Modernist reconnaissance

Modernism - Modernity

Volumn 10, Issue 2, 2003, Pages 349-380

  Saint Amour, Paul K ^a  

^a POMONA COLLEGE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 70449920583     PISSN: 10716068     EISSN: 10806601     Source Type: Journal    
DOI: 10.1353/mod.2003.0047     Document Type: Article

References (49)

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2. By-Line: Ernest Hemingway: Selected Articles and Dispatches of Four Decades, ed. William White (New York: Charles Scribner's Sons, 1967), 42-3
3. Beaumont Newhall, Airborne Camera: The World from the Air and Outer Space (New York: Hastings House, 1969), 105; hereafter abbreviated as AC
4. Stephen Kern., The Culture of Time and Space 1880-1918 (Cambridge, Mass.: Harvard University Press, 1983), 245; hereafter abbreviated as CTS
5. Julie H. Wosk, "The Aeroplane in Art," Art & Artists no. 219 (December 1984): 24
6. Margret Dreikausen, Aerial Perception: The Earth as Seen from Aircraft and Spacecraft and Its Influence on Comtemporary Art (Philadelphia: Art Alliance Press, 1985), 15
7. John Welchman, "Here there & otherwise," Artforum 27 (September 1988): 18
8. Jacques Barzun From Dawn to Decadence: 500 Years of Western Cultural Life, 1500 to the Present (New York: Harper Collins, 2000), 649
9. Waldemar George, "Vorwort zur 93. Sturm-Ausstellung," Der Sturm (Berlin), January 1921
10. "Foreword to an Exhibition held by Der Sturm, Berlin" in Cubism, ed. Edward F. Fry (New York: McGraw-Hill, 1966), 161
11. George McCartney, Confused Roaring: Evelyn Waugh and the Modernist Tradition (Bloomington: Indiana University Press, 1987), 56-62
12. Gertrude Stein, Picasso (London: B. T. Batsford, 1938)
13. Martin Jay, Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought (Berkeley: University of California Press, 1993), 213-4; hereafter abbreviated as DE
14. Filippo Tommaso Marinetti, "Technical Manifesto of Futurism" (1912)
15. Marinetti: Selected Writing?, ed. R. W. Flint, trans. R. W. Flint and Arthur A. Coppotelli (New York: Farrar, Straus and Giroux, 1972)
16. Jeffrey Schnapp, "Propeller Talk," MODERNISM/modernity 1, no. 3 (1994): 153-78
17. Paul Virilio, The Art of the Motor (Minneapolis: University of Minnesota Press, 1995), 40
18. Christian Metz in The Imaginary Signifier: Psychoanalysis and the Cinema, trans. Celia Britton et al. (Bloomington: Indiana University Press, 1982), 61
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20. Paul Virilio, La Machine de Vision (Paris: Galilée, 1988), 38
21. Walter Raleigh, The War in the Air, vol. 1 (Oxford: Clarendon Press, 1922), 446
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25. Edward Steichen, A Life in Photography (Garden City, N.Y.: Doubleday, 1963), n.p
26. Jonathan Crary, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Cambridge, Mass.: MIT Press, 1990), 128
27. Herbert E. Ives, Airplane Photography (Philadelphia: J. B. Lippincott Company, 1920), 358; hereafter abbreviated as AP
28. Nesbit, Eyes of the RAF: A History of Photo-Reconnaissance (Phoenix Mill; [Washington, D.C.]: Alan Sutton Publishing, 1996), 11, 35
29. Andrew J. Brookes, Photo Reconnaissance (London: Ian Allan, 1975), 20
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31. H. T. U. Smith, Aerial Photographs and their Applications (New York: D. Appleton-Century Company, .1943), 74
32. Talbert Abrams, Essentials of Aerial Surveying and Photo Interpretation (New York: McGraw Hill, 1944), 130
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34. Ursula Powys-Lybbe, The Eye of Intelligence (London: William Kimber and Company, 1983), 47-8
35. Lucien-Victor Guirand de Scévola, "Souvenirs du camouflage (1914-1918)," La revue, December 1950, 71.9-20
36. Stephen Kern, "Cubism, Camouflage, Silence, and Democracy: A Phenomenological Approach," in NowHere: Space, Time, and Modernity, ed. Roger Friedland and Deirdre Boden (Berkeley: University of California Press, 1994), 166
37. Andrés Ducasse, Jacques Meyer, and Gabriel Perreux, Vie et mart des Français, 1914-1918 (Paris, 1962), 510-1
38. Elizabeth Kahn Baldewicz, "Les Camoufleurs: The Mobilization of Art and the Artist in Wartime France, 1914-1918," Ph.D. dissertation, University of California, Los Angeles, 1980
39. Pablo Picasso, interview with Marius de Zayas, 1923
40. "Picasso Speaks," The Arts (New York), May 1923
41. Herschel B. Chipp, Theories of Modern Art: A Source Book by Artists and, Critics (Berkeley: University of California Press, 1968), 264
42. Charles Wheatstone, "Contributions to the Physiology of Vision," in Brewster and Wheatstone on Vision, ed. Nicholas J. Wade (London: Academic Press, 1983), 66
43. Albert Gleizes and Jean Metzinger, Du Cubisme (Paris, 1912)
44. Robert L. Herbert's Modern Artists on Art: Ten Unabridged Essays, ed. Robert L. Herbert (Englewood Cliffs, N.J.: Prentice-Hall, 1965), 18
45. Daniel-Henry Kahnweiler, Der Weg zum Kubismus (Munich: Delphin-Verlag, 1920)
46. The Rise of Cubism by Henry Aronson (New York: Wittenborn, Schultz, 1949), 12; hereafter abbreviated as RC
47. Kenneth E. Silver, Esprit de Corps: The Art of the Parisian Avant-Garde and the First World War, 1914-1925 (Princeton, N.J.: Princeton University Press, 1989), 78-85
48. Roger Shattuck, Proust's Binoculars: A Study of Memory, Time and Recognition in À la recherche du temps perdu (Princeton, N.J.: Princeton University Press, 1983)
49. Jean Clair "Opticeries," October 5 (summer 1978): 101-12