A peculiar sensation: A personal genealogy of korean american women’s cinema

Dangerous Women: Gender and Korean Nationalism

Volumn , Issue , 2012, Pages 291-322

  Lee, Helen ^a  

^a NONE

Author keywords

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Indexed keywords

EID: 7044282022     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203379424-16     Document Type: Chapter

References (13)

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2. Trinh, T. Minh-ha. Woman, Native, Other: Writing Postcoloniality and Feminism. Bloomington: Indiana UP, 1989, 6.
3. Jim Pines and Paul Willemen, eds. London: British Film Institute, 1989.
4. Bhabha, Homi K. “The Other Question: Stereotype, Discrimination and the Discourse of Colonialism,�? The Location of Culture. London: Routledge, 1994, 66-84.
5. Barthes, Roland. Camera Lucida. New York: Hill and Wang, 1981, 27.
6. Kaja Silverman, The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. (Bloomington: Indiana University Press), 141-186.
7. Cha, Theresa Hak Kyung. DICTEE. New York: Tanam Press, 1982, 168.
8. Walter Lew, Excerpts from: Dikte, For DICTEE (1982). Seoul, Korea: Yeul Publishing Co., 1992.
9. Doane, Mary Ann. “Ideology and the Practice of Sound Editing and Mixing,�? The Cinematic Apparatus, ed. Teresa de Lauretis and Stephen Heath. New York: St. Martin’s Press, 1980, 47.
10. Ella Shohat and Robert Stam, “The Cinema After Babel: Language, Difference, Power,�? Screen 26 (May-August 1985), 35-58.
11. Chow, Rey. “Where Have All the Natives Gone?" Displacements: Cultural Identities in Question, Angelika Bammer, ed. Bloomington: Indiana University Press, 1994, 137.
12. Jameson, Frederic. “Modernism and Imperialism.�? Nationalism, Colonialism, and Literature. Terry Eagleton, Frederic Jameson, Edward Said, eds. Minneapolis: University of Minnesota Press, 1990, 51.
13. Bhabha, Homi K. “Interrogating Identity: Frantz Fanon and the Postcolonial Prerogative.�? The Location of Culture. London: Routledge, 1994, 66-84.