-
1
-
-
60949343152
-
Voice-Leading Parsimony in the Music of Alexander Scriabin
-
Fall
-
Callender, Clifton. 1998. "Voice-Leading Parsimony in the Music of Alexander Scriabin." Journal of Music Theory 42.2 (Fall): 219-33
-
(1998)
Journal of Music Theory
, vol.42
, Issue.2
, pp. 219-233
-
-
Callender, C.1
-
2
-
-
60949514414
-
Moving Beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords
-
Fall
-
Childs, Adrian. 1998. "Moving Beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords." Journal of Music Theory 42.2 (Fall): 181-93
-
(1998)
Journal of Music Theory
, vol.42
, Issue.2
, pp. 181-193
-
-
Childs, A.1
-
3
-
-
60949266789
-
Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions
-
Cohn, Richard. 1996. "Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions." Music Analysis 15.1: 9-40
-
(1996)
Music Analysis
, vol.15
, Issue.1
, pp. 9-40
-
-
Cohn, R.1
-
4
-
-
33745931702
-
Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations
-
Spring
-
-. 1997. "Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations." Journal of Music Theory 41.1 (Spring): 1-66
-
(1997)
Journal of Music Theory
, vol.41
, Issue.1
, pp. 1-66
-
-
Cohn, R.1
-
5
-
-
0008820067
-
Introduction to Neo-Riemannian Theory: A Survey and Historical Perspective
-
Fall
-
-. 1998a. 'Introduction to Neo-Riemannian Theory: A Survey and Historical Perspective." Journal of Music Theory 42.2 (Fall): 167-80
-
(1998)
Journal of Music Theory
, vol.42
, Issue.2
, pp. 167-180
-
-
Cohn, R.1
-
6
-
-
61249397124
-
Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes
-
Spring
-
-. 2000. "Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes." Music Theory Spectrum 22.1 (Spring): 89-103
-
(2000)
Music Theory Spectrum
, vol.22
, Issue.1
, pp. 89-103
-
-
Cohn, R.1
-
7
-
-
33745875475
-
Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition
-
Fall
-
Douthett, Jack and Peter Steinbach. 1998. "Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition." Journal of Music Theory 42.2 (Fall): 241-63
-
(1998)
Journal of Music Theory
, vol.42
, Issue.2
, pp. 241-263
-
-
Douthett, J.1
Steinbach, P.2
-
8
-
-
61449161661
-
Some Aspects of Three-Dimensional Tonnetze
-
Fall
-
Gollin, Edward. 1998. "Some Aspects of Three-Dimensional Tonnetze." Journal of Music Theory 42.2 (Fall): 195-206
-
(1998)
Journal of Music Theory
, vol.42
, Issue.2
, pp. 195-206
-
-
Gollin, E.1
-
10
-
-
34547493203
-
Reimag(in)ing Riemann
-
Spring
-
Hyer, Brian. 1995. "Reimag(in)ing Riemann." Journal of Music Theory 39.1 (Spring): 101-38
-
(1995)
Journal of Music Theory
, vol.39
, Issue.1
, pp. 101-138
-
-
Hyer, B.1
-
11
-
-
60949207140
-
Some Remarks on the Use of Riemann Transformations
-
July
-
Klumpenhouwer, Henry. 1994. "Some Remarks on the Use of Riemann Transformations." Music Theory Online 0 (9) (July)
-
(1994)
Music Theory Online
, Issue.9
-
-
Klumpenhouwer, H.1
-
13
-
-
84968125168
-
Some Notes on Analyzing Wagner: The Ring and Parsifal
-
Summer
-
-. 1992. "Some Notes on Analyzing Wagner: The Ring and Parsifal." 19th-century Music 16.1 (Summer): 49-58
-
(1992)
19th-century Music
, vol.16
, Issue.1
, pp. 49-58
-
-
Lewin, D.1
-
14
-
-
60949234329
-
Some Ideas about Voice-Leading Between Pcsets
-
Spring
-
-. 1998. "Some Ideas about Voice-Leading Between Pcsets." Journal of Music Theory 41.1 (Spring): 15-72
-
(1998)
Journal of Music Theory
, vol.41
, Issue.1
, pp. 15-72
-
-
Lewin, D.1
-
15
-
-
33745897455
-
Voice-Leading Spaces
-
Fall
-
Morris, Robert D. 1998. "Voice-Leading Spaces." Music Theory Spectrum 20.2 (Fall): 175-208
-
(1998)
Music Theory Spectrum
, vol.20
, Issue.2
, pp. 175-208
-
-
Morris, R.D.1
-
18
-
-
84882387917
-
Nonatonic Progressions in the Music of John Coltrane
-
Santa, Matthew. 2004. "Nonatonic Progressions in the Music of John Coltrane." Annual Review of Jazz Studies 14, forthcoming
-
(2004)
Annual Review of Jazz Studies
, vol.14
-
-
Santa, M.1
-
21
-
-
61949231694
-
Little Wing: A Study in Musical Cognition
-
1997
-
Brown, Matthew. 1997. "Little Wing: A Study in Musical Cognition." In Covach and Boone 1997: 155-69
-
(1997)
Covach and Boone
, pp. 155-169
-
-
Brown, M.1
-
22
-
-
70449881958
-
Joanie' Get Angry: K.d. lang's Feminist Revision
-
1997
-
Burns, Lori. 1997. "'Joanie' Get Angry: k.d. lang's Feminist Revision." In Covach and Boone 1997: 93-112
-
(1997)
Covach and Boone
, pp. 93-112
-
-
Burns, L.1
-
23
-
-
33751371860
-
Analytic Methodologies for Rock Music: Harmonic and Voice-Leading Strategies in Tori Amos's 'Crucify'
-
2000b
-
-. 2000. "Analytic Methodologies for Rock Music: Harmonic and Voice-Leading Strategies in Tori Amos's 'Crucify'." In Everett 2000b: 213-46
-
(2000)
The Beatles as Musicians: Revolver through the Anthology
, pp. 213-246
-
-
Burns, L.1
-
25
-
-
79958919427
-
The Rutles and the Use of Specific Models in Musical Satire
-
Covach, John. 1991. "The Rutles and the Use of Specific Models in Musical Satire." Indiana Theory Review 11: 119-44
-
(1991)
Indiana Theory Review
, vol.11
, pp. 119-144
-
-
Covach, J.1
-
32
-
-
79958874013
-
Review of Middleton 2000b
-
December
-
-. 2001b. Review of Middleton 2000b. Music Theory Online 7.6 (December)
-
(2001)
Music Theory Online
, vol.7
, Issue.6
-
-
Everett, W.1
-
35
-
-
79958889336
-
A Study of Maximally Smooth Voice-Leading in the Mid-1970s Music of Genesis
-
Holm-Hudson, Kevin. 2002a. "A Study of Maximally Smooth Voice-Leading in the Mid-1970s Music of Genesis." Paper presented to the Society for Music Theory, Columbus
-
(2002)
Society for Music Theory, Columbus
-
-
Holm-Hudson, K.1
-
37
-
-
70449939960
-
The Pop Album as Song Cycle: Paul Simon's Still Crazy After All These Years
-
Kaminsky Peter. 1992. "The Pop Album as Song Cycle: Paul Simon's Still Crazy After All These Years." College Music Symposium 32: 38-54
-
(1992)
College Music Symposium
, vol.32
, pp. 38-54
-
-
Peter, K.1
-
39
-
-
85014290308
-
Fumbling Towards Ecstasy: Voice-Leading, Tonal Structure, and the Theme of Self-Realization in the Music of Sarah McLachlan
-
2000b
-
Koozin, Timothy. 2000. "Fumbling Towards Ecstasy: Voice-Leading, Tonal Structure, and the Theme of Self-Realization in the Music of Sarah McLachlan." In Everett 2000b: 247-66
-
(2000)
Expression in Pop-Rock Music
, pp. 247-266
-
-
Koozin, T.1
-
41
-
-
0003646883
-
-
Minnesota: University of Minnesota Press
-
McClary Susan. 1991. Feminine Endings. Minnesota: University of Minnesota Press
-
(1991)
Feminine Endings
-
-
Susan, M.1
-
43
-
-
84971110130
-
Patterns of Harmony
-
Moore, Allan. 1992. "Patterns of Harmony." Popular Music 11.1: 73-106
-
(1992)
Popular Music
, vol.11
, Issue.1
, pp. 73-106
-
-
Moore, A.1
-
45
-
-
79958942373
-
Somebody is Digging My Bones: King Crimson's 'Dinosaur' as (Post) Progressive Historiography
-
2002b
-
Robison, Brian. 2002. "Somebody is Digging My Bones: King Crimson's 'Dinosaur' as (Post) Progressive Historiography." In Holm-Hudson 2002b: 221-42
-
(2002)
Progressive Rock Reconsidered
, pp. 221-242
-
-
Robison, B.1
-
46
-
-
79958977247
-
The Searchers
-
August 20 & 27
-
Ross, Alex. 2001. "The Searchers." The New Yorker (August 20 & 27): 112-23
-
(2001)
The New Yorker
, pp. 112-123
-
-
Ross, A.1
-
47
-
-
84974061203
-
Analyzing Popular Music: Theory, Method, and Practice
-
Tagg, Philip. 1982. "Analyzing Popular Music: Theory, Method, and Practice." Popular Music 2: 37-67
-
(1982)
Popular Music
, vol.2
, pp. 37-67
-
-
Tagg, P.1
|