Archetype Publications, 1995), 104-109.
10. William A. Real, "Toward Guidelines for Practice in the Preservation and Documentation of Technology-based Installation Art," Journal of the American Institute for Conservation 40 (2001): 211-31.
11. Howard Besser, "Longevity of Electronic Art" paper presented at the conference of the International Cultural Heritage Informatics, 2001, available from http://www.gseis.ucla.edu/~howard/ (accessed 1 November 2003);
12. Pip Laurenson, "The Conservation and Documentation of Video Art," in Modern Art: Who Cares?, 263-71.
13. Mitchell Hearns Bishop, "Evolving Exemplary Pluralism: Steve McQueen's Deadpan and Elija-Liisa Ahtila's Anne, Aki and God-Two Case Studies for onserving Technology-Based Installation Art," Journal of the American Institute for Conservation 40 (2001): 179-91; 21.
14. John G. Hanhardt,"Nam June Paik, TV Garden," in The Variable Media Approach: Permanence through Change, ed. Alain Depocas, Jon Ippolito, and Caitlin Jones (New York: Guggenheim Museum Publications and the Daniel Langlois Foundation for Art, Science, and Technology, 2003) 70-77.
15. Martha Buskirk, The Contingent Object of Contemporary Art (Cambridge, Mass.: MIT Press, 2003).
16. Carol Stringari, "Installations and Problems of Preservation," in Modern Art: Who Cares?, 272-81.
17. D.H. van Wegen, "Between Fetish and Score: The Position of the Curator of Contemporary Art," in Modern Art: Who Cares?, 201-209.
18. William Bartman, Tim Rollins, Jan Avgikos, and Susan Cahan, "Interview with Felix Gonzalez-Torres," in Felix Gonzalez-Torres (New York: Art Resources Transfer, 1993), 9.
19. Ralph Rugoff,"Dark Art: A New Generation of British Sculptors Is Finding Inspiration in the Morbid and Macabre," Vogue 182, no. 9 (1992): 352-58.
20. More information on the Center for the Technical Study of Modern Art can be found at http://www.artmuseums.harvard.edu/press/released2000/mancusiungaro.h (accessed 18 November 2003).
21. Wilma van Asseldonk et al., "The Decision-Making Model for the Conservation and Restoration of Modern and Contemporary Art," in Modern Art: Who Cares?, 164-72.
22. International Network for the Conservation of Contemporary Art (INCCA) at http://www.incca.org/ (accessed 1 October 2003).
23. the Variable Media Network at http://www.guggenheim.org/variablemedia/ (accessed 1 October 2003).
24. Tom Finkelpearl, Dialogues in Public Art (Cambridge, Mass.: MIT Press, 2000);
25. Suzanne Lacy, ed., Mapping the Terrain: New Genre Public Art (Seattle: Bay Press, 1994).
26. Judith Baca, "The Public Role in Preservation," in Conservation and Maintenance of Public Art, ed. Hafthor Yngvason (London: Archetype Press, 2002), 21-29.