Toggling cycles, hexatonic systems, and some analysis of early atonal music

Music Theory Spectrum

Volumn 27, Issue 2, 2005, Pages 221-248

  Siciliano, Michael ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 70450008981     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.1525/mts.2005.27.2.221     Document Type: Article

References (15)

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3. -. 1996. "Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions." Music Analysis 15/1: 9-40
4. -. 1997. "Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations." Journal of Music Theory 41/1: 1-66
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6. Cook, Robert. 2001. "Transformational Approaches to Romantic Harmony and the Late Works of César Frank." Ph.D. diss., University of Chicago
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8. Hyer, Brian. 1989. "Tonal Intuitions in Tristan und Isolde." Ph.D. diss., Yale University
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10. Lewin, David. 1984. "Amfortas' Prayer to Titurel and the Role of D in Parsifal; The Tonal Spaces of the Drama and the Enharmonic CMusic flat sign/B." Nineteenth-Century Music 7/3: 336-349
11. -. 1987. Generalized Musical Intervals and Transformations. New Haven: Yale University Press
12. -. 1995. "Generalized Interval Systems for Babbit's Lists, and for Schoenberg's String Trio." Music Theory Spectrum 17: 81-118
13. Mooney, Michael Kevin. 1996. "The 'Table of Relations' and Music Psychology in Hugo Riemann's Harmonic Theory." Ph.D. diss., Columbia University
14. Schoenberg, Arnold. [1932] 1964-65. "Analysis of the Four Orchestral Songs Opus 22." Trans. Claudio Spies. Perspectives of New Music 3: 1-21
15. Siciliano, Michael. 2002. "Neo-Riemannian Transformations and the Harmony of Franz Schubert." Ph.D. diss., University of Chicago