-
1
-
-
84869660207
-
-
K. Graft, Guitar Hero Breaks $1 bln, Next Gen Business, 2008, http://www.edge-online.com/news/guitar-hero-breaks-1-bln. Retrieved on 2008-12-29.
-
K. Graft, "Guitar Hero Breaks $1 bln," Next Gen Business, 2008, http://www.edge-online.com/news/guitar-hero-breaks-1-bln. Retrieved on 2008-12-29.
-
-
-
-
2
-
-
70349977141
-
Beatles tunes might make it to Guitar Hero
-
March 18
-
G. Boucher, "Beatles tunes might make it to Guitar Hero", LA Times, March 18, 2008.
-
(2008)
LA Times
-
-
Boucher, G.1
-
4
-
-
70349982611
-
New data structure for old musical open works
-
Genova, Italy
-
S. Canazza, and A. Dattolo, "New data structure for old musical open works," in Proc. 2008 Conf. on New Interfaces for Musical Expression (NIME08), Genova, Italy, 2008, pp. 140-143.
-
(2008)
Proc. 2008 Conf. on New Interfaces for Musical Expression (NIME08)
, pp. 140-143
-
-
Canazza, S.1
Dattolo, A.2
-
5
-
-
14844353270
-
An abstract control space for communication of sensory expressive intentions in music performance
-
S. Canazza, G. De Poli, A. Rodà, and A. Vidolin, "An abstract control space for communication of sensory expressive intentions in music performance". Journal of New Music Research, vol. 32, N. 3, 2003, pp. 281-294.
-
(2003)
Journal of New Music Research
, vol.32
, Issue.3
, pp. 281-294
-
-
Canazza, S.1
De Poli, G.2
Rodà, A.3
Vidolin, A.4
-
6
-
-
33745740448
-
Espressive classifier at CSC: An overview of the main research streams
-
Firenze
-
S. Canazza, G. De Poli, L. Mion, A. Rodà, A. Vidolin, P. Zanon, "Espressive classifier at CSC: an overview of the main research streams", in Proc. of XIV Colloquium on Musical Informatics, Firenze, 2003, pp. 64-68.
-
(2003)
Proc. of XIV Colloquium on Musical Informatics
, pp. 64-68
-
-
Canazza, S.1
De Poli, G.2
Mion, L.3
Rodà, A.4
Vidolin, A.5
Zanon, P.6
-
7
-
-
84869648989
-
-
S. Canazza, G. De Poli, and A. Rodà, Analysis of Expressive Intentions In Piano Performance, Journal of ITC Sangeet Research Academy, 16, October 2002. Dipali Nag (Ed.), ITC Sangeet Research Academy, Calcutta, pp. 23-62.
-
S. Canazza, G. De Poli, and A. Rodà, "Analysis of Expressive Intentions In Piano Performance," Journal of ITC Sangeet Research Academy, Vol. 16, October 2002. Dipali Nag (Ed.), ITC Sangeet Research Academy, Calcutta, pp. 23-62.
-
-
-
-
8
-
-
14844361706
-
Modeling and control of expressiveness in Music Performance
-
S. Canazza, G. De Poli, C. Drioli, A. Rodà, and A. Vidolin, "Modeling and control of expressiveness in Music Performance", in Proc. of IEEE, vol. 92, N. 4, 2004, pp. 686-701.
-
(2004)
Proc. of IEEE
, vol.92
, Issue.4
, pp. 686-701
-
-
Canazza, S.1
De Poli, G.2
Drioli, C.3
Rodà, A.4
Vidolin, A.5
-
9
-
-
33646174906
-
Espressive director: A system for the real-time control of music performance synthesis
-
Stockholm, Sweden, pp
-
S. Canazza, A. Rodà, P. Zanon, and A. Friberg, "Espressive director: a system for the real-time control of music performance synthesis", in Proc. of the Stockholm Music Acoustics Conference, August 6-9, 2003 (SMAC 2003), Stockholm, Sweden, pp. 521-524.
-
Proc. of the Stockholm Music Acoustics Conference, August 6-9, 2003 (SMAC 2003)
, pp. 521-524
-
-
Canazza, S.1
Rodà, A.2
Zanon, P.3
Friberg, A.4
-
10
-
-
39649091671
-
The Sound and Music Computing Field: Present and Future
-
N. Bernardini, and G. De Poli, "The Sound and Music Computing Field: Present and Future," Journal of New Music Research, Vol. 36, No. 3, 2007, pp. 143-148.
-
(2007)
Journal of New Music Research
, vol.36
, Issue.3
, pp. 143-148
-
-
Bernardini, N.1
De Poli, G.2
-
11
-
-
39649089103
-
Score-independent audio features for description of music expression
-
L. Mion and G. De Poli, "Score-independent audio features for description of music expression," IEEE Transactions on Speech, Audio and Language Processing, vol. 16, No. 2, 2008, 458-466.
-
(2008)
IEEE Transactions on Speech, Audio and Language Processing
, vol.16
, Issue.2
, pp. 458-466
-
-
Mion, L.1
De Poli, G.2
-
12
-
-
70349994137
-
Technological development in the current social context: Who is really in control?
-
presented at the, June 5-7, Genova, Italy
-
X. Serra, "Technological development in the current social context: Who is really in control?," presented at the 8th International conference New interfaces for musical expression, June 5-7, 2008, Genova, Italy.
-
(2008)
8th International conference New interfaces for musical expression
-
-
Serra, X.1
-
14
-
-
84934296925
-
From action to sound: A challenging perspective for haptics
-
Pisa, Italy
-
A. Luciani, J. Florens, N. Castagne, "From action to sound: a challenging perspective for haptics," in Proc. of Workshop on Enactive Interfaces (Enactive 2005), Pisa, Italy, 2005, pp. 592-595.
-
(2005)
Proc. of Workshop on Enactive Interfaces (Enactive 2005)
, pp. 592-595
-
-
Luciani, A.1
Florens, J.2
Castagne, N.3
-
16
-
-
33646736657
-
A Multilayered Conceptual Framework for Expressive Gesture Applications
-
Barcelona, Nov
-
A. Camurri, G. De Poli, M. Leman, and G. Volpe, "A Multilayered Conceptual Framework for Expressive Gesture Applications," Proc. Intl MOSART Workshop, Barcelona, Nov. 2001.
-
(2001)
Proc. Intl MOSART Workshop
-
-
Camurri, A.1
De Poli, G.2
Leman, M.3
Volpe, G.4
-
17
-
-
0008003141
-
KANSEI as the Third Target of Information Processing and Related Topics in Japan
-
AIMI (Italia Computer Music Association) and DIST-University of Genova, Genova
-
S. Hashimoto, "KANSEI as the Third Target of Information Processing and Related Topics in Japan," in Proc. of the International Workshop on KANSEI: The technology of emotion, AIMI (Italia Computer Music Association) and DIST-University of Genova, Genova 1997, pp. 101-104.
-
(1997)
Proc. of the International Workshop on KANSEI: The technology of emotion
, pp. 101-104
-
-
Hashimoto, S.1
-
20
-
-
85032751766
-
Emotion recognition in human-computer interaction
-
R. Cowie, E. Douglas-Cowie, N. Tsapatsoulis, G. Votsis, S. Kollias, W. Fellenz, and J.G. Taylor, "Emotion recognition in human-computer interaction," IEEE Signal Proc.Magazine, Jan-01, 2001, 32-80.
-
(2001)
IEEE Signal Proc.Magazine, Jan-01
, pp. 32-80
-
-
Cowie, R.1
Douglas-Cowie, E.2
Tsapatsoulis, N.3
Votsis, G.4
Kollias, S.5
Fellenz, W.6
Taylor, J.G.7
-
21
-
-
0037734416
-
Communicating emotion in music performance: A review and theoretical framework
-
P.N. Juslin, and J.A. Slodoba Eds, Oxford University Press
-
P.N. Juslin, "Communicating emotion in music performance: a review and theoretical framework," in P.N. Juslin, and J.A. Slodoba (Eds.), Music and emotion. Theory and research, 279-309, Oxford University Press, 2001.
-
(2001)
Music and emotion. Theory and research
, pp. 279-309
-
-
Juslin, P.N.1
-
22
-
-
0037829331
-
Representing expressive performance in tempo-loudness space
-
Liege, Belgium
-
J. Langner, and W. Goebl, "Representing expressive performance in tempo-loudness space," in ESCOM 10th anniversary conference on Musical Creativity, Liege, Belgium, 2002, pp. 109-113.
-
(2002)
ESCOM 10th anniversary conference on Musical Creativity
, pp. 109-113
-
-
Langner, J.1
Goebl, W.2
-
23
-
-
0002583251
-
The performance of music
-
D. Deutsch Ed, 2nd ed, pp, Academic Press, San Diego, CA
-
A. Gabrielsson, "The performance of music," in D. Deutsch (Ed.), The psychology of music (2nd ed.), pp. 501-602, Academic Press, San Diego, CA, 1999.
-
(1999)
The psychology of music
, pp. 501-602
-
-
Gabrielsson, A.1
-
24
-
-
0034543675
-
Cue utilization in communication of emotion in music performance: Relating performance to perception
-
P.N. Juslin, "Cue utilization in communication of emotion in music performance: relating performance to perception". Journal of Experimental Psychology: Human perception and performance, 26, 2000, 1797-1813.
-
(2000)
Journal of Experimental Psychology: Human perception and performance
, vol.26
, pp. 1797-1813
-
-
Juslin, P.N.1
-
25
-
-
70349999948
-
Perceptual analysis for the validation of the Energy-Kinetics space,
-
CSC-02-01, 2001
-
S. Canazza, "Perceptual analysis for the validation of the Energy-Kinetics space," CSC-DEI internal technical report. CSC-02-01, 2001.
-
CSC-DEI internal technical report
-
-
Canazza, S.1
-
26
-
-
84869660221
-
Toward an action based metaphor for gestural interaction with musical contents
-
to be published
-
G. De Poli, L. Mion, and A. Rodà, "Toward an action based metaphor for gestural interaction with musical contents," Journal of New Music Research, to be published.
-
Journal of New Music Research
-
-
De Poli, G.1
Mion, L.2
Rodà, A.3
-
27
-
-
62849095990
-
The Interactive Piece The Bow is bent and drawn
-
Athens, Greece, September
-
A. Camurri, C. Canepa, P. Coletta, N. Ferrari, B. Mazzarino, and G. Volpe, "The Interactive Piece The Bow is bent and drawn," in Proc. 3rd ACM International Conference on Digital Interactive Media in Entertainment and Arts (DIMEA 2008), Athens, Greece, September 2008, pp. 376-383.
-
(2008)
Proc. 3rd ACM International Conference on Digital Interactive Media in Entertainment and Arts (DIMEA 2008)
, pp. 376-383
-
-
Camurri, A.1
Canepa, C.2
Coletta, P.3
Ferrari, N.4
Mazzarino, B.5
Volpe, G.6
-
28
-
-
56749103232
-
Ontology Based Affective Context Representation
-
Faro, Portugal, May 14-17
-
Benta, K., Rarãu, A., and Cremene, M. "Ontology Based Affective Context Representation". In Proceedings of the Euro American Conference on Telematics and information Systems. Faro, Portugal, May 14-17, 2007.
-
(2007)
Proceedings of the Euro American Conference on Telematics and information Systems
-
-
Benta, K.1
Rarãu, A.2
Cremene, M.3
|