메뉴 건너뛰기




Volumn 46, Issue 3, 2009, Pages 238-267

Verticality and containment in song and improvisation: An application of schema theory to nordoff-robbins music therapy

Author keywords

[No Author keywords available]

Indexed keywords


EID: 70350509851     PISSN: 00222917     EISSN: None     Source Type: Journal    
DOI: 10.1093/jmt/46.3.238     Document Type: Article
Times cited : (13)

References (51)
  • 3
    • 0030305474 scopus 로고    scopus 로고
    • A walk through Paris: The development of melodic expression in music therapy with a breast-cancer patient
    • DOI 10.1016/0197-4556(96)00024-X, PII S019745569600024X
    • Aldridge, G. (1996). "A walk through Paris": The development of melodic expression in music therapy with a breasKancer patient. The Arts in Psychotherapy, 23, 207-223. (Pubitemid 126163844)
    • (1996) Arts in Psychotherapy , vol.23 , Issue.3 , pp. 207-223
    • Aldridge, G.1
  • 7
  • 8
    • 33847133342 scopus 로고    scopus 로고
    • Pathway, blockage, and containment in density 21.5
    • 35-54
    • Brower, C. (1997-1998). Pathway, blockage, and containment in Density 21.5. Theory and Practice, 22-23, 35-54.
    • (1997) Theory and Practice , pp. 22-23
    • Brower, C.1
  • 10
    • 85036788205 scopus 로고    scopus 로고
    • Metaphoric logic of musical morion and space
    • (doctoral dissertation University of Oregon, 1999)
    • Cox, A. W. (2000). The metaphoric logic of musical morion and space (Doctoral dissertation, University of Oregon, 1999). Dissertation Abstracts International, 60(8), 2729.
    • (2000) Dissertation Abstracts International , vol.60 , Issue.8 , pp. 2729
    • Cox, A.W.1
  • 11
    • 0040072320 scopus 로고
    • A phenomenological perspective of music therapy
    • Forinash, M., & Gonzalez, D. (1989). A phenomenological perspective of music therapy. Music Therapy, 8(1), 35-46.
    • (1989) Music Therapy , vol.8 , Issue.1 , pp. 35-46
    • Forinash, M.1    Gonzalez, D.2
  • 13
    • 40349097618 scopus 로고    scopus 로고
    • A phenomenological study of pivotal moments in guided imagery and music therapy
    • Doctoral dissertation, University of Melbourne, Australia, 2000
    • Grocke, D. E. (1999). A phenomenological study of pivotal moments in Guided Imagery and music therapy (Doctoral dissertation, University of Melbourne, Australia, 2000). Dissertation Abstracts International, 53(8), 4371B.
    • (1999) Dissertation Abstracts International , vol.53 , Issue.8
    • Grocke, D.E.1
  • 15
    • 85036776351 scopus 로고    scopus 로고
    • Embodied musical meaning
    • 95-102
    • Johnson, M. L. (1997-1998). Embodied musical meaning. Theory and Practice, 22- 23, 95-102.
    • Theory and Practice , pp. 23
    • Johnson, M.L.1
  • 16
    • 33745258423 scopus 로고    scopus 로고
    • Something in the way she moves"- Metaphors of musical motion
    • Johnson, M. L., & Larson, S. (2003). "Something in the way she moves"- Metaphors of musical motion. Metaphor and Symbol, 18(2), 63-84.
    • (2003) Metaphor and Symbol , vol.18 , Issue.2 , pp. 63-84
    • Johnson, M.L.1    Larson, S.2
  • 17
    • 85009601735 scopus 로고    scopus 로고
    • New steps in musical meaning: The metaphoric process as an organizing principle.
    • Jungaberle, H., Verres, R., & DuBois, F. (2001). New steps in musical meaning: The metaphoric process as an organizing principle. Nordic Journal of Music Therapy, 10, 4-16.
    • (2001) Nordic Journal of Music Therapy , vol.10 , pp. 4-16
    • Jungaberle, H.1    Verres, R.2    DuBois, F.3
  • 18
    • 70350465596 scopus 로고
    • To meet and match the moment of hope: Transpersonal elements of the guided imagery and music experience
    • (doctoral dissertation New York University, 1991)
    • Kasayka, R. E. (1991). To meet and match the moment of hope: Transpersonal elements of the guided imagery and music experience (Doctoral dissertation. New York University, 1991). Dissertation Abstracts International, 52(06), 2062A.
    • (1991) Dissertation Abstracts International , vol.52 , Issue.6
    • Kasayka, R.E.1
  • 22
    • 33847106289 scopus 로고    scopus 로고
    • Musical forces and melodic patterns
    • 55-72
    • Larson, S. (1997-1998). Musical forces and melodic patterns. Theory and Practice, 22-23, 55-72.
    • (1997) Theory and Practice , pp. 22-23
    • Larson, S.1
  • 23
    • 0011509061 scopus 로고
    • Structural analysis of therapeutic improvisatory music
    • Lee, C. (1989). Structural analysis of therapeutic improvisatory music. Journal of British Music Therapy, 3(2), 11-19.
    • (1989) Journal of British Music Therapy , vol.3 , Issue.2 , pp. 11-19
    • Lee, C.1
  • 24
    • 0011513449 scopus 로고
    • Structural analysis of post-tonal therapeutic improvisatory music
    • Lee, C. (1990). Structural analysis of post-tonal therapeutic improvisatory music. Journal of British Music Therapy, 4(1), 6-20.
    • (1990) Journal of British Music Therapy , vol.4 , Issue.1 , pp. 6-20
    • Lee, C.1
  • 25
    • 0038887850 scopus 로고
    • Analysis of therapeutic improvisatory music with people living with the virus HIV and AIDS
    • (Doctoral thesis, City University, London, 1992
    • Lee, C. (1992). The analysis of therapeutic improvisatory music with people living with the virus HIV and AIDS (Doctoral thesis, City University, London, 1992). Dissertation Abstracts International, 55(09), 2631.
    • (1992) Dissertation Abstracts International , vol.55 , Issue.9 , pp. 2631
    • Lee, C.1
  • 26
    • 85076967760 scopus 로고
    • Analysis of therapeutic improvisatory music
    • In Andrea Gilroy & Colin Lee (Eds.), . London: Routledge
    • Lee, C. (1995). The analysis of therapeutic improvisatory music. In Andrea Gilroy & Colin Lee (Eds.), Art and music therapy and research (pp. 35-50). London: Routledge.
    • (1995) Art and Music Therapy and Research , pp. 35-50
    • Lee, C.1
  • 28
    • 0034203019 scopus 로고    scopus 로고
    • A method of analyzing improvisations in music therapy
    • Lee, C. (2000). A method of analyzing improvisations in music therapy, Journal of Music Therapy, 37, 147-167.
    • (2000) Journal of Music Therapy , vol.37 , pp. 147-167
    • Lee, C.1
  • 32
    • 70350449907 scopus 로고    scopus 로고
    • Space, motion, and odier musical metaphors
    • In Robert G.Weiner (Ed.), . Westport, CT: Greenwood Press
    • O'Donnell, S. (1999). Space, motion, and odier musical metaphors. In Robert G.Weiner (Ed.), Perspectives on the Grateful Dead: Critical writings (pp. 127-135). Westport, CT: Greenwood Press.
    • (1999) Perspectives on the Grateful Dead: Critical Writings , pp. 127-135
    • O'Donnell, S.1
  • 33
    • 70350446212 scopus 로고    scopus 로고
    • Role of metaphor in the bonny method of guided imagery and music (bmgim)
    • In K. E. Brusica & D. E. Grocke (Eds.), . Gilsum, NH: Barcelona
    • Perilli, G. G. (2002). The role of metaphor in the Bonny Method of Guided Imagery and Music (BMGIM). In K. E. Brusica & D. E. Grocke (Eds.), Guided imagery and music- The Bonny method and beyond (pp. 417-448). Gilsum, NH: Barcelona.
    • (2002) Guided Imagery and Music- The Bonny Method and Beyond , pp. 417-448
    • Perilli, G.G.1
  • 34
    • 0004240432 scopus 로고    scopus 로고
    • Pickett, J. P. et al. (Eds.). . (4th ed.). Boston: Houghton Mifflin
    • Pickett, J. P., et al. (Eds.). (2002). The American heritage college dictionary (4th ed.). Boston: Houghton Mifflin.
    • (2002) The American Heritage College Dictionary
  • 35
    • 84880753282 scopus 로고    scopus 로고
    • Therapeutic musical relationship: A two-sided affair
    • Procter, S. (1999). The therapeutic musical relationship: A two-sided affair? British Journal of Music Therapy, 13(1), 28-37.
    • (1999) British Journal of Music Therapy , vol.13 , Issue.1 , pp. 28-37
    • Procter, S.1
  • 39
    • 33847153835 scopus 로고    scopus 로고
    • Forces, containers, and paths: The role of body-derived image schemas in the conceptualization of music
    • Saslaw, J. (1996). Forces, containers, and paths: The role of body-derived image schemas in the conceptualization of music. Journal of Music Theory, 40, 217-243.
    • (1996) Journal of Music Theory , vol.40 , pp. 217-243
    • Saslaw, J.1
  • 40
    • 60949407029 scopus 로고    scopus 로고
    • Life forces: Conceptual structures in schenker's free composition and schoenberg's the musical Idea
    • 17-34
    • Saslaw, J. K. (1997-1998). Life forces: Conceptual structures in Schenker's Free Composition and Schoenberg's The Musical Idea. Theory and Practice, 22-23, 17-34.
    • (1997) Theory and Practice , pp. 22-23
    • Saslaw, J.K.1
  • 41
    • 70350434770 scopus 로고
    • Structural analysis of clinical music: An important tool for music therapy practice and research
    • Schmidt, J. A. (1984). Structural analysis of clinical music: An important tool for music therapy practice and research. Music Therapy, 4(1), 18-28.
    • (1984) Music Therapy , vol.4 , Issue.1 , pp. 18-28
    • Schmidt, J.A.1
  • 44
    • 40349114106 scopus 로고
    • Melding musical and psychological processes: The therapeutic musical space
    • Summer, L. (1995). Melding musical and psychological processes: The therapeutic musical space. Journal of the Association for Music and Imagery, 4, 37-48.
    • (1995) Journal of the Association for Music and Imagery , vol.4 , pp. 37-48
    • Summer, L.1
  • 47
    • 70350444060 scopus 로고    scopus 로고
    • Up so tall. In M. Schnur-Ritholz, C. Robbins, & Nordoff-Robbins Center for Music Therapy at New York University, Carl Fisher: New York
    • Turry, A., & Robbins, C. (1999). Up so tall. In M. Schnur-Ritholz, C. Robbins, & Nordoff-Robbins Center for Music Therapy at New York University Themes for therapy. Carl Fisher: New York.
    • (1999) Themes for Therapy
    • Turry, A.1    Robbins, C.2
  • 48
    • 62449259734 scopus 로고    scopus 로고
    • Des herzraums abschied: Mark johnson's theory of embodied knowledge and music theory
    • 1-16
    • Zbikowski, L. (1997-1998). Des Herzraums Abschied: Mark Johnson's theory of embodied knowledge and music theory. Theory and Practice, 22-23, 1-16.
    • (1997) Theory and Practice , pp. 22-23
    • Zbikowski, L.1
  • 49
    • 0007326398 scopus 로고    scopus 로고
    • Metaphor and music theory
    • Available at
    • Zbikowski, L. (1998). Metaphor and music theory. Music Theory Online, 4(1). Available at http://smt.ucsb.edu/mto/mtohome.html.
    • (1998) Music Theory Online , vol.4 , Issue.1
    • Zbikowski, L.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.