On the music of emergent behavior: What can evolutionary computation bring to the musician?

Leonardo

Volumn 36, Issue 1, 2003, Pages 55-59

  Miranda, Eduardo Reck ^a  

^a UNIVERSITY OF PLYMOUTH   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 70449780562     PISSN: 0024094X     EISSN: None     Source Type: Journal    
DOI: 10.1162/002409403321152329     Document Type: Article

References (14)

1. D. Cope, Computers and Musical Style (Oxford, U.K.: Oxford Univ. Press, 1991)
2. C. Dodge and T. Jerse, Computer Musk: Synthesis, Composition and Performance (New York: Schirmer Books, 1985)
3. I. Xenakis, Formalized Music (Bloomington, IN: Indiana Univ. Press, 1971)
4. D. Worral, "Studies In Metamusical Methods for Sound Image and Composition," in Organised Sound 1, No. 3 (1996)
5. For more information on CAMUS and the CA algorithms, see K. McAlpine, E.R. Miranda and S. Hoggar, "Making Music with Algorithms: A Case-Study System," in Computer Music Journal 23, No. 2 (1999)
6. and E.R. Miranda, "Music Composition Using Cellular Automata," Languages of Design 2 (1994)
7. E.R. Miranda, Computer Sound Synthesis for the Electronic Musician (Oxford, U.K.: Focal Press, 1998)
8. For more details about this CA algorithm, see E.R. Miranda, 'Granular Synthesis of Sounds by Means of a Cellular Automaton," in Leonardo 28, No. 4, 297-300 (1995)
9. E.R. Miranda, "On the Origins and Evolution of Music in Virtual Worlds," in P. Bentley and D. Corne, eds., Creative Evolutionary Systems (San Francisco: Morgan Kaufmann, 2001)
10. E.R. Miranda, Entre o Absurdo e o Mistério (Porto Alegre: Goldberg Ediçōes Musicals, 2001) (full score including parts)
11. E.R. Miranda, Wee Batucada Scotica (Porto Alegre: Goldberg Edições Musicals, 1998) (full score including parts)
12. Olivine Trees, an electroacoustic piece composed using Chaosynth, was awarded the bronze medal at the International Luigi Russolo Electroacoustic Music Competition in Italy, 1998 (the recordings of all these pieces are available by request)
13. For up-to-date reports on these experiments, see E.R. Miranda, "Emergent Sound Repertoires in Virtual Societies," in Computer Music Journal 26, No. 2 (2002)
14. nd International Conference on Music and Artificial Intelligence, Springer-Verlag - Lecture Notes on Artificial Intelligence (2002)