Short-circuiting perceptual systems: Timbre in ambient and techno music

Wired for Sound: Engineering and Technologies in Sonic Cultures

Volumn , Issue , 2005, Pages 156-180

  Fales, Cornelia ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 70349413524     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (22)

1. Aphex Twin. 1994. Nameless track, Selected Ambient Works. Vol. II. New York: Warner Brothers Records.
2. Baudrillard, Jean. 1988. Selected Writings, ed. Mark Poster. Stanford: Stanford University Press.
3. Bregman, Albert. 1990. Auditory Scene Analysis. Boston: MIT Press.
4. Crowder, Robert G. 1993. "Auditory Memory." In Thinking in Sound, Stephen McAdams and Emmanuel Bigand, eds., New York: Oxford University Press.
5. De la Hire, Philippe. 1716. Experience sur le Son. Memoires de l'Academie Royale des Sciences.
6. Fales, Cornelia. 1995. "Auditory Illusion and Cognitive Patterns in Whispered Inanga of Burundi." Systematic Musicology 3(1):125-154.
7. -. 2002. "The Paradox of Timbre." Ethnomusicolqgy 46(1):56-95.
8. Feld, Steven. 1994 [1984]. "Communication, Music, and Speech about Music." In Music Grooves, by Charles Keil and Steven Feld. Chicago: University of Chicago Press, 77-95.
9. -. 1994 [1988]. "Aesthetics as Iconicity of style, or, Lift-Up-Over Sounding. In Music Grooves, by Charles Keil and Steven Feld. Chicago: University of Chicago Press, 109-150.
10. Gracyk, Theodore. 1996. Rhythm and Noise: An Aesthetic of Rock. Durham, N. C.: Duke University Press.
11. Keil, Charles, and Steven Feld. 1994. Music Grooves. Chicago: University of Chicago Press.
12. Mandler, G. 1991. "The Processing of Information Is Not Conscious, but Its Products Often Are." Behavioral and Brain Sciences 14(4):688-689.
13. Merikle, P. M., and M. Daneman. 1998. "Psychological Investigations of Unconscious Perception. " Journal of Consciousness Studies 5(1):5-18.
14. Meyer, Leonard. 1956. Emotion and Meaning in Music. Chicago: University of Chicago Press.
15. Meyer, Leonard. 1987. "Toward a Theory of Style." In The Concept of Style, ed. Bercl Lang. Ithaca: Cornell University Press, 21-71.
16. Peretz., Isabelle, and José Morais. 1988. "Determinants of Laterality for Music: Towards an Information Processing Account." Handbook of Dichotic Listening: Theory, Methods and Research, Kenneth Hugdahl, ed. New York: Wiley, 323-358.
17. Reynolds, Simon. 1996a. Generation Ecstasy: Into the World of Techno and Rave Culture. Boston: Little, Brown.
18. -. 1996b. "Low Theories." The Wire issue 146, No. 4. .
19. Schafer, R. Murray. 1977. The Tuning of the World. New York: Knopf.
20. Serra, Eric. 1997. "Diva Dance." The Fifth Element. New York: Virgin Records.
21. Squarepusher. 1997. "Port Rhombus." Big Loada. New York: Warp Records.
22. Toop, David. 2001. Ocean of Sound, Aether Talk, Ambient Sound, and Imaginary Worlds. London: Serpent's Tail.