Near-maximally-distributed cycles and an instance of transformational recursion in Bartók's Etude Op. 18, No. 1

Music Theory Spectrum

Volumn 30, Issue 1, 2008, Pages 139-151

  Gollin, Edward ^a  

^a NONE

Author keywords

Aggregate techniques; Bart k; Cycles; Etudes; Evenness; Transformational theory

Indexed keywords

EID: 70450003301     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.1525/mts.2008.30.1.139     Document Type: Article

References (10)

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2. Gollin, Edward. 2007. "Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók." Music Theory Spectrum 29.2: 143-76
3. Lendvai, Erno. 1983. The Workshop of Bartók and Kodaly. Budapest: Editio Musica
4. Nüll, Edwin von der. 1930. Béla Bartók: Ein Beitrag zur Morphologie der neuen Musik. Halle: Mitteldeutsche Verlags-Aktien-Geselleschaft
5. Perle, George. 1955. "Symmetrical Formations in the String Quartets of Béla Bartók." Music Review 16: 300-12
6. Rae, Charles Bodman. 1994. The Music of Lutosławski. London: Faber and Faber
7. Stuckey, Steven. 1981. Lutosławski and his Music. Cambridge, Great Britain: Cambridge University Press
8. Wilson, Paul. 1994. "Approaching Atonality: Studies and Improvisations." In The Bartók Companion, ed. Malcolm Gillies, 162-72. Portland: Amadeus Press
9. -. 1992. The Music of Béla Bartók. Yale University Press
10. Yeomans, David. 1988. Bartók for Piano. Bloomington: Indiana University Press