A theory of motives for Prokofiev's music

Music Theory Spectrum

Volumn 26, Issue 2, 2004, Pages 265-290

  Rifkin, Deborah ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 70450061327     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.1525/mts.2004.26.2.265     Document Type: Review

References (24)

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9. -. 1984. "Schenker's Unpublished Graphic Analysis of Brahms's Intermezzo Op. 117, No.2: Tonal Structure and Concealed Motivic Repetition." Music Theory Spectrum 6: 1-13
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13. Kaufman, Rebecca. 1987. "Expanded Tonality in the Late Chamber Works of Sergei Prokofiev." Ph.D. Dissertation, University of Kansas
14. Kramer, Jonathan. 1988. Liden to the Music A Self-Guided Tour Through the Orchestral Repertoire. New York: Schirmer Books
15. Laitz, Steve. 1996. "The Submediant Complex: Its Musical and Poetic Roles in Schubert's Songs." Theory and Practice 21: 123-65
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17. Minturn, Neil. 1997. The Music of Sergei Prokofiev. New Haven: Yale University Press
18. Rifkin, Deborah. 2001. "What's Wrong? Tonal Theories and Prokofiev's 'Wrong-Note Music'." presented at the Society for Music Theory conference in Philadelphia, PA
19. -. 2000. "Tonal Coherence in Prokofiev's Music: A Study of the Interrelationships of Structure, Motives and Design." Ph.D. dissertation, University of Rochester
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