Morph: Timbre Hybridization Tools Based on Frequency Domain Processing

Proceedings of the International Conference on Digital Audio Effects, DAFx

Volumn , Issue , 1998, Pages

  Cospito, Giovanni ^a   de Tintis, Raffaele ^b  

^a Civica Scuola di Musica di Milano Corso   (Italy)

^b UNIVERSITY OF MILAN   (Italy)

Author keywords

[No Author keywords available]

Indexed keywords

FREQUENCY DOMAIN ANALYSIS;

ENERGY PEAKS; FOURIER SPACE; FREQUENCY DOMAIN PROCESSING; HYBRIDISATION; HYBRIDIZATION METHODS; MATCHINGS; MODELING SOFTWARES; PERFORMANCE; SPECTRA'S; SPECTRAL ZONES;

FAST FOURIER TRANSFORMS;

EID: 72449130303     PISSN: 24136700     EISSN: 24136689     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (12)

1. S. McAdams and E.Bigand (ed.). Thinking in Sound: the cognitive psychology of human audition, Oxford University Press, 1993.
2. S. McAdams, Winsberg, S. Donnadieu, G. De Soete, J. Krimphoff. “Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes”, Psychol Res (1995) 58: 177-192, Springer-Verlag.
3. CERL SoundGroup. “Timbre Morphing of Sounds with Unequal Numbers of Features”, J. Audio Eng. Soc., Vol. 43, N. 9, 1995, September.
4. X. Serra, J. Smith III. “Spectral Modeling Synthesis: A Sound Analysis/Synthesis System Based on a Deterministic plus Stochastic Decomposition”, Computer Music Journal, Vol. 14, No. 4, Winter 1990.
5. R. de Tintis. “A System Based on Fourier Analysis/Synthesis for the Hybridization of Sound Timbres”, Proc. of the XII Colloquium on Musical Informatics, Gorizia, Italy, 1998.
6. R. de Tintis. “Morph: A System for Timbre Hybridisation”, in Computer Music for the Electronic Musician, E. Reck Miranda Editor, Focal Press, 1998.
7. M. H. Serra, D. Rubine, R. Dannenberg. “Analysis and Synthesis of Tones by Spectral Interpolation”, J. Audio Eng. Soc., Vol. 38, N.3, 1990, March.
8. J. Strawn “Analysis and Synthesis of Musical Transitions Using the Discrete Short-Time Fourier Transform”, J. Audio Eng. Soc., Vol.35, N. 1/2, 1987, January/February.
9. D. Arfib. “Analysis, Transformation, and Resynthesis of Musical Sounds with the Help of a Time-Frequency Representation”, in Representation of Musical Signals, MIT Press, 1991.
10. D. Arfib, N. Delprat. “Musical Transformation Using the Modification of Time-Frequency Images”, Computer Music Journal, Vol.17, No.2, Summer, 1993.
11. “Rapid Measurement of Digital Instantaneous Frequency”, IEEE Trans. on Acoustics, Speech, and Signal Processing, Vol. ASSP-23, N.2, April 1975.
12. “A Comparison of Computational Methods for Instantaneous Frequency and Group Delay of Discrete-Time Signals”, J. Audio Eng. Soc., Vol.46, N.3, 1998 March.