Fictional form and symphonic structure: An essay in comparative aesthetics

Ratio

Volumn 22, Issue 4, 2009, Pages 421-438

  Kivy, Peter ^a  

^a RUTGERS UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 71449099118     PISSN: 00340006     EISSN: None     Source Type: Journal    
DOI: 10.1111/j.1467-9329.2009.00443.x     Document Type: Review

References (9)

1. See, Peter Kivy, 'Continuous Time and Interrupted Time: Two-Timing in the Temporal Arts', Musica Scientiae, Discussion Forum 3 (2004)
2. See Peter Kivy, Philosophies of Arts: An Essay in Differences (Cambridge: Cambridge University Press, 1997), Chapter 4
3. Jerrold Levinson, Music in the Moment (Ithaca, New York: Cornell University Press, 1997), p. 28
4. Peter Kivy, 'Music in Memory and Music in the Moment', in Peter Kivy, New Essays on Musical Understanding (Oxford: Clarendon Press, 2001), pp. 183-217
5. Walter Pater, The Renaissance: Studies in Art and Poetry, ed. Donald L. Hill (Berkeley: University of California Press, 1980), p. 106
6. Levinson, Music in the Moment, pp. 43-50
7. See, for example, Peter Kivy, The Performance of Reading: An Essay in the Philosophy of Literature (Oxford: Blackwell, 2006), Sections 24-26, and Section 28
8. Nick Zangwill, The Metaphysics of Beauty (Ithaca, New York: Cornell University Press, 2001), p. 72
9. See Kivy, 'Continuous Time and Interrupted Time'